It's a reunion for all the wrong reasons when Hugh flies in for the funeral, coming face to face with his estranged children on a dark, stormy night.It's a reunion for all the wrong reasons when Hugh flies in for the funeral, coming face to face with his estranged children on a dark, stormy night.It's a reunion for all the wrong reasons when Hugh flies in for the funeral, coming face to face with his estranged children on a dark, stormy night.
Andzelika Bobrova
- Cocktail Server
- (uncredited)
Featured reviews
Having just gone to the funeral of my 42 year old cousin, I can relate to the gathering of family in this episode, the awkward conversation, the memories, the anger and the love through it all. The filming technique was absolutely amazing, the continuous cuts were superb, intertwined with flashbacks of days in the house. When Dad walked in, and all he saw were his young children , that got me. So well done.
This show is far above any horror show I've seen.
And this episode took it even to another higher level.
It makes an American Horrorstory look like amateurs.
(To the makers,writers actors,crew etc..)Where were you all my life?
This is the perfect horror show,
Thank you.
The depth, the flow, the emotion, the acting from adults and children alike, and that brilliant, brilliant cinematography. Like watching a perfectly choreographed dance or stage play. Literally cannot fault this masterwork. Easily the most stunning episode of television, of any genre, that I've seen in years.
All the Crain family arrive at the funeral home to pay respect to Nell.
There isn't much I can say about this that has not already been said by all the reviews giving it 10/10.
From a technical perspective it is a magnum opus. I have seen several movies that use long continual takes but I've not seen it used to create such utter creepiness and also enhance the storytelling such as in Two Storms. The opening scene is so mind-blowing in what it achieves, I almost couldn't believe what I was seeing. Later on the technique is used to more frightening effect where the camera moves about the upper floor of Hill House in one of the best horror-suspense sequences I've ever watched.
The changes between time periods are absolutely seamless and some are even done in the same take. One of my favourite aspects of the series is how well it applies transitions. When the long takes in this episode eventually transition they happen in very memorable ways.
The acting is superb from the entire cast who for the first time properly share the centre stage. What makes it so impressive is how well they perform given the technical demands. The episode explores the theme of grief and the characters convincingly display a variety of behaviours relating to bereavement.
Writing the script must have been like trying to do a complicated stage play, so much credit has to be given for this. It also contains what I thought was some quite black humour in some of the dialogue and I hope I was right to laugh when I did.
This is definitely one that can be rewatched for both entertainment and for those who appreciate the craft of filmmaking.
There isn't much I can say about this that has not already been said by all the reviews giving it 10/10.
From a technical perspective it is a magnum opus. I have seen several movies that use long continual takes but I've not seen it used to create such utter creepiness and also enhance the storytelling such as in Two Storms. The opening scene is so mind-blowing in what it achieves, I almost couldn't believe what I was seeing. Later on the technique is used to more frightening effect where the camera moves about the upper floor of Hill House in one of the best horror-suspense sequences I've ever watched.
The changes between time periods are absolutely seamless and some are even done in the same take. One of my favourite aspects of the series is how well it applies transitions. When the long takes in this episode eventually transition they happen in very memorable ways.
The acting is superb from the entire cast who for the first time properly share the centre stage. What makes it so impressive is how well they perform given the technical demands. The episode explores the theme of grief and the characters convincingly display a variety of behaviours relating to bereavement.
Writing the script must have been like trying to do a complicated stage play, so much credit has to be given for this. It also contains what I thought was some quite black humour in some of the dialogue and I hope I was right to laugh when I did.
This is definitely one that can be rewatched for both entertainment and for those who appreciate the craft of filmmaking.
10benrobo
Oh my goodness, this episode is incredible. One other reviewer described this as an almost dance and it really is.
Everything is just so tight. The acting is spot on by both the adults and kids and there are some genuinely amazing one shot takes.
I am so impressed with this series. It's so clever. So well written. Brilliantly acted as well
Everything is just so tight. The acting is spot on by both the adults and kids and there are some genuinely amazing one shot takes.
I am so impressed with this series. It's so clever. So well written. Brilliantly acted as well
Did you know
- TriviaThe statues keep changing position during the continous shots.
- Quotes
Young Nell: I was right here, I didn't go anywhere. I was right here. I was right here... the whole time. None of you could see me. Nobody could see me.
- ConnectionsFeatured in WatchMojo: Top 10 Scariest "The Haunting of Hill House" Moments (2018)
Details
- Runtime
- 57m
- Color
- Sound mix
- Aspect ratio
- 2.00 : 1
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