The Eyes of Orson Welles

A doc on Welles that focuses on his drawings? Sounds about as interesting as one on Warhol that centers on his films. And as a number of previous reviewers have observed the director/narrator's droning, second person Irish tones get old five minutes in.

I appreciate the effort put into this documentary. I learned a lot about Welles which I had not known. Actually, I wasn't aware that he made or performed in so many films. I believe only a select few are shown on TV these days. I certainly will be on the look-out for more of his films as mentioned in this documentary. Contemporary youth seem to prefer everything In color and flashy so they show no interest in old films especially if they are in black and white. Having said that, I did not give a high rating because I found the director spoke more or less in a monotonous voice most of the time. Of course, he has an Irish accent, but that in itself is not an issue.

In his imaginative take on the life of Orson Welles, Mark Cousins looks at Welles's personal sketchbooks - he was an inveterate scribbler, though he rarely went as far as to produce what we might call finished artworks - and sees the connections to his films, and to his life. This is not just a novel but also an interesting approach: film is a visual medium, but the visual side of a movie is the hardest thing to talk about: the sketches provide a key to the way that Welles conceived his tableaux. The other part of the thesis is that Welles's choice of movies tell us something about his private character. This is more contentious: does someone choose to play Falstaff, say, or film Don Quixote, because the character fits their own self-image? Maybe not, but Cousins gives us a credible speculation of how Welles' own character manifested itself in the work he produced, of how his films reveal the man who made them. Instead of a conventional narrative, Cousins prefers to engage in one half of an imaginary dialogue with the auteur: at times this is less successful, as when Cousins seems to impute a connection of Welles with Ireland that seems more important to him than he manages to convince us it was to Welles. Overall, though, it's a worthwhile endeavor: Welles's story is well known, its arc usually presented as tragic; but Cousins succeeds in making us view it through fresh eyes.

This documentary had potential, but it was ruined by the dull, never ending narration. Very boring, IMO. What a waste.

A British documentary film; This is a compelling analysis of the creative output, sketches and paintings of the American actor, director, writer and producer who is remembered for his innovative work in radio, theatre and film. The film critic Mark Cousins regales us with a colourful and insightful account of his motivations. It is gushing as a tribute, but it is heartfelt. It dovetails image and voiceover very well.