beajoh
Joined Jul 2007
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beajoh's rating
Reviews4
beajoh's rating
My local PBS channel stopped showing the Doctor Who episodes in the 1980s shortly after Colin Baker showed up, so I never got to experience the Seventh Doctor stories until 45 years later.
Yeah, I like McCoy, and I was quite taken with Bonnie Langford. I absolutely don't understand the supposed hate for the character of Melanie. Sure, she screams a lot, but that's just fine. She is otherwise quite intelligent and capable. At her worst, she (and much of Season 24) just suffers from bad/uneven storytelling.
Case in point, "Dragonfire," which... well, there are plenty of plot holes and nowhere near enough dirt around to fill them. In general, though, I like the characters, the dialog, and a general sense of fun. The writers, though, sure like to kill a lot of extras whole hog: in space-ship busses ("Delta and the Bannermen") and in this story with those fleeing in the Nosferatu.
It just seems to me that if someone in charge of the franchise had cared more and made just a few better choices, an edit here and there, and a more logical explanation about why or how something was happening in each story, we might have seen episodes with at least a passing grade.
Oh well. I'm off now to see if I can dig up some of the radio plays featuring Melanie, which I've heard do her a little more justice.
Yeah, I like McCoy, and I was quite taken with Bonnie Langford. I absolutely don't understand the supposed hate for the character of Melanie. Sure, she screams a lot, but that's just fine. She is otherwise quite intelligent and capable. At her worst, she (and much of Season 24) just suffers from bad/uneven storytelling.
Case in point, "Dragonfire," which... well, there are plenty of plot holes and nowhere near enough dirt around to fill them. In general, though, I like the characters, the dialog, and a general sense of fun. The writers, though, sure like to kill a lot of extras whole hog: in space-ship busses ("Delta and the Bannermen") and in this story with those fleeing in the Nosferatu.
It just seems to me that if someone in charge of the franchise had cared more and made just a few better choices, an edit here and there, and a more logical explanation about why or how something was happening in each story, we might have seen episodes with at least a passing grade.
Oh well. I'm off now to see if I can dig up some of the radio plays featuring Melanie, which I've heard do her a little more justice.
There's the makings of something here: a pirate comedy or a swashbuckling drama, but, ultimately it's neither one or the other enough to make it a good movie, which is rather a shame. Had it actually been a "Trinity Boys Do Pirating" sort of movie, it would have worked. It such a case, it needn't have had a compelling plot: just let Terence Hill and Bud Spencer humorously beat up other pirates and corrupt sailors while having their own dumb misfortunes and bad luck. The movie already had the two comedians and plenty of other very capable actors and actresses, including the beautiful Silvia Monti, Monica Randall, and Diana Lorys.
Alas... Bud Spencer is barely even in this movie and Terence Hill ("Blackie the Pirate") is rarely funny cast as a more traditional leading man type. In fact, the sort of stuff you expect of a "Trinity" movie, Bud's impossible strength and toughness, Terence's agile and offbeat fighting style are farmed out more to the supporting actors, which is actually one of the better parts of the film: Blackie's crew al seem to have their own special talents: one, for example, has excellent aim with a canon or pistols, other is very strong, etc. A crew of pirates, each with their own specialties but only in certain situations starts to almost write itself.
Well... whatever. It's not that movie. Watch it if you'll watch anything By Hill or Spencer or watch it if you'll watch any kind of pirate movie, just don't watch it if you're expecting Terence and Bud to be doing a buddy-buddy pirate comedy.
Alas... Bud Spencer is barely even in this movie and Terence Hill ("Blackie the Pirate") is rarely funny cast as a more traditional leading man type. In fact, the sort of stuff you expect of a "Trinity" movie, Bud's impossible strength and toughness, Terence's agile and offbeat fighting style are farmed out more to the supporting actors, which is actually one of the better parts of the film: Blackie's crew al seem to have their own special talents: one, for example, has excellent aim with a canon or pistols, other is very strong, etc. A crew of pirates, each with their own specialties but only in certain situations starts to almost write itself.
Well... whatever. It's not that movie. Watch it if you'll watch anything By Hill or Spencer or watch it if you'll watch any kind of pirate movie, just don't watch it if you're expecting Terence and Bud to be doing a buddy-buddy pirate comedy.