An Impossible Love

This movie grabbed me because I love French films, and I'm drawn to watching films with both of the lead actors.

It started off good, if not extremely maddening, due to the storyline of the main female character letting herself being used and walked over. That was hard to watch.

Then, halfway through, as the daughter starts to grow up and different actors are used for the character, it gets messy. The storyline in the second half, which I was not expecting, and made me pretty sick, was weird and could be triggering for some.

I love how films make you really feel something, but if it's a storyline for a movie (such as the one that starts halfway through in this movie), I'll usually give it a miss - but who knew from the outset? You'd never guess, and it's pretty gross. Then comes the hastily put-together ending between mother and daughter. I think the title An Impossible Love / Un amour impossible was inaccurate. Perhaps, Un amour revoltant would have been more apt.

I saw this film in London yesterday and loved it. The story takes place in France in the late 50's. It is about love that is subverted by extreme selfishness and class difference, about shifting attitudes and emotions and about reconciliation. Corsini's direction is understated, and the acting of all the leads is very convincing. The film is over two hours long and I wasn't bored for a second.

Sometimes things are not as we think. This movie is an example of that. What starts with a very ordinary story develops into an adventure of drama. We have seen the story, the beginning of the film many, many times before; boy meets girl, they fall in love, but can not marry due to class differences. But this issue is only used as a starting point in this gripping, well-played and engaging film. The film depicts people, main characters in an era, and masterfully manages to follow developments. For my own part, it was also demanding to watch, first and foremost to understand why Rachel played by Virginie Efira makes the choices she makes in the film. This is how good film should be like. Challenge us and give us insight into choices others choose to make. I now understand that I have to check out the other films director Catherine Corsini has made. At least she has succeeded greatly in this wonderful film.

I did not seek out this film.

Watched it one Sunday afternoon on BBC iPlayer.

I was feeling unwell and thought it looked gentle enough. There was no write up, so did not know what to expect.

It was a fine, intelligent film; Rachel was a wonderful character, I liked and understood her. It is this factor that sustains the film throughout. The two hours or so passed quickly; one becomes heavily invested in the central character.

One is left with no doubt about Phillippe from the start, he is not ordinary and totally narcissistic. Therein lies the reason for, what sometimes seems like, his unfathomable hold over Rachel. This is not about class differences or anything as mundane as that keeping lovers apart, this is about a true narcissist's manipulation of a trusting and loving girl / woman.

When adult Chantel, Rachel and Philippe's daughter, confronts Rachel at the end, Rachel's answer is believable; she simply did not conceive that the problems in their mother and daughter relationship, during Chantel's teenage years, was anything other than that she, Rachel, was simply not good enough.

I am trying not to give anything away, just watch the film and see it play out. Just remember that it is Rachel's life you are watching unfolding.

Sometimes I think it is only France that is producing one incredible film after another. I have a list of the great films that I have seen from this country ( the ones that I believe will last and be returned to as great works of art ) and this joins them. I watched it late at night and I could not sleep such was the impact. To tell its story is to do it a disservice. It is the story of a life, and the people in that life; it questions and it probes, and it shows how far we all are from knowing those who affect us during this short span of living that we have. Many philosophical questions are asked, and the scene at the end of the film between Virginie Efira and Jehnny Beth is so precise, so clear that my head was spinning with its truth and sometimes dreadful clarity. Society and us as individuals are pitilessly drawn into question, but all this would mean nothing without the direction of Catherine Corsini and the group of actors she has brought togethet. Efira is superb, and Jehnny Beth has a fierce force in her acting that I found overwhelming. I have admired Niels Schneider for quite a while, but here he surpasses himself. I am a poet myself, and one fine writer said about one of my poems that it was above criticism. So is this film. Like that elusive thing that we call truth it shifts and it changes, and perhaps truth in its essence is beyond us all, both in its certitude and its horror and its beauty. ' Un Amour Impossible ' cuts into the heart and the brain like a scalpel.