He's the perfect man - until his love becomes the most dangerous thing in your life.He's the perfect man - until his love becomes the most dangerous thing in your life.He's the perfect man - until his love becomes the most dangerous thing in your life.
- Awards
- 4 wins & 11 nominations total
Browse episodes
Summary
Reviewers say 'You' is lauded for its suspenseful plot and psychological intrigue, especially in the first two seasons. The show's exploration of obsession and love is often highlighted. However, later seasons face criticism for becoming convoluted and politically charged, with some finding the deviation from the original premise disappointing. Character development and plot consistency are points of contention. Despite mixed reviews, Penn Badgley's performance remains a consistent highlight.
Featured reviews
You has been the center of my attention since 2019. I loved how captivating it was, a narrative thriller with strong acting and a great soundtrack. Season 2 took my experience to another level. Victoria Pedretti entered the scene and completely stole the spotlight from Penn Badgley, turning You into a masterpiece.
Season 3 had weaker writing, but it still delivered solid characters and managed to stand its ground. Then came Season 4, split into two parts, which felt like a major step backward. The flaws in the writing were fully exposed, and the main character became far too predictable and linear.
The fifth and final season started off well, but it went downhill fast. Netflix was clearly doing what it does best, pushing its agenda and forcing it onto the story. From the "girl power" gang to the terribly written feminism, it felt like a parody of what You once was. And the way they turned the main character into a joke was just sad.
Instead of delivering a proper closure, the final season felt like the rainbow fantasy of a confused teenager living in the UK, someone who knows nothing more than TikTok trends and Aldi snacks.
Season 3 had weaker writing, but it still delivered solid characters and managed to stand its ground. Then came Season 4, split into two parts, which felt like a major step backward. The flaws in the writing were fully exposed, and the main character became far too predictable and linear.
The fifth and final season started off well, but it went downhill fast. Netflix was clearly doing what it does best, pushing its agenda and forcing it onto the story. From the "girl power" gang to the terribly written feminism, it felt like a parody of what You once was. And the way they turned the main character into a joke was just sad.
Instead of delivering a proper closure, the final season felt like the rainbow fantasy of a confused teenager living in the UK, someone who knows nothing more than TikTok trends and Aldi snacks.
Season 1 was okay, entertainable. Didn't like Beck at all though.
Season 2 is more mature and Love is a great character (great actress). The season is more thrilling and the story isn't that cheesy. Really enjoyed it!
Season 2 is more mature and Love is a great character (great actress). The season is more thrilling and the story isn't that cheesy. Really enjoyed it!
I watched this without expectation. I hadn't heard of the book. I hadn't seen any previews or descriptions. What i found was a pleasantly dark show. It's uncomfortable and unpredictable and has what is hopefully an amazing story to tell from a unique perspective.
We're put into the head of a stalker who seems to be a hair's width away from violence. The tension is held well.
But what REALLY made it feel uncomfortable for me was a rather odd choice from the network. Swearing is censored out. There are these conspicuous blanks in the dialogue. It had me obsessing. When you've got a show this dark, who the hell do they think they're going to offend with a little swearing? Are they expecting kids to be up watching it? It's content is far more offensive than swearing could ever be.
Apart from that one VERY annoying point, it's a brilliantly put together show. I'm looking forward to watching more (though I'll probably find myself swearing at the TV about the missing dialogue).
We're put into the head of a stalker who seems to be a hair's width away from violence. The tension is held well.
But what REALLY made it feel uncomfortable for me was a rather odd choice from the network. Swearing is censored out. There are these conspicuous blanks in the dialogue. It had me obsessing. When you've got a show this dark, who the hell do they think they're going to offend with a little swearing? Are they expecting kids to be up watching it? It's content is far more offensive than swearing could ever be.
Apart from that one VERY annoying point, it's a brilliantly put together show. I'm looking forward to watching more (though I'll probably find myself swearing at the TV about the missing dialogue).
The show started to go off the rails after season 2, but it was all still enjoyable due to the consistently amazing performance of Penn Badgley . He is on his A-game again in season 5, but held back by an inconsistent script leading to many out of character moments for Joe. The "always one step ahead" trait of his character is here one episode, then gone the next ,which leads into the events of the final episode where us the viewers can see the twist coming miles before.
Season 5 started off with a good premise with a few twists ,that will be predictable to many, but were still entertaining to watch. Around the midpoint it started to lose its footing but came back with a great episode 8 and 9, which should have been the finale. Instead Episode 10 took a different direction with a narrative switch which didn't feel deserved, and multiple retcons that felt cheap. While it doesn't ruin the whole series like other shows final seasons have , it's sad to see it go out on such a low note, with so much wasted potential and storylines still left unfinished. A few series characters are brought back but add virtually nothing to the story and are mostly used as nostalgia bait, contributing to the feeling of this season being rushed. The best way I can summarise season 5 is that it's a good season (with many high points) but a very bad final season, lacking the finality this show deserved.
Goodbye, you.
Season 5 started off with a good premise with a few twists ,that will be predictable to many, but were still entertaining to watch. Around the midpoint it started to lose its footing but came back with a great episode 8 and 9, which should have been the finale. Instead Episode 10 took a different direction with a narrative switch which didn't feel deserved, and multiple retcons that felt cheap. While it doesn't ruin the whole series like other shows final seasons have , it's sad to see it go out on such a low note, with so much wasted potential and storylines still left unfinished. A few series characters are brought back but add virtually nothing to the story and are mostly used as nostalgia bait, contributing to the feeling of this season being rushed. The best way I can summarise season 5 is that it's a good season (with many high points) but a very bad final season, lacking the finality this show deserved.
Goodbye, you.
This is a "Should I?" or "Should I not?" kind of a series. From the pilot, we know the protagonist is definitely sociopathic, maybe even psychopathic. Is this an anti-hero we can get behind? But, there is just something about it that makes you want to watch one more episode... and then you find the first season is over! This is well written, well performed, addictive and, well, disturbing. I give the series an 8 (addictive) out of 10. {Dramatic Crime Thriller}
Did you know
- TriviaAlthough he plays Love's teenage lover Theo, and their affair is seen as scandalous, Dylan Arnold is one year older than Victoria Pedretti.
- GoofsAs a lover of books, especially rare/antiques, Joe would know better than to fold back the covers of paperback books. It puts strain on the spine.
- ConnectionsFeatured in MsMojo: Top 10 Actors Who HATED Their TV Characters (2019)
- How many seasons does You have?Powered by Alexa
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Kẻ Đeo Bám
- Filming locations
- Logos Bookstore - 1575 York Avenue, Yorkville, Upper East Side, New York City, New York, USA(Mooney's, Joe's place of emplyment in season 1)
- Production companies
- See more company credits at IMDbPro
- Runtime
- 45m
- Color
- Sound mix
- Aspect ratio
- 2.00 : 1
Contribute to this page
Suggest an edit or add missing content