Never the New
- Episode aired Jan 24, 2022
- TV-MA
- 1h 21m
IMDb RATING
7.8/10
2.4K
YOUR RATING
In 1882, Marian arrives at the home of her "old money" aunts Agnes and Ada, whose neighbors vie to break into New York high society.In 1882, Marian arrives at the home of her "old money" aunts Agnes and Ada, whose neighbors vie to break into New York high society.In 1882, Marian arrives at the home of her "old money" aunts Agnes and Ada, whose neighbors vie to break into New York high society.
Featured reviews
This series has potential, and I'll wait it out for more episodes. Right now the acting seems a little self conscious, as though the actors aren't quite comfortable with the "gilded age" way of speaking, and some wooden delivery from a few of the players kept me from giving a higher rating for this first episode. I hope the storyline gives more than a "new money/old money" focus. That will get old soon.
The old and new money families of New York face off in the new series The Gilded Age. The Gilded Age, I believe, is also set in the same universe as Downton Abbey.
Set in 1882, the pilot episode introduces us to the Russells, a nouveau riche family in NYC which consists of railroad tycoon George, his strong-willed wife Bertha, their college-aged son Harry, and their naive daughter Gladys. Meanwhile, penniless young woman Marian Brook move into her wealthy aunts' home without a choice. Affluent families like the Astors and Roosevelts also appear.
The production design is good, but I'm more in awe with the elaborate costumes. The storylines are entertaining and is also upstairs-downstairs like Downton Abbey, but this new series focus more on these prominent families. The actors are great, particularly Carrie Coon, Christine Baranski, and Morgan Spector. A few of the others seem wooden, I dunno. Louisa Jacobson seems to struggle a little bit here.
But still, I'm excited to watch the next episodes.
Set in 1882, the pilot episode introduces us to the Russells, a nouveau riche family in NYC which consists of railroad tycoon George, his strong-willed wife Bertha, their college-aged son Harry, and their naive daughter Gladys. Meanwhile, penniless young woman Marian Brook move into her wealthy aunts' home without a choice. Affluent families like the Astors and Roosevelts also appear.
The production design is good, but I'm more in awe with the elaborate costumes. The storylines are entertaining and is also upstairs-downstairs like Downton Abbey, but this new series focus more on these prominent families. The actors are great, particularly Carrie Coon, Christine Baranski, and Morgan Spector. A few of the others seem wooden, I dunno. Louisa Jacobson seems to struggle a little bit here.
But still, I'm excited to watch the next episodes.
Everyone needs to stop with the " unattractive cast" nonsense. This is not Bridgerton or Downtown Abbey. This is old money versus new money in all its snooty, look down your nose glory. Christine Baranski is perfect in the lead role. Her contempt for anyone beneath her borders on hilarious. Enjoy the ride people, I get the feeling it's going to be fabulous 😊
Things have been set up for two mega-rich families and their courts in late eighteenth century New York City. This time the Capulets and the Montagues are the old and the new rich and there is the conflict. The Russells build this enormous house with garish furnishings and throw down the gauntlet. Unfortunately, wealth is not the answer to everything for the old families, a who's who of robber barons, hostelers, industrialists, and so on. Names like Astor and Rockefeller are the old families. Things revolve around Mrs. Russell trying to run things and causing sparks to fly, insulting those she desires as "new" friends. This series looks quite promising with the Julian Fellowes touch of excess.
There's just something so jarringly absurd, hearing eloquent dialogue that's clearly written by an eccentric, British writer (who crafts jokes with an identifiable British wit / sense of humour) for very American characters who enunciate lines through equally peculiar, English sounding American accents? "The Gilded Age" therefore is adapted to the screen by Americans, filmed in America, featuring Americans who somehow sound like they're not from America... Because of an English showrunner?
It's akin to an SNL sketch, spoofing classical period dramas... Except this one's hilarity is unintentional, taking itself far too seriously, not realising the ridiculousness of its own premise.
Of course, the logic of this creative venture makes perfect sense; following the profitability of ITV's critically acclaimed series "Downton Abbey", HBO & creator Julian Fellowes have brazenly tried to replicate that success here by taking the basic template & applying it to a historical piece set in the US (so blatantly, they may as well have clicked copy & paste)... But considering the fact that Downton Abbey's quintessential Britishness is part of why the franchise thrived, it seems as though nobody considered how things may be lost in translation, when bringing that format stateside?
What worked in one country, may not work in another etc. Hence, this feels like a derivative rehash of something that was previously done before - & although glossy, boasting impressive production values, full of impressive grandeur... None of that compensates for the lack of uniqueness or sincerity.
Moreover, it's also distracting seeing this new age of clinical & sterile looking period dramas where everything's visually pristine, clean & immaculate... At first, I noticed it with "Bridgerton" & now that inauthentic, meticulous aesthetic has spread to yet another, "The Gilded Age". Need I remind people - this is an era where most citizens didn't have access to frequent baths, diseases were rife & yet inexplicably, streets are spotless, outfits are unblemished & they all look hygienic?
It's akin to an SNL sketch, spoofing classical period dramas... Except this one's hilarity is unintentional, taking itself far too seriously, not realising the ridiculousness of its own premise.
Of course, the logic of this creative venture makes perfect sense; following the profitability of ITV's critically acclaimed series "Downton Abbey", HBO & creator Julian Fellowes have brazenly tried to replicate that success here by taking the basic template & applying it to a historical piece set in the US (so blatantly, they may as well have clicked copy & paste)... But considering the fact that Downton Abbey's quintessential Britishness is part of why the franchise thrived, it seems as though nobody considered how things may be lost in translation, when bringing that format stateside?
What worked in one country, may not work in another etc. Hence, this feels like a derivative rehash of something that was previously done before - & although glossy, boasting impressive production values, full of impressive grandeur... None of that compensates for the lack of uniqueness or sincerity.
Moreover, it's also distracting seeing this new age of clinical & sterile looking period dramas where everything's visually pristine, clean & immaculate... At first, I noticed it with "Bridgerton" & now that inauthentic, meticulous aesthetic has spread to yet another, "The Gilded Age". Need I remind people - this is an era where most citizens didn't have access to frequent baths, diseases were rife & yet inexplicably, streets are spotless, outfits are unblemished & they all look hygienic?
Did you know
- TriviaThe episode won an Emmy Award for Outstanding Production Design for a Narrative Period or Fantasy Program (One Hour or More)
- GoofsA character says "Dvorák played the piano and talked about composing." The episode takes place in 1882 in New York City. Dvorák did not come to New York until 1892.
- Quotes
Dorothy Scott: You just remember, we are all held fast, frozen in time until you finally allow us to move forward.
Details
- Runtime
- 1h 21m(81 min)
- Color
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