A soon-to-be stepmom is snowed in with her fiancé's two children at a remote holiday village. Just as relations begin to thaw between the trio, some strange and frightening events take place... Read allA soon-to-be stepmom is snowed in with her fiancé's two children at a remote holiday village. Just as relations begin to thaw between the trio, some strange and frightening events take place.A soon-to-be stepmom is snowed in with her fiancé's two children at a remote holiday village. Just as relations begin to thaw between the trio, some strange and frightening events take place.
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The movie started out great, a visual buffet with horror subtlety sprinkled all around promising a visceral ride, the first act left me feeling excited with anticipation of things to come. The last act of the film wasn't bad either, delivering truly horrific anticipation of things to come, but nothing ever really manifested.
In the end, I believe the pace of the film is too slow for such a thin plot. The visual story stops being impressive after the firs act, the second act is way too slow, and the third act left me, and I believe much of the audience feeling rather disappointed with the flick.
In the end, if you're looking for a classic scare, I think the movie is not for you; if however, you enjoy visual story telling, and don't mind a slow pace, then it might be worth a shot.
In the end, I believe the pace of the film is too slow for such a thin plot. The visual story stops being impressive after the firs act, the second act is way too slow, and the third act left me, and I believe much of the audience feeling rather disappointed with the flick.
In the end, if you're looking for a classic scare, I think the movie is not for you; if however, you enjoy visual story telling, and don't mind a slow pace, then it might be worth a shot.
This movie is relatively good. Movie goers cannot seem to watch movies for what they are now but constantly need to analyze and compare elements of the movie to other films. This movie is a little on the slower side. If you like slow building, psychological thrillers, this one is for you.
I've given this a six because we were both effectively creeped out and very impressed with cinematography and the film's immediacy for the front half. The key plot point of why the Dad left his kids in the situation he did wasn't credible but I was willing to go with the premise...up to a point.
I lost confidence in the film's direction when the "mystery" began to be explained. It felt as though the writers decided there HAD to be a violent resolution to the story (and somewhat of a nod to the morbid religiosity that had been pointed to.)
We were a little disgusted with a pat ending after such early promise of something different. I also get tired of films where someone takes it out on an innocent animal to create fear and foreshadow things are going to get really bad for the humans.
I lost confidence in the film's direction when the "mystery" began to be explained. It felt as though the writers decided there HAD to be a violent resolution to the story (and somewhat of a nod to the morbid religiosity that had been pointed to.)
We were a little disgusted with a pat ending after such early promise of something different. I also get tired of films where someone takes it out on an innocent animal to create fear and foreshadow things are going to get really bad for the humans.
It is meant to be a suspenseful horror film, but the story turns out not scary In fact, the story makes me really angry. It is very cruel, and I have no sympathy for the people who have caused this pain.
I attended the east coast premiere of "The Lodge" a few weeks ago and can say it will most likely be 2020's most polarizing and divisive horror release.
If you've seen Franz & Fiala's last film, "Goodnight Mommy," you'll have an idea of what to expect in terms of tone and themes. The cinematography is breathtaking, and Riley Keough's performance is unbelievable. Like "Mommy" the central characters are two siblings who are up against some sort of unknown/unstable maternal presence while existing in isolation. Instead of a vast, lonely European farm, "The Lodge" features exactly what the title suggests -- a mountain lodge in the middle of nowhere. It's so well done that you can almost feel the icy frost in the theater as the film progresses.
Franz & Fiala take a lot of cues from Ari Aster, ESPECIALLY "Midsommar," in depicting sudden tragedy and brutal, existential grief that consistently drips off the screen. Additionally, there are underlying themes of mental illness and psychosis that are done really well and tactfully -- although I might add it may not seem so at first. Sorry if that's cryptic, I just don't want to give any spoilers. The ending will knock you on your ass. I couldn't move after the screening, I was frozen for half the credit roll, and couldn't stop thinking about it for days.
I highly recommend "The Lodge" for fans of Aster's work, or if you liked "Goodnight Mommy" and want more of the same slow-burn insanity.
If you've seen Franz & Fiala's last film, "Goodnight Mommy," you'll have an idea of what to expect in terms of tone and themes. The cinematography is breathtaking, and Riley Keough's performance is unbelievable. Like "Mommy" the central characters are two siblings who are up against some sort of unknown/unstable maternal presence while existing in isolation. Instead of a vast, lonely European farm, "The Lodge" features exactly what the title suggests -- a mountain lodge in the middle of nowhere. It's so well done that you can almost feel the icy frost in the theater as the film progresses.
Franz & Fiala take a lot of cues from Ari Aster, ESPECIALLY "Midsommar," in depicting sudden tragedy and brutal, existential grief that consistently drips off the screen. Additionally, there are underlying themes of mental illness and psychosis that are done really well and tactfully -- although I might add it may not seem so at first. Sorry if that's cryptic, I just don't want to give any spoilers. The ending will knock you on your ass. I couldn't move after the screening, I was frozen for half the credit roll, and couldn't stop thinking about it for days.
I highly recommend "The Lodge" for fans of Aster's work, or if you liked "Goodnight Mommy" and want more of the same slow-burn insanity.
Why Riley Keough Wasn’t Ready for ‘The Lodge’
Why Riley Keough Wasn’t Ready for ‘The Lodge’
Kevin Smith chats with Riley Keough at Sundance 2019, and she shares why she was fully unprepared for her first meeting with The Lodge directors Severin Fiala and Veronika Franz.
Did you know
- TriviaJayden Martell (Aiden) and Lia McHugh (Mia) did activities such as ice-skating, rock-climbing and dinners, to bond in their brother and sister roles. However, the directors kept both of them separated from Riley Keough (Grace), so that they would not grow too close with her.
- GoofsWhen Grace comes out of the shower, she wraps a dark towel around her waist. In the next scene, when she wipes the steamed-up mirror with her hand, she is wearing a white towel around her top.
- ConnectionsFeatured in WatchMojo: Top 10 Horror Movies of 2020 So Far (2020)
Details
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- Countries of origin
- Official site
- Language
- Also known as
- La cabaña siniestra
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- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $2,138,907
- Opening weekend US & Canada
- $76,251
- Feb 9, 2020
- Gross worldwide
- $3,155,858
- Runtime
- 1h 48m(108 min)
- Color
- Aspect ratio
- 1.85 : 1
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