Modest Heroes

This movie consistices of 3 segments

The first short is about a brother and a sister who go fishing and they encounter so big large fish. The second segment is about a kid called shun who is allergic to eggs. The third segment is about a guy who is always invisible for some reason.

I personally find it a good watch on Netflix especially if you are looking for something which is short.

In their little nature, these segments reveal a simple, but no less deep and entertaining.

KANINO AND KANINI: The most intriguing aspect was surely the world-building, which kinda reminded me of ARIETTY, from Studio Ghibli.

I also appreciated how they used just that invented language, but managing to still make everything understandable and sweet.

I almost wish we could see a full movie out of it, let's hope Yonebayashi will eventually consider doing it XD

LIFE AIN'T GONNA LOSE: I'm pretty sure this will be the most relatable to many people.

Even I was touched in a kinda personal way, because even my mother suffers from allergies, although thankfully she never went into serious troubles because of it.

But I really enjoyed the realism of Shun's frustration, and the way his mother is constantly worried about him.

I could perfectly sense the pain, both physical and spiritual, and that's no easy task, in animation.

I think it's something it should be showed to everyone, kids and adults alike

INVISIBLE: The darkest of the three, though not in a too heavy way.

The idea is not fully original, given how the metaphor of "invisibility" to show the alienation from society has been used many times in books, movies and comic books.

But despite that, here it is shown in a very spectacular and effective way thanks to the animation and the visuals, almost like a live-action, like only Japanese animes can do.

The way the body transmits all the necessary feelings without any of it is just amazing and, again, full of true pain, it deserves all the appreciation it can get.

Modest Heroes is an anthology movie. The first segment is about tiny little crab people or something. Two crab people lose their father and have to find him. For some reason, it drove me nuts. I hated how there was dialogue, but the characters only ever said each other's names or grunted/laughed/used other non-words. It was just something on a gut level that made me unjustifiably angry. I wish they'd either talked properly or said nothing at all. It looked nice visually but the no man's land when it came to communication bothered me non-stop.

The second film is a lot more grounded and moves away from fantasy. It's about a young boy who's allergic to eggs, and looks at the stresses of raising a kid who could well die if they're exposed to something they shouldn't eat. It sort of works emotionally, but the way it escalates at the end felt a bit contrived. I didn't entirely buy it. Maybe shortcuts have to be taken for some short stories to work, but eh(gg).

The third film gets fantastical again, being about an invisible man who finds himself becoming even more invisible, losing his grip on the world and becoming less able to interact with it. It's easily the most visually engaging of the three, and I think it has the most interesting premise, too. It's definitely a highlight and saves Modest Heroes somewhat. To consider it as one whole, it's not bad for something that's just an hour long and the presentation is strong, but the storytelling - outside that final short - is kind of lacklustre.

Studio Ponoc's second animation film ended up being a collection of three shorter films, each focusing on unlikely heroes that don't set out to do great deeds, but who achieve a small degree of greatness even still.

The first short film, Kanini & Kanino, was directed by Hiromasa Yonebayashi and resembles his directorial debut, The Secret World of Arrietty, a lot. Some would argue it resembles that film a bit too much. It's also the segment most resembling what you would call Studio Ghibli style, which makes sense because Yonebayashi worked for them when he directed Arrietty. It's a visually pleasing little story about shrimp-sized kids going on an adventure to find their lost father, but it doesn't really soar as far as plot goes.

The second film, Life Ain't Gonna Lose, was directed by Yoshiyuki Momose and tells of a young boy with a severe egg allergy. Even a hint of eggs in his food will cause him to go into shock and as thus he must live his entire life walking on eggshells, if you'll pardon my terrible pun. This is the segment that I liked the most, mainly because its characters have the most personality and you quickly come to care for their struggles. It's also the most grounded story. People like this most certainly exist and it must not be easy for them. Which makes the boy's upbeat energy all the more endearing.

The third and last film, Invisible, was directed by Akihiko Yamashita and tells of a man so alone and ignored that he's in danger of becoming so impermanent that he'll literally float away. But even those ignored can have their moment if they're in the right place at the right time. Visually the most interesting of the three segments and with a poignant message.

All in all I liked the collection. It's nothing groundbreaking, but each of the segments was at least animated well, the music was nice and I was positively reminded of those short story films Disney did in the 1940s.

Saw the first two stories and gave it up. They build up to nothing, they don't serve any purpose whatsoever. Cutely-drawn flat characters. It's basically a waste of time watching this. Rather re-watch Totoro.