Sword of Trust

I came across this while browsing for something easy to watch, the synopsis almost swayed me away but I'm glad I watched it. It's a (mostly) light hearted comedy that has quite a few funny moments.

Firstly this film is awful, about as funny as a root canal, and more tedious. I am certain that the only people giving it a passing grade of over three stars must be the poor put upon family members of the film's makers. Faux "authenticity" by having no script and non-actors (or lousy actors) serves whose interests? The audiences? Certainly not.

I have a lot of tolerance for low budget production, but not when there is no redeeming positive factor. GCI is expensive, but interesting storyline, characters or dialogue are not expensive. This clunker has none.

The "alternative reality" is present alright: someone with no talent went to film school and thinks that alone will suffice. It doesn't.

I don't get the reviews giving this 1-3 out of ten, it's actually quite funny if you're the sort of person that can appreciate subtle humour as opposed the the endless steam of crappy American comedies starring the same handful of actors, I'm looking at you Seth Rogan, Paul Rudd, Katherine Heigl etc. I can only imagine those low scores are from low brow people that believe the conspiracy nonsense this movie pokes fun at.

A lovely small scale film with a satisfying payoff. Exactly the sort of film she excelled at. And dammit I still can't believe she's gone. She'll never make all the wonderful films she could have made over the next forty years, and I feel that loss terribly.

A small town Alabama pawn shop dealer (Maron) is presented with an intriguing item one day by an incredulous couple (Bell and Watkins) - an antique sword with paperwork attesting to the "fact" that the South won the Civil War.

A strange and entertaining adventure ensues as the 3 join forces with a kid who works at the pawn shop (Bass) to try and find a high-end buyer for the unique relic from a time that didn't really even exist.

Quirky without being contrived, funny and tight (88 minutes - I saw it with a post-film Q&A where director Shelton said "a comedy should be 90 minutes"), the film serves as a tailor-made vehicle for the strengths of its main protagonist (Maron) and a small, solid supporting cast. Much of the dialogue was improvised, yet none of it feels forced, and it also manages to poke fun at the culture of "alternative facts" which is slowly seeping into all corners of society without being malicious (making one of the GOOD guys an unapologetic flat-earther helps to spread the sympathy/blame around).

Worth a watch on screens big or small. Watkins and Bell have a nice chemistry, Bass plays a simpleton a bit TOO convincingly, and, despite the fact that he regularly self-deprecates to the contrary on his podcast, Maron is really coming into his own as an actor.