A screenwriter known for ripoff "mockbusters" asks his successful former colleague for feedback on his first serious script.A screenwriter known for ripoff "mockbusters" asks his successful former colleague for feedback on his first serious script.A screenwriter known for ripoff "mockbusters" asks his successful former colleague for feedback on his first serious script.
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- 20 wins & 10 nominations total
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Featured reviews
The dialogue feels so formulaic and structured, but the film overall is far from boring: actually it's fairly amusing and quite fun to watch. The ludicrous, silly comedic bits - albeit frequently a bit too much - work well for the most part. The leads are really amiable, to be honest.
(6/10)
(6/10)
Funny, heartfelt, and well-acted; I'm looking forward to seeing what Stuckmann, Heidger, and Newberry have to offer.
So, Chris Stuckmann is making movies now. Is good? well no not really, but is it bad? Yes, but for fixable reasons.
The idea of a screen writer needing to finally make a jump to making respected movies is one that can feel emotional to people who are writers, and in that lies the biggest issue with this movie. The script feels like it's tailor made for writers (which is an obvious stand in for Chris) and not much else. All the emotional scenes lose any sense of emotion when it revolves around characters you don't feel connected to. On top of that we go over 3 distinct feelings between the two characters that feel rushed given the short run time of the movie. If you've seen the movie you know these moments.
As for the good parts. The camera work isn't bad. It's nothing stylized or experimental, but for a low budget short film it works. The editing is solid leading to some fun moments from John as the D movie actor. The sound work isn't bad either, giving what could have been really bad audio to this film we actually have well recorded audio, so that deserves props.
I loved Chris for his videos for many years. So I want to see him get somewhere with his career, but that being said I think he should pick either being a film writer (in which he need to work on opening up his writing to a larger demographic and saving his passion projects for when he's finally made it) or being a film maker (in which he shows a lot of promise but really needs to find his style) and find a writer for his ideas.
The idea of a screen writer needing to finally make a jump to making respected movies is one that can feel emotional to people who are writers, and in that lies the biggest issue with this movie. The script feels like it's tailor made for writers (which is an obvious stand in for Chris) and not much else. All the emotional scenes lose any sense of emotion when it revolves around characters you don't feel connected to. On top of that we go over 3 distinct feelings between the two characters that feel rushed given the short run time of the movie. If you've seen the movie you know these moments.
As for the good parts. The camera work isn't bad. It's nothing stylized or experimental, but for a low budget short film it works. The editing is solid leading to some fun moments from John as the D movie actor. The sound work isn't bad either, giving what could have been really bad audio to this film we actually have well recorded audio, so that deserves props.
I loved Chris for his videos for many years. So I want to see him get somewhere with his career, but that being said I think he should pick either being a film writer (in which he need to work on opening up his writing to a larger demographic and saving his passion projects for when he's finally made it) or being a film maker (in which he shows a lot of promise but really needs to find his style) and find a writer for his ideas.
Going into this I thought, "Well he seems to know a lot about movies so this should be decent." Well turns out I was wrong. This movie is horrible. The first problem is the tone. It's like some kind of weird back n forth from awkward comedy to the serious path of a struggling film maker which is obviously Chris Stuckmann's film-making path put into this movie. I wouldn't mind the comedy if it wasn't spoken by two mediocre actors with no chemistry which points back to bad directing.
Last problem is its almost all handheld cam and if you pay attention hard enough you can see the camera shaking like someone is having a panic attack mid-scene. Really not needed and again bad directing choice. Only good thing I'll say is Flickinger's performance because it seems like he really wanted to show out for Chris. Other than that bad.
Last problem is its almost all handheld cam and if you pay attention hard enough you can see the camera shaking like someone is having a panic attack mid-scene. Really not needed and again bad directing choice. Only good thing I'll say is Flickinger's performance because it seems like he really wanted to show out for Chris. Other than that bad.
Ok where do I start? Bad title. Actress was ok but the actor was awful. Script is bad. Most of the jokes fall flat. Dialogue is bad. Direction is ok but too much shaky cam. Way too much cheap hokie looking CG. So to summarise; its not good.
I cant help thinking Chris would tear this to pieces if he was reviewing it. If he wants to make genuinely good films he needs to give it 100% of his attention. This feels like a half assed side project inbetween reviews.
I cant help thinking Chris would tear this to pieces if he was reviewing it. If he wants to make genuinely good films he needs to give it 100% of his attention. This feels like a half assed side project inbetween reviews.
Did you know
- TriviaChris Stuckmann said Mason Heidger and KateLynn E. Newberry memorized the script and recorded one of their rehearsals in one take .
Details
Box office
- Budget
- $4,000 (estimated)
- Runtime
- 19m
- Color
- Aspect ratio
- 1.78 : 1
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