Good Posture

Script has an early draft feel about it, with a lot being done for effect without really making sense.

At best, it's one of those regular negative exemplar warnings for would-be Baumbachs and Gerwigs, and fetishists of '70s Woody Allen. Turns out that a gentrified boho setting, attractive but dysfunctional intellectuals, a quirky folk soundtrack and a ukulele aren't going to be enough to make your movie. One might further venture that if touchingly realist character studies are your ideal, you might have spent a lot more time trying to understand the characters you decided to depict and a hell of a lot more making their interactions feel unique, plausible, motivated and meaningful.

Quirky and strange one can say, free and ravishing to others.to me , the grumpy old man and his grumpy better half, do both feel we sit leftwith an empty shell of a story experience, with loads of vocalali, uncareingness, adolescent adults and a writers cramp..

its like drinking tea on the titanic at 12000 feet below waters edge, accompanieged by a self illuminating deep sea sculpin, dangling its fluorescent bait back and forth, to lure you into the belly of silver screen fun and entertainment, but what you get are just a blurry gulch of blood and gall stories of a punch and judy way of life, where the seriousness does kill the magic, and the narcisissm kills the fun.

acting, are very free but not a good way to tell the sad story.

score, some nuttyish feature songs on string instruments sung by a striving female hanging upside down with her gutters pressing againt her vocal chords, may be something for you

but not for me ,im still grumpy, and the max sum of 4 stars goes to some of the shoots at the new york streetlevel. just a small recommend

Mortimer's Julia and Grace Van Patten's Lilian are at daggers drawn the second they set eyes on each other, an antipathy that only heightens once Julia insists that her houseguest should start earning her keep. Gradually, though, their frosty relationship, largely conducted through notes penned in Lilian's private diary, begins to thaw, a softening that happens in tandem with Lilian's own stumbling towards maturity. Written and directed by Mortimer's friend and Doll & Em collaborator, Dolly Wells, Good Posture is a slight but affecting yarn that cleverly makes you root for outwardly unsympathetic antagonists. Along the way it amusingly punctures the publishing world's precocity, Lilian's self-serving decision to make a documentary about Mortimer's "Miss Havisham" prompting hilariously po-faced contributions from Martin Amis and Zadie Smith, as well as a downright dotty one from a dancing Jonathan Ames. The insularity and selfabsorption of the drama's upscale milieu won't be for everyone. Yet those who give it a chance might be surprised how touched they are by a film that's both a love letter to New York and a spry salute to sisterhood.

It always fascinates me when there is a discrepancy between 'user' ratings and the critics. I don't know why people are unimpressed by this film. It is an original and surprising sort of urban New York 'coming of age' story, with very good performances, subtle humour and Austen like irony. The plotting is brilliant, but above all else it is kind and humane; kind to its characters and really quite profound in its humanity, without ever once losing its indie lightness of touch.

I took a bit of a blind punt on this film, it was on my sky films list, and as I am rather partial to the odd 'offbeat' indie film I gave it a go.

This really is such a charming film, coloured with imaginative characters all of which are acted in such natural ways, there's nothing to make your eyes roll or let our a very long sigh, this is a very enjoyable and beautifully worked production.

I am so glad I watched this.