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6.3/10
5.9K
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In 1926, with her personal life in tatters and her writing in crisis, a young Agatha Christie decides to solve a real-life murder.In 1926, with her personal life in tatters and her writing in crisis, a young Agatha Christie decides to solve a real-life murder.In 1926, with her personal life in tatters and her writing in crisis, a young Agatha Christie decides to solve a real-life murder.
Amelia Dell
- Rosalind
- (as Amelia Rose Dell)
Josh Silver
- Franklin
- (as Joshua Silver)
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- Writer
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Yours truly is a genuine Agatha-Christiephile. I know that's not an official term, but what else would you call someone who's literally obsessed with everything regarding the legendary female mystery-author. I worship her novels & short stories, love the flamboyant film-adaptations of her most famous books and am fascinated with the enigmatic facts of her personal life. In 1926, Christie disappeared for a period of eleven days. An impressive search party followed, and she was eventually located in a hospital supposedly with amnesia. Multiple speculations arose, but the true circumstances and reason of her disappearance were never fully clarified. This modest made-for-TV production is a fictional tale about where she could have been, much like the 1979-film "Agatha", directed by Michael Apted and starring Vanessa Redgrave and Dustin Hoffman. At first, I was reluctant to see this, but I'm glad I did because it's a compelling and well-acted, albeit largely inconspicuous little film.
The 36-year-old Agatha Christie balances on the verge of a massive depression in 1926. Her husband Archie insists for a divorce, so that he can marry his much younger mistress, and she suffers from a writer's block because her fans always guess the identity of the culprit of her stories via the wrong method. When she's literally begged to help solving the real-life murder of nurse Florence Nightingale, who got brutally bludgeoned to death on a train six years earlier, she sees an opportunity to both escape her personal problems and to perform research and seek inspiration for her work.
The plot isn't exactly plausible, but it's nice to see how the writers attempt to hint at the possible origin of famous Agatha Christie stories that followed after 1926, like the luring of guests to a remote location (And Then There Were None - 1939) and the train settings for "4.50 from Paddington" and "Murder on the Orient Express". The anti-climax actually fits the plot rather well. None of the performances are highly memorable, but the entire cast does their best. You're still better off reading an authentic Christie novel, but "The Truth of Murder" certainly isn't a waste of time.
The 36-year-old Agatha Christie balances on the verge of a massive depression in 1926. Her husband Archie insists for a divorce, so that he can marry his much younger mistress, and she suffers from a writer's block because her fans always guess the identity of the culprit of her stories via the wrong method. When she's literally begged to help solving the real-life murder of nurse Florence Nightingale, who got brutally bludgeoned to death on a train six years earlier, she sees an opportunity to both escape her personal problems and to perform research and seek inspiration for her work.
The plot isn't exactly plausible, but it's nice to see how the writers attempt to hint at the possible origin of famous Agatha Christie stories that followed after 1926, like the luring of guests to a remote location (And Then There Were None - 1939) and the train settings for "4.50 from Paddington" and "Murder on the Orient Express". The anti-climax actually fits the plot rather well. None of the performances are highly memorable, but the entire cast does their best. You're still better off reading an authentic Christie novel, but "The Truth of Murder" certainly isn't a waste of time.
Kind of funny how the Agatha Christie character says she has a problem of making the most unlikely character(s) the murderer(s) in her novels but her readers manage to figure out who it is a few pages in; I picked off who the culprit/culprits was/were in pretty early on (and it's not because I'm particularly clever).
Simply put, the actors are great, sets and costumes are great, story is a little too... er... simple. Entertaining and worth watching, just don't expect a head-scratcher.
Simply put, the actors are great, sets and costumes are great, story is a little too... er... simple. Entertaining and worth watching, just don't expect a head-scratcher.
This is a fictionalized account of prominent novelist Agatha Christie's 11-day disappearance back in 1926. Evidently, Christie never revealed where she was or what she was doing during that time; the writers of this film imagined what it would be like if Christie went off and solved an actual murder.
Christie is approached at her home by a retired nurse who wants Christie to solve her lover's murder. The murder happened several years ago, but the trail went cold, so the police gave up and moved on to something else. Christie eventually agrees to help, disguises herself as a law-firm secretary, and formulates an imaginary will-reading at an old house, that names each of the nurse's murder suspects as heirs.
Another murder does occur (as is generally the pattern of these things), and it's a race against time to discover who the true killer is before they strike again. I enjoyed the overall feeling of this film. I am a huge Agatha Christie fan, and I like to watch film adaptations either about her, or about her books. I solved almost all of the murder by myself (for once) and was immensely proud.
Christie is approached at her home by a retired nurse who wants Christie to solve her lover's murder. The murder happened several years ago, but the trail went cold, so the police gave up and moved on to something else. Christie eventually agrees to help, disguises herself as a law-firm secretary, and formulates an imaginary will-reading at an old house, that names each of the nurse's murder suspects as heirs.
Another murder does occur (as is generally the pattern of these things), and it's a race against time to discover who the true killer is before they strike again. I enjoyed the overall feeling of this film. I am a huge Agatha Christie fan, and I like to watch film adaptations either about her, or about her books. I solved almost all of the murder by myself (for once) and was immensely proud.
I thoroughly enjoyed this fictional (but implausable) take on the reason Agatha Christie went missing in 1926. She dissappeared to go and solve a murder! And we are too happy she did that :)
Very good acting throughout and good script and sometimes sharp dialogue and witty observations bring this fictional tale alive and make for an enjoyable 90 minute of viewing. References to Agatha's novels abound in this film
This was a very enjoyable and engrossing drama that was much better than I had anticipated. The characters were well defined and well acted, the story was engrossing (if a little far-fetched), and the production quality was top-notch. Ruth Bradley was extremely engaging as Agatha Christie and it was lovely to see Pippa Haywood on our screens again. Yeah, it was good!
Did you know
- TriviaAgatha uses the under cover name of Mary Westmacott in the drama. The real Agatha Christie published 6 novels under this name between 1930 and 1956: The Rose and the Yew Tree, the Burden, Absent in the Spring, Giant's Bread, Unfinished Portrait and a Daughter's Daughter.
- GoofsThe neck-tie (dark with stripes) that Agatha wears as the legal assistant changes several times during a single scene. The knot may or may present a stripe.
- Quotes
Agatha Christie: What if Sherlock Holmes had never existed?
Sir Arthur Conan Doyle: Good riddance to an intolerable dick.
- Crazy creditsDisclaimer in end credits: "This film has not been endorsed, licensed or authorised by the estate of Agatha Christie or by Agatha Christie Limited."
- ConnectionsFollowed by Agatha and the Curse of Ishtar (2019)
Details
Box office
- Gross worldwide
- $77,542
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