Limbo

Almost turned into Aki Kaurismaki's pupil, the Scottish director manages to create a fun, moving and profound story about the refugee drama. That sarcastic look that places a group of refugees on some remote Scottish islands where nothing happens except the ups and downs of the weather, creates a story that is humorous but slowly turns to melancholy. The same one that the protagonist has, anchored in a limbo that is physical, but above all, vital.

Limbo is a very tough watch. It explores the lives of asylum seekers who await the outcome of their applications while housed on a remote Scottish island. Which as you can imagine is a saddening subject matter.

Despite these overall notes of despair and sadness, this film is injected with numerous moments of warmth and hope, and even humour. It is perfectly played with a sharp and smart script and stunning cinematography.

The characters, particularly the lead Omar, are very well written. The acting from Amir El Masry in this lead role was great. A very accomplished performance.

A great film and a perfect execution of a concept that could have been awfully misjudged.

I really enjoyed this film. The cinematography is outstanding and beutiful. Some shots are so beautiful it's worth a second watch just to appreciate them. Please watch this movie!

The second best work from UK for the year 2021, though the film was released in 2020, it made the major film festival runs in 2021. ( My best film from UK in the same period remains Uberto Pasolini's "Nowhere Special.)

"Limbo" has won the top honors at the Scottish BAFTAs, Cairo and Brussels international film festivals. It is a more realistic film depicting the turmoil in the minds of Syrian refugees than "The man who sold his skin" made in the same year. Omar is a realistic and honest Syrian fleeing his homeland that he loves. The performances are credible--but Vikash Bhai's Farhad--an Afghan Zoroastrian, while lovable, has no obvious touches of a Farsi-speaking Afghan with an unmistakable Afghan accent but more of an Indian Parsee speaking English.

The most fascinating touch for me was the almost static camera capturing the empty road ahead of it as a metaphor of the unsure wait of the refugees The second best sequence was the "Jacques Tati" like visual sequence of the postman's car delivering main captured with humor. Young Sharrock has a great potential and needs to walk down "the empty road" (repeatedly shown in his film) to be a major force like Ken Loach.

The writer / director achieved what I can call the hero change from within , where the protagonist took the same open road at the end but the journey changed him completely. From my humble opinion, this is how a festival film should look like. Although a lot of films tried to tackle the Syrian refugee case but this film was totally different, using filmmaking to tell the story in an artistic and sarcastic way.