Herself

... but ultimately empowering, inspiring, enabling and encouraging, that from a beaten and broken relationship, with all the odds overwhelmingly in opposition, the spirit and drive to fight and survive remains, through an incredibly realistic performance from Clare Dunn who builds a performance of immense authenticity, courage and determination.

This is exactly the movie we all need to watch right now. Deeply moving characters reflecting our flawed human experience, and the beauty that can be found in tragedy.

"Ask better questions."

An Irish accent is going to get an extra half star from me by default because I think that it is a beautiful accent. Though it became predictable after a certain point, I still thought that the film was executed well. Nothing particularly stood out as fantastic, but that it isn't to say that I didn't enjoy it. There were moments that had me on the edge of my seat. For the sad story that it was, it ended on a great note that I thought was hopeful.

I liked it -much more than previously expected, actually.

Might anyone help me to know, what's the Irish word Aido uses at the end of the movie? Something like 'Mahha' to my ears, regarding helping people each other.

I think It was ameaningful word but couldn't find It out!!

In tone and aesthetic, Phyllida Lloyd's 'Herself' is reminiscent of dramatic, intimate films by Ken Loach or Mike Leigh. Sadly, neither the script nor the treatment of the story are up to the task of the great films directed by those veteran British filmmakers. While it has its good intentions, solid performances, and is well-told by the filmmakers who obviously have invested an inkling of heart into the effort, the film serves up some clichés and struggles to maintain a balance between a heartwarming story of a mother's love and commentary on a system that stacks the odds against the victim.