After seeing a brutal murder, a woman flees from the killer through the streets of a surreal city.After seeing a brutal murder, a woman flees from the killer through the streets of a surreal city.After seeing a brutal murder, a woman flees from the killer through the streets of a surreal city.
- Directors
- Writers
- Stars
- Awards
- 1 nomination total
Emily O'Brien
- The Woman
- (voice)
Ben Sullivan
- The Man
- (voice)
Matthew Yang King
- Host
- (voice)
- (as Matt Yang King)
Nolan North
- Vladimir
- (voice)
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I've never seen anything like it and could watch it FOREVER! This is wonderful. And the story, acting. Everything is amazing.
This short blew us out of the water! It is twisted, hyper-kinetic, and sexy as hell. Plus I've never seen animation like this before. It almost looks like it is filmed first then layered over with different forms of CGI visuals... ending up with a VERY real looking landscape and characters. Highest recommendations.
When people think cyberpunk, this is the sort of city they might imagine: Impossibly dense buildings, stretching off the top of each frame to imbue them with a sense of immense height and scale and leave the sky nothing more than an impossibly distant symbol of ephemeral freedom.
Then there are the litter strewn streets festooned a menagerie of cryptic advertising in different languages, crushed together into a maddening mixture of culture: the classic melting pot of dystopian futures past.
Within this Future Hong Kong-like, Chung King Express inspired city we meet our protagonist, an incredibly beautifully animated lady on the run for witnessing an apparent crime. And the story starts its nonstop, bulletlike rollercoaster ride towards its unorthodox and yet amazingly foregone conclusion.
The animation quality was literally otherworldly, at times I found myself replaying scenes, wondering if it was overlaid on actual footage. I have never seen animation of this visceral quality before. The tiny details, the use of comic-like interjections to indicate surprise and suddenness and the technical brilliance of the entire presentation make this short a visual feast and sensual cacophony of stimulation.
Sexy, seedy, sordid and sleazy are all words you could use to describe this episode and you would not be wrong. But I would also add sumptuously drawn city scenes, surreal storyline and a rather satisfying conclusion.
More, please.
Then there are the litter strewn streets festooned a menagerie of cryptic advertising in different languages, crushed together into a maddening mixture of culture: the classic melting pot of dystopian futures past.
Within this Future Hong Kong-like, Chung King Express inspired city we meet our protagonist, an incredibly beautifully animated lady on the run for witnessing an apparent crime. And the story starts its nonstop, bulletlike rollercoaster ride towards its unorthodox and yet amazingly foregone conclusion.
The animation quality was literally otherworldly, at times I found myself replaying scenes, wondering if it was overlaid on actual footage. I have never seen animation of this visceral quality before. The tiny details, the use of comic-like interjections to indicate surprise and suddenness and the technical brilliance of the entire presentation make this short a visual feast and sensual cacophony of stimulation.
Sexy, seedy, sordid and sleazy are all words you could use to describe this episode and you would not be wrong. But I would also add sumptuously drawn city scenes, surreal storyline and a rather satisfying conclusion.
More, please.
The beginning of this starts off as interesting as the futuristic cyber punkish animation style with a splash of some classic onomatopoeia. Your thrusted into a situation contrasting between everyday life and a vigorous fight for life.
And then it begins just as you get the answer as to what is about to happen your drawn right back in, full tilt. With clever use of some onomatopoeia and interesting yet suspenseful camera shot choices this episodes delivers for the 11 minutes it's running...
Like a sexy acid trip from hell, your made as though to feel like our main character with subtle details picked out from the backdound. Epmty streets but massive buildings, An operator who has heard the same thing a thousand times, or even the fact that you don't even see the cab driver.
This episode was very thrilling to watch. It was a rollercoaster of settling down and winding back up. The details were all but what brought this whole episode together definitely a must watch of the series.
And then it begins just as you get the answer as to what is about to happen your drawn right back in, full tilt. With clever use of some onomatopoeia and interesting yet suspenseful camera shot choices this episodes delivers for the 11 minutes it's running...
Like a sexy acid trip from hell, your made as though to feel like our main character with subtle details picked out from the backdound. Epmty streets but massive buildings, An operator who has heard the same thing a thousand times, or even the fact that you don't even see the cab driver.
This episode was very thrilling to watch. It was a rollercoaster of settling down and winding back up. The details were all but what brought this whole episode together definitely a must watch of the series.
This is what might happen if Alice fell down the rabbit hole after taking a dose of LSD
The story is weird and interesting and is, as far as I can tell, a combination of a small amount of real animation or "green screen" work... plus, for the actors involved, the result of running a video of real people through a digital special effects "rotoscope" filter
So (in my view) the people in this episode are mostly real... including the full nudity... after the original video was processed to simulate animation... do a search for rotoscope movies and/or rotoscoping to see what I mean
The 2005 movie Sin City and 2014 Sin City: A Dame to Kill for are included in a list of rotoscoped movies
The story is weird and interesting and is, as far as I can tell, a combination of a small amount of real animation or "green screen" work... plus, for the actors involved, the result of running a video of real people through a digital special effects "rotoscope" filter
So (in my view) the people in this episode are mostly real... including the full nudity... after the original video was processed to simulate animation... do a search for rotoscope movies and/or rotoscoping to see what I mean
The 2005 movie Sin City and 2014 Sin City: A Dame to Kill for are included in a list of rotoscoped movies
Did you know
- TriviaThe episode won 3 Emmy Awards for Outstanding Individual in Animation - production design, Outstanding Individual in Animation - character animation and Outstanding Short Form Animated Program.
- SoundtracksOx1
(uncredited)
Performed by Tommy Four Seven
Details
- Runtime
- 12m
- Color
- Sound mix
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