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We are back in the utterly strange and utterly human night-world of director Joseph Graham (Strapped). This time, in particular, men are trying to make art at the same time that they are trying to make connections, and they are trying not to sacrifice one for the other, though in the end they often do. These characters are who you and I are when no one is looking. That is the wonderful and unsettling thing about Graham's work: there is no movie-like artifice, no clichéd interactions you can see coming. Emotions erupt at odd times, as emotions do, and under it all lies a fateful loneliness that it is Graham's special task to explore, as he did so well in Strapped. This is another must-see.

Eerie, expressionistic tale of a young hustler who somehow can't leave the building where he has come to serve a client. Hallways twist and turn and dead-end, and instead of finding his way out, he keeps stumbling into one odd, desperate life after another. Yet the point of view is compassionate and curious. The young man matures and learns as he goes, an especially touching and wondrous process. The film is driven by a superb, understated performance by Ben Bonenfant, a regional theater star (with a specialty in Shakespeare) who is not often seen in films. He helps bring it all together beautifully. Director Joseph Graham (Beautiful Something) makes a powerful visual statement about the tenderness, vulnerability and need of lives that seem perverse or on the edge. Dare I say it, in the end the weirdness becomes heartwarming. A stunning achievement.