The Eyes of Orson Welles

In his imaginative take on the life of Orson Welles, Mark Cousins looks at Welles's personal sketchbooks - he was an inveterate scribbler, though he rarely went as far as to produce what we might call finished artworks - and sees the connections to his films, and to his life. This is not just a novel but also an interesting approach: film is a visual medium, but the visual side of a movie is the hardest thing to talk about: the sketches provide a key to the way that Welles conceived his tableaux. The other part of the thesis is that Welles's choice of movies tell us something about his private character. This is more contentious: does someone choose to play Falstaff, say, or film Don Quixote, because the character fits their own self-image? Maybe not, but Cousins gives us a credible speculation of how Welles' own character manifested itself in the work he produced, of how his films reveal the man who made them. Instead of a conventional narrative, Cousins prefers to engage in one half of an imaginary dialogue with the auteur: at times this is less successful, as when Cousins seems to impute a connection of Welles with Ireland that seems more important to him than he manages to convince us it was to Welles. Overall, though, it's a worthwhile endeavor: Welles's story is well known, its arc usually presented as tragic; but Cousins succeeds in making us view it through fresh eyes.

This is constructed in a different way than most looks at a life, with a focus on art and drawing to see things the way he saw. It mostly works really, really well, with some great attention to tiny details from his life that only a real scholar would know. It stumbles a bit with the part where he has orson talking back, but that's only 10 minutes of a 100 minute movie that really does offer something for even the person who already has read everything there is to read about Welles.

Mark Cousins explores the life and works of Orson Welles, through the prism of his artwork.

This documentary is structured in the form of an open letter to Welles, as if he were still alive; the conversation isn't entirely one-sided, as towards the end of the documentary there are imagined replies from Welles too.

Burrowing through the remaining archive of Welles' artwork, often in the company of his daughter Beatrice, shows some insights into the workings of the mind of one of the twentieth century's most influential and controversial film-makers. Although nothing can be examined in great detail in the running time (1Hr 40mins as I saw it), his working life, his marriages, and his political activism are touched upon.

This film is both nicely made and is visually arresting in its own right; the content together with Cousins' quiet intensity makes this a must-see documentary for film enthusiasts. For me it underlined the fact that there are lots of his movies which I have yet to see, and there are aspects of Welles that I knew nothing about.

Eight out of ten from me; a longer version would probably have been an easy nine.

It's listed as a documentary, on the life and works of orson welles, who lived from 1915 to 1985. Writer, director, producer, stage manager, casting director. Mark cousins and welles' daughter beatrice describe various items from the welles collection archive. Drawings, letters, papers. Lots of scenery of new york and chicago. Discussion of themes like beginnings and endings. Some politics. Cousins addresses many statements and questions to orson himself, as if he were in the same room. And sums of welles' work as a series of shapes and lines. Contradictions, as any poet has. There's a very complete page of information at wikipedia dot org as well. It's mostly good. Written, directed, narrated by mark cousins. He has won numerous film fest awards. It's quite interesting. I wish cousins had spent more time with beatrice on camera! She must have had tons of interesting stories about her father's life and work. And i don't remember any discussion of welle's project (uncompleted, during his lifetime) other side of the wind... which was also released in 2018!

A British documentary film; This is a compelling analysis of the creative output, sketches and paintings of the American actor, director, writer and producer who is remembered for his innovative work in radio, theatre and film. The film critic Mark Cousins regales us with a colourful and insightful account of his motivations. It is gushing as a tribute, but it is heartfelt. It dovetails image and voiceover very well.