IMDb RATING
6.9/10
7.1K
YOUR RATING
Ken Sato is a superstar baseball player who returns to Japan to become the latest hero to carry the mantle of Ultraman. However, he is compelled to raise a newborn kaiju monster, the offspri... Read allKen Sato is a superstar baseball player who returns to Japan to become the latest hero to carry the mantle of Ultraman. However, he is compelled to raise a newborn kaiju monster, the offspring of his greatest enemy, as his own child.Ken Sato is a superstar baseball player who returns to Japan to become the latest hero to carry the mantle of Ultraman. However, he is compelled to raise a newborn kaiju monster, the offspring of his greatest enemy, as his own child.
- Directors
- Writers
- Stars
- Awards
- 1 win & 9 nominations total
Christopher Sean
- Ken Sato
- (voice)
- …
Tamlyn Tomita
- Mina
- (voice)
- …
Rob Fukuzaki
- Game Commentator
- (voice)
Hiro Nakamura
- Kenji
- (voice)
Gedde Watanabe
- Professor Sato
- (voice)
- …
Keone Young
- Dr. Onda
- (voice)
Frank Buckley
- Announcer
- (voice)
François Chau
- Itow-san
- (voice)
Julia Harriman
- Ami Wakita
- (voice)
Robert Yasumura
- Kubo-san
- (voice)
Artt Butler
- Coach Shimura
- (voice)
Karen Maruyama
- Oba-chan
- (voice)
Mayumi Yoshida
- TV Reporter
- (voice)
Mila O'Malley
- Chiho
- (voice)
Jonathan Ohye
- Yakult Catcher
- (voice)
Vic Chao
- KDF Pilot #3
- (voice)
Julia Kato
- Umpire #3
- (voice)
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
Pretty darn good for a Netflix film
I originally was not enjoying this film. I thought it was going to be just a typical story about a hero getting humbled to beat a better hero. Then the baby kaiju was introduced and this film revealed what it really was, a story about parenthood and just how lovely it is. With the main character, Sato, starting off the most unlikable character I've ever seen, but throughout the film becoming infinitely more likable. The animation is drop dead gorgeous, every frame looks like a painting. The fight choreography is stellar in most fights. The score sounds pretty average mostly until some fights where they pull out the guitar and just start shredding. Overall I enjoyed the film and am looking forward to other projects to come out of this studio.
Rising above the rest in great film magic.
Giving this an 8/10 rating
This brilliant film is in the cinemas now, I watched it in one, this really caught me off guard, in a good way. Adapting these big Japanese characters is a very difficult task, and almost all fall, but thankfully, they decided to do this animated, and spend time on story and character. The animation, by ILM (Industrial Light and Magic) is best there is this year.
Three good animated films, this week, they are 'Inside Out 2, Deep Sea' and this. What a week for cinema! The directors Shannon Tindle and John Aoshima have done a clever looking film, some very good cinema photography and clean direction, makes things very pleasant. Shannon Tindle and Marc Haimes write a family story with three points of view, and you can debate on who is the real evil is, in this, so you can agree on motives or not.
To be clear, you don't have to know anything about 'Ultraman' to enjoy this, the design is sharp and colourful, dialogue is not wishy washy, and a great cast is held together by a soundtrack that punches along. A great watch in the cinema.
This brilliant film is in the cinemas now, I watched it in one, this really caught me off guard, in a good way. Adapting these big Japanese characters is a very difficult task, and almost all fall, but thankfully, they decided to do this animated, and spend time on story and character. The animation, by ILM (Industrial Light and Magic) is best there is this year.
Three good animated films, this week, they are 'Inside Out 2, Deep Sea' and this. What a week for cinema! The directors Shannon Tindle and John Aoshima have done a clever looking film, some very good cinema photography and clean direction, makes things very pleasant. Shannon Tindle and Marc Haimes write a family story with three points of view, and you can debate on who is the real evil is, in this, so you can agree on motives or not.
To be clear, you don't have to know anything about 'Ultraman' to enjoy this, the design is sharp and colourful, dialogue is not wishy washy, and a great cast is held together by a soundtrack that punches along. A great watch in the cinema.
I'M IN LOVE
I saw this movie with one of my best friends and we were commenting, pausing and rewinding the movie all the time, so many details to see, so many memorable scenes to repeat.
From the beginning the protagonist seemed charismatic to me, despite being egocentric. Although of course, later we see the reason for his attitude, and it is easy to empathize with him.
In fact, it is easy to empathize with ALL the characters.
AND THE BABY, OH MY GOD, THE BABY. SHE IS REALLY ADORABLE. Every time she appeared on the screen my heart melted.
We had a very good time watching the movie, so much so that we are now watching it a second time, to capture as many details as possible.
It has become one of my favorites. An excellent movie.
From the beginning the protagonist seemed charismatic to me, despite being egocentric. Although of course, later we see the reason for his attitude, and it is easy to empathize with him.
In fact, it is easy to empathize with ALL the characters.
AND THE BABY, OH MY GOD, THE BABY. SHE IS REALLY ADORABLE. Every time she appeared on the screen my heart melted.
We had a very good time watching the movie, so much so that we are now watching it a second time, to capture as many details as possible.
It has become one of my favorites. An excellent movie.
Great style, less substance
7/10 = Pretty good for me.
First things first, I wouldn't recommend this for adults. All the character motivations are fairly shallow, and the cliches run rampant. There are a few surprises, but they're out of left field and stay unexplained.
It was still an enjoyable movie to pass time. And the place it gets bumped up from "just OK" to "pretty good" is the excellent use of craft. There are dozens of scenes with excellent framing that could be frozen and used as pictures in their own right. ILM made great use of Dreamwork's "Moonbeam" program to convey the world. The textures are photorealistic enough to draw one in, while the exaggerated features enhance the personalities of the cartoon characters portrayed. And rather than pulling one out of immersion, the occasional flashes of line-art actually enhance the experience of "fun surrounding watching a cartoon".
First things first, I wouldn't recommend this for adults. All the character motivations are fairly shallow, and the cliches run rampant. There are a few surprises, but they're out of left field and stay unexplained.
It was still an enjoyable movie to pass time. And the place it gets bumped up from "just OK" to "pretty good" is the excellent use of craft. There are dozens of scenes with excellent framing that could be frozen and used as pictures in their own right. ILM made great use of Dreamwork's "Moonbeam" program to convey the world. The textures are photorealistic enough to draw one in, while the exaggerated features enhance the personalities of the cartoon characters portrayed. And rather than pulling one out of immersion, the occasional flashes of line-art actually enhance the experience of "fun surrounding watching a cartoon".
Ultraman: Rising features fantastic animation and enough elements of the monster universe to make it worth a watch.
My family and I recently watched Ultraman: Rising (2024) on Netflix. The storyline follows a successful baseball player in Japan who is chosen to become the next Ultraman. As he battles a surge of monsters, he encounters a baby monster that he must care for until he can find a home for it. Meanwhile, a sinister villain emerges with a plot that threatens all of humanity.
The film is co-directed by Shannon Tindle and John Aoshima, who previously collaborated on Kubo and the Two Strings. The voice cast includes Christopher Sean (You), Tamlyn Tomita (The Day After Tomorrow), Gedde Watanabe (Sixteen Candles), and Hiro Nakamura.
This is one of those films with just enough good elements to make it worth watching, but not enough to be truly great. The animation and depiction of the universe are impressive, with both the monsters and Ultraman standing out. However, the characters were hit or miss. While I liked the hero and the villain, I wasn't as invested in the baby monster subplot. The villain's motivations were well-developed and justifiable. The "Gigantron" in the film reminded me of Rodan, and the final monster battle was solid, with a well-written resolution.
In conclusion, Ultraman: Rising features fantastic animation and enough elements of the monster universe to make it worth a watch. However, some aspects of the film, particularly the more child-oriented, cheesy moments, detract from its depth and quality. I would score this a 5.5-6/10 and only recommend it with the appropriate expectations.
The film is co-directed by Shannon Tindle and John Aoshima, who previously collaborated on Kubo and the Two Strings. The voice cast includes Christopher Sean (You), Tamlyn Tomita (The Day After Tomorrow), Gedde Watanabe (Sixteen Candles), and Hiro Nakamura.
This is one of those films with just enough good elements to make it worth watching, but not enough to be truly great. The animation and depiction of the universe are impressive, with both the monsters and Ultraman standing out. However, the characters were hit or miss. While I liked the hero and the villain, I wasn't as invested in the baby monster subplot. The villain's motivations were well-developed and justifiable. The "Gigantron" in the film reminded me of Rodan, and the final monster battle was solid, with a well-written resolution.
In conclusion, Ultraman: Rising features fantastic animation and enough elements of the monster universe to make it worth a watch. However, some aspects of the film, particularly the more child-oriented, cheesy moments, detract from its depth and quality. I would score this a 5.5-6/10 and only recommend it with the appropriate expectations.
Did you know
- TriviaThis is the first animated feature that used Dreamworks's open-source rendering software Moonray, without the involvement of that said company. ILM: Industrial Light & Magic is the first studio to use it.
- ConnectionsFeatured in Animat's Crazy Cartoon Cast: Golden Global Destruction (2021)
- SoundtracksUrutoramanno Uta (Ultraman Theme)
Written by Hajime Tsuburaya (as Kyoichi Azuma) and Kunio Miyauchi
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Ultraman: El ascenso
- Filming locations
- Tokyo, Japan(Studio)
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 57m(117 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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