Sibyl

Such an unconventional movie, with a great cast . The story is twisted , in many directions but it comes to Sibyl's conclusion , "my life is a fiction ...." Then perfect setting with the Stromboli ;) Sensible , smart , great photo... . and bravo to Virginie, Adele, Gaspard and Nils .

The trailer was classically misleading. I did not expect a pale remake of Providence (1977) directed by Alain Resnais.

In short: 1) Sibyl has a few undisclosed skeletons in the closet and manages them while drinking abusively. 2) Sibyl is a shrink and the border between her private life and her professional life does not exist. 3) Sibyl is a writer and she draws inspiration from her own surroundings. Thus, given these three points, fiction and reality are quickly confused, for Sibyl first and for the audience even more.

Although the actresses Sandra Hüller and Adèle Exarchopoulos are outstanding, this story of a lost woman suffering of emotional distress is globally boring.

This film is a mess of unsavory characters and bad, ridiculously unlikely decision. Some of the acting is good, the storyline is silly, the sex gratuitous and graphic. There is not one interesting character. Despite the attempt to give some background to why sybil is so messed up (an absent mother from whom she distanced herself and a sister who gives sybil's children lectures on how to be manipulative) it's a fail all around.

It could be a kind of french Mulholland Drive. The materials where there: the affections of the past, the psychological insight, the fiction inside the fiction, fantasies, memories...

A failed writer retakes her old dream to write a beautiful novel, but her lacks of inspiration block her... until she met an actress, who tells her about her troubles. Quickly Sibyl sees a paralelism with her past, about her frustrated love with a man that bring her a passion and then another trauma related with a son they had. Sibyl lost her literal aspirations and her love and in ten years she discovered herself having a life that is safe, with some client as therapist and a husband that gives her estability. But none of these are now valid items to her.

The materials, as I said are good, but by one side the dialogue is too melodramatic, sometimes the scenes turns cartoonish and melodrama doesn't fits very well with the tone of the film, a psychologial drama. The scenes are also too repetitive, once we understand her old past love was very passionate, we don't need three more scenes of kissing and stuff.

By other side, the other characters, aside form Sibyl, doesn't feel with depth, something is missing with all of them.

It's a pity, because the idea is very good. A lost opportunity.

I can't recall seeing a film with so many good and great elements: cinematography, acting, a good deal of great dialogue, that was assembled into such a let down of total experience. It is like observing a kid who is smart, has everything, goes to he best schools -- yet goes nowhere in life.

I don't know where this project went wrong. Was it deep flaws from the beginning and they went ahead without resolving them, or was it some kind of creative fight in post production, perhaps about comedy vs drama as the goal in editing?