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8.8/10
1.9K
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The story of the creation of modern Country music.The story of the creation of modern Country music.The story of the creation of modern Country music.
- Awards
- 1 win & 2 nominations total
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10cdevans7
When I shed a tear is a rare occasion in my life. Ken Burns "Country Music" brought several tears to my old eyes. While never a fan of Country music, I disproved the adage "you can't teach an old dog new tricks" The show is beautiful, entertaining,and a lesson in the past of country music. Many reviewers have
complained because so and so wasn't mentioned. 16 hours sound like a lot, but to give any one person their due time runs out of time for some folks. I say enjoy what you have. Can anyone describe Johnny Cash in 5 minutes, or the Carter family, or Dolly, or Jimmy Rogers, Merle, Willie, No you can't, and Ken lingered on the truly great ones. Ken hit a home run again
It would be impossible ( and dull ) to tell every story in Country Music . But Burn's an artist who can keep the audience glued to his documentaries . I don't think , for example , that anyone could have done a better job covering the tragedy of the 1963 plane crash at the end of Part 4 . Burns everywhere just practices his art with unique mastery and catches the humanity of various players in the different stories of our country . He's an American Treasure .
Great history of country music. Lots of personal interviews and photos. The visuals make it come alive. Very interesting and impartial facts and stories. It's like several biographies condensed into 1.
In this day and age, it is difficult to hold anyone's attention on one topic for 16 hours. That only makes documentarian Ken Burns even more impressive for his ability to enthrall over the long-haul. If you have absolutely any interest in the topic at all, you'll have no trouble working your way through "Country Music" sooner rather than later.
In typical Burns fashion, he takes the deep-dive approach to this topic, beginning with the very roots of country music and continuing up until about 2000. While certainly focusing on the big names of the industry (Hank, Cash, Merle, Waylon, Patsy, Carter, Garth, etc.), he also branches off into other more subtle areas. Things such as country's roots in mining territory, its pulling from African-American culture, it's movement "West" (literally and figuratively), and it's settling in Nashville (as well as later transcending that distinctive sound and even physical place). A core group of interviewees (performers and songwriters, mostly) give their thoughts in basically every episode.
As a fan of the country genre, I have no qualms about saying that "Country Music" either entertained or informed me all the way through. In all honesty, the only reason I can't quite give it the full 10-star rating is because Burns has already set his own bar so high. Through no fault of its own, this doc just lacks the emotional punch of, say, our grandparents talking about WWII or our parents reflecting in his Vietnam doc. "Country Music" is more "informational" than "emotional" (though it will stir you, at times). Granted, in some ways this makes it all the more impressive, as it can't just rely on emotion to grab viewers.
Overall, I can easily and heartily recommend this longform series to anyone with an interest in Burns' previous work, music in general, or country music specifically. While certain eras/discs may speak to you more than others, I can almost guarantee that you'll learn something substantial from every two-hour episode.
In typical Burns fashion, he takes the deep-dive approach to this topic, beginning with the very roots of country music and continuing up until about 2000. While certainly focusing on the big names of the industry (Hank, Cash, Merle, Waylon, Patsy, Carter, Garth, etc.), he also branches off into other more subtle areas. Things such as country's roots in mining territory, its pulling from African-American culture, it's movement "West" (literally and figuratively), and it's settling in Nashville (as well as later transcending that distinctive sound and even physical place). A core group of interviewees (performers and songwriters, mostly) give their thoughts in basically every episode.
As a fan of the country genre, I have no qualms about saying that "Country Music" either entertained or informed me all the way through. In all honesty, the only reason I can't quite give it the full 10-star rating is because Burns has already set his own bar so high. Through no fault of its own, this doc just lacks the emotional punch of, say, our grandparents talking about WWII or our parents reflecting in his Vietnam doc. "Country Music" is more "informational" than "emotional" (though it will stir you, at times). Granted, in some ways this makes it all the more impressive, as it can't just rely on emotion to grab viewers.
Overall, I can easily and heartily recommend this longform series to anyone with an interest in Burns' previous work, music in general, or country music specifically. While certain eras/discs may speak to you more than others, I can almost guarantee that you'll learn something substantial from every two-hour episode.
What is remarkable is that country music is generally presented as a closed shop. If it is not Nashville and was not on the Grand Ole Opre it just is not authentic.
Ken Burns has told the better story: it is all intertwined. Willie Nelson did not succeed in Nashville but he went back to Texas and did what he wanted: jazz, the Great American Song book etc. Many other country stars came from other venues of music. Rock and the always important blues music from blacks is carefully put in place.
This series varies widely from the traditional story of country. On a technical level it points out the use of violin strings, electric guitars and more modern studio techniques.
Though the size of the revenue is not discussed you cannot miss the huge financial rewards that were (and are today) involved. Burns usually leaves the money out. No problem.
I play guitar and sing as an amateur. It is a hobby to me. MAny of the country songs I have been doing for decades. They are just as valid to my music as The Great American songbook and rock. Burns did a great job and the people he used for interviews were very representative of various styles and epochs.
Ken Burns has told the better story: it is all intertwined. Willie Nelson did not succeed in Nashville but he went back to Texas and did what he wanted: jazz, the Great American Song book etc. Many other country stars came from other venues of music. Rock and the always important blues music from blacks is carefully put in place.
This series varies widely from the traditional story of country. On a technical level it points out the use of violin strings, electric guitars and more modern studio techniques.
Though the size of the revenue is not discussed you cannot miss the huge financial rewards that were (and are today) involved. Burns usually leaves the money out. No problem.
I play guitar and sing as an amateur. It is a hobby to me. MAny of the country songs I have been doing for decades. They are just as valid to my music as The Great American songbook and rock. Burns did a great job and the people he used for interviews were very representative of various styles and epochs.
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