Three mischievous children embark on a woodland odyssey when their mother sends them on an errand.Three mischievous children embark on a woodland odyssey when their mother sends them on an errand.Three mischievous children embark on a woodland odyssey when their mother sends them on an errand.
- Awards
- 7 wins & 9 nominations total
Jason K. Wixom
- Irate Stock Boy
- (as Jason Wixom)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Is this movie something special? I think some viewers will feel that it is. I think two reasons include: 1) It follows some free-range kids on an "adventure," and 2) The film quality gives it a retro look. These two elements add a sense of nostalgia for filmgoers of a certain age. The fact that the kids just roam the county with no parents checking in on them sets this movie apart from anything else made in a long, long time. There is also a slightly surreal quality to a lot of the scenes; the filmmakers did NOT go for a sense of realism. Instead, the children are able to do and say things that kids would like to be able to do, but never really could in real life. So it's kind of like a stylized way of telling the story from a kid's perspective--kind of like how Night of the Hunter has it's own logic at times. I happened to enjoy it, even when not everything worked 100%. For example, the fabled dance sequence: this should have been a highlight, but I didn't feel like it had the intended effect for me. Still, I very much appreciate that someone was able to get this made, and I would be interested to see what the writer/director does in the future. It's the kind of story I wouldn't mind telling if I were ever to write.
This reminded me of the films produced in the UK by the Children's Film Foundation. It all centres around the adventures of three paintball-armed kids who meticulously plan a raid on a warehouse that holds games consoles. They manage to pinch one and get it home, but there they find that the television needs a password! That requires their mother - poorly with flu in bed upstairs. They manage to get her to agree to release the code if they go get her a blueberry pie. Snag? Well the baker's don't have any and the baker is on holiday. Then they decide to try to make one themselves, so coax the recipe out of "Miss Celia" (Colleen Baum) and head to the supermarket to "borrow" the ingredients. The last, most vital, speckled eggs is stolen from under their nose by "Redrye" (Charles Halford). They're not having any of this so follow him home so they can pinch them back, only to find he is part of a gang led by "Anna-Freya" (Lio Tipton), a witch of sorts, who is determined to kill the 'Prince of the Forest" (a grand and majestic old stag). Luckily for our intrepid trio, her daughter "Petal" (Lorelei Olivia Mote) had snuck out on the hunting trip and soon the four children are using all of their guile to thwart the plans of her mother whilst still getting that elusive egg for the pie! The four children deliver engagingly here with "Alice" (Phoebe Ferro - or maybe a young Dame Anna Wintour) taking charge, Mote enjoying her spell as the mischievous mini-witch and the scene stealing "Jodie" (Skyler Peters). He's the youngest of the group and the most entertaining. The writing quirkily mixes some modern day language with some fun use of Arthurian style ye, thee and whences and when did you last hear a kid (or anyone) use the word scurries? The story is a bit of a mess at times, and the ending a bit rushed and covenient, but I did quite enjoy this enthusiastic romp with a touch of magic and a gently impressed ecological message too.
First thing - I know I would have LOVED this movie as a kid. It has children with strong will, acting independently, not being undermined as "just kids". I think as a kid, I would have watched this film dozens of times.
Secondly, as an adult, I still enjoyed this movie. A kids movie that also works for adults? As a parent, let me tell you, those don't come so easy.
Thirdly, the mix between video-game plot elements, aesthetics, structure, etc. Were delightful. The sets (I had to google where it was filmed - Wyoming I think?) were beautiful, and took us out of the usual "seen this a million times" aesthetics.
Fourth, I think the actors (kid actors) were very natural and did a great job. At no moment in the film did I cringe from acting, even though some film critics didn't seem satisfied (yes The Guardian, I'm thinking of you).
In general, this movie is original and atypical. I actually WANT to reccoment it to people, and feel like I want to keep an eye on the director's future creations. Maybe the reason why critics didn't enjoy it so much is because it neither fits into the festival-film aesthetics, nor the commercial film aesthetics. Why? Maybe because this is an actual Auteur film. The movie conveys a personal sense of reality and fantasy, crosses borders, does its own thing without so much a bother of if it fits into a category or another. It doesn't shy away from scenes that can seem a bit ridiculous, for the purpose of the magic and fantasy of the story and what it conveys.
I give it a big A+ - highly reccomended.
Secondly, as an adult, I still enjoyed this movie. A kids movie that also works for adults? As a parent, let me tell you, those don't come so easy.
Thirdly, the mix between video-game plot elements, aesthetics, structure, etc. Were delightful. The sets (I had to google where it was filmed - Wyoming I think?) were beautiful, and took us out of the usual "seen this a million times" aesthetics.
Fourth, I think the actors (kid actors) were very natural and did a great job. At no moment in the film did I cringe from acting, even though some film critics didn't seem satisfied (yes The Guardian, I'm thinking of you).
In general, this movie is original and atypical. I actually WANT to reccoment it to people, and feel like I want to keep an eye on the director's future creations. Maybe the reason why critics didn't enjoy it so much is because it neither fits into the festival-film aesthetics, nor the commercial film aesthetics. Why? Maybe because this is an actual Auteur film. The movie conveys a personal sense of reality and fantasy, crosses borders, does its own thing without so much a bother of if it fits into a category or another. It doesn't shy away from scenes that can seem a bit ridiculous, for the purpose of the magic and fantasy of the story and what it conveys.
I give it a big A+ - highly reccomended.
This movie reminds me a lot of the early children adventures movies I have grown up watching as a kid. A story about adventures, fantasy, friendship, and the journey to find something. Using 16mm film, the filmmaker perfectly captures the essence of children fairytale adventures with gorgeous looking production, camerawork, soundtrack, and really good child performances from the cast members.
The writing and the themes explored fits very well with the setting and direction. Many of the choices made feel childish and strange but it is intentional as it helps add the child-like adventures and craziness that we kids would go through to seek an adventure. With the characters being pretty fun to observe, many of the child performances are really good with each feeling nature and realistic of what how children really act and speak.
Although, it isn't a perfect movie. For a runtime of 114 minutes, it does feel tedious and some of the pacing really did drag the movie that made me zone out a little during the second act. But as a whole, I appreciate the filmmaker being able to capture the tone and atmosphere very well and it's definitely a project that he is passionate about.
But I definitely will be keeping an eye on this director.
The writing and the themes explored fits very well with the setting and direction. Many of the choices made feel childish and strange but it is intentional as it helps add the child-like adventures and craziness that we kids would go through to seek an adventure. With the characters being pretty fun to observe, many of the child performances are really good with each feeling nature and realistic of what how children really act and speak.
Although, it isn't a perfect movie. For a runtime of 114 minutes, it does feel tedious and some of the pacing really did drag the movie that made me zone out a little during the second act. But as a whole, I appreciate the filmmaker being able to capture the tone and atmosphere very well and it's definitely a project that he is passionate about.
But I definitely will be keeping an eye on this director.
Riddle of Fire is not only shot beautifully in it's own whimsical, 80s filtered camera, but the dialogue alsp feels just as whimsical, yet organic at the same time. The best way to sum up the feel of the film is Princess Bride meets Napoleon Dynamite meets Stranger Things. The premise is simple to the film and many great misadventures spawn from it. All the characters are interesting and have yourself asking what the back stories are to these characters. The youngest boy being the only character with subtitles is always hilarious especially since his lines are so good! Riddle of Fire is set in the modern day but feels so in touch with a past time. You can tell the love that went into this project and that the actors really enjoyed making this film. Can't wait to see what the producer makes next!
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Did you know
- TriviaIn a 2024 interview with Sci-fi Now, Weston Razooli spoke about his influences for the film: "In terms of filmmakers, one would be François Truffaut, and I wanted to create my version of The 400 Blows (1959), set in the mountains of Wyoming! I also wanted an Akira Kurosawa grandiose adventure quality, sort of like The Hidden Fortress (1958), with a freewheeling, enchanted adventure of sorts, where these characters seem almost lost in the forest. I was also inspired by... The Little Rascals from the 1920's, just shows about funny kids doing funny things. Then I'd have to name the film Where Is the Friend's House? (1987) from Abbas Kiarostami. It's the simplicity of a kid trying to return a friend's notebook to his house that he can't find, and the plot of Riddle of Fire is very similar to that. I am often inspired by the literature of Robin Hood and his merry men kind of just frolicking in the forest on adventures, and Brothers Grimm as well. There's also a board game called The Enchanted Forest which I grew up playing, it has a mysterious and slightly scary quality to it. My brothers, cousins and I used to say it was sort of like Jumanji (1995) where you have to keep playing the game, or else terrible things will happen! I guess it created this thing in our imaginations, bigger than the game itself."
- SoundtracksRiddle of Fire Theme
Written by Hole Dweller
Performed by Hole Dweller
Licensed Courtesy of Tim Rowland
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Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- 三寶奇謀闖天關
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $54,671
- Opening weekend US & Canada
- $24,250
- Mar 24, 2024
- Gross worldwide
- $274,682
- Runtime
- 1h 55m(115 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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