Point of Origin
- Episode aired May 16, 2019
- TV-MA
- 43m
IMDb RATING
5.3/10
2.4K
YOUR RATING
A housewife discovers where she's really from when she's taken away from her family.A housewife discovers where she's really from when she's taken away from her family.A housewife discovers where she's really from when she's taken away from her family.
Shiraine Haas-Blake
- Constance
- (as Shiraine Haas)
Featured reviews
What could have been a great episode is ruined by yet another heavy handed message, this time immigration gets it's turn
This felt like the original series. The first quarter of the episode felt like they were going to go all preachy about immigration and the rich versus the poor, but they managed to move it in a direction that made a more universal point about people in general. Everyone is a stranger to everyone, and sometimes even themselves.
Once again the new TZ lets us down. I have no problem with the issues presented on these new episodes, but why do we have to be preached to each week? The writing is once again a major problem. The original Twilight Zone was renown for its heartfelt scripts, great dialogue and clever twist endings. Not every episode had a surprise ending, but enough of them did to make that a hallmark of the show. There hasn't been a decent twist in any of the episodes of this reboot so far, and this is number 8 of the series. 'Point Of Origin', like most of the past weeks on this show telegraphs its ending long before it arrives, and the writing is so flat that in its efforts to be thought-provoking it leaves me with a big 'that's it?'. This show doesn't hold a candle to the original TZ, and pales in comparison to Black Mirror, the show that is the definitive torchbearer of the Twilight Zone legacy.
Welcome to one of the worst written TV show episodes ever. Instead of taking a subject like refugees fleeing oppression and seeking a better life, and making it into a great episode with a worthwile learning experience for everyone, the new Twilight Zone show degrades the experience of refugees with this portrayal.
As if white people could only empathize with the hardships of immigrants and refugees if they see it happen to one of their own. This is humiliating to both white Americans and immigrants because it makes everyone look like a caricature. Whoever wrote this should be banned from making movies and TV, just like the creators of the new Twilight Zone.
As if white people could only empathize with the hardships of immigrants and refugees if they see it happen to one of their own. This is humiliating to both white Americans and immigrants because it makes everyone look like a caricature. Whoever wrote this should be banned from making movies and TV, just like the creators of the new Twilight Zone.
Almost all the low ratings/reviews of this episode seem to be from one crank. The vast majority from single use accounts created right after the airing of the episode.
this is episode is in fact probably one of the more subtle, intelligent and even handled of an issue contemporary and historic issue -- it it is one of the episodes KNOWN to mirror Rod Serling work and thoughts
Did you know
- TriviaThe "Blurryman" from Blurryman (2019), who is a white male in a black suit, appears in the grocery store scene. At the 7:09 mark, he bumps into Eve (Jinnifer Goodwin).
- Goofs(Around 3 minutes) when Anna is taken away her hands are behind her back but in front of her when she gets outside.
- Quotes
Narrator: [opening narration] Meet Eve Martin. Loving mother, devoted wife, active in her community. Eve was raised to view the world from a bubble of comfort, safety and privilege. But that bubble is about to burst. And when it does, she will find herself within the strange and unfamiliar borders of The Twilight Zone.
- ConnectionsFeatured in The Twilight Zone: Blurryman (2019)
Details
- Runtime
- 43m
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