BramOh

The film starts the morning of launch day July 16, 1969. There are no actors, no reenactments, no narrator. It is 100% restored archival footage and recorded audio, most of which I had never seen before. Opening footage of the crowds gathering around Kennedy Space Center gave you the sense it was apparent to everyone the magnitude of what was about to happen.

They had audio and video of (an issue I won't spoil, something during launch prep I had never heard of before). Obviously there is no external footage of the spacecraft from the time it leaves earth orbit until it arrived at the moon but the editing and coverage used are excellent and you never feel like you're in the dark or missing out.

There is no attempt made at politicizing the event or manipulating the viewer, it is raw, factual cinéma vérité. Although I did find Kennedy's speech moving, they made the excellent choice to NOT show the famous portion we've all heard about landing a man on the moon and returning him safely by the end of the decade. It was the rest of that speech, which I'm not sure I'd ever heard, that was astute, prophetic and even funny at one point.

My one very minor caution is that viewers who aren't already aware how critical/dangerous some maneuvers were could miss out on the gravity of the situation. The filmmakers do assist with this with the score, which is absolutely fantastic (and according to the credits, composed entirely with instruments available in July '69), and some minor on-screen graphics (e.g. FUEL 30 seconds, 1202 alarm). It's a trivial concern but viewers who are familiar with the space program in general, and this mission in particular, will get the most out of the experience.

The film wraps up after our astronauts are safely home and cleared from quarantine. During the credits there are a few more interesting shots of some of the celebrations.

I discovered this channel thanks to Oliver's custom Superman III trailer which made it look far better than it is (I say this as a fan).

Oliver's content has excellent production value, on par with traditional television (and exceeding TV when it comes to the content). The Retrospectives are in-depth, researched well and very fair. The rare times he makes an observation I disagree with he generally includes a qualifier that is hard to argue with.

A big part of the appeal is Oliver's delivery. As a fan of the material he covers he brings a lot of enthusiasm and it really makes you want to sit down and watch the film again.

Pick one of your favorite films and watch his Retrospective of it, you won't be disappointed!

I went into this show with no expectations or preconceived notions, I didn't recognize Whitley under that epic '70s mustache and didn't know Colin was Tom Hank's son. So thankfully I gave it a fair shake and I'm glad I did.

There's a nice mix of humor, action, callbacks to the early 80s and the occasional classic rock soundtrack. The pilot is one of the best for a series I've ever watched. A few more episodes in and it got even better once the buddy cop chemistry started to form. Whitley's character is stuck in the early 80s; he doesn't trust computers, "foreign-sicks" or smarty phones. It plays perfectly off of Hank's contemporary young go-getter.

You can tell it was a great show because it was on Fox and canceled immediately. Fortunately it would seem the creators were aware of this ahead of time and although you only get the pleasure of 20 episodes it doesn't leave you hanging at the end. Highly recommended!