SÖM SÂPTÂLAHN

by ITCHY-O

supported by
Joan Jetson
Joan Jetson thumbnail
Joan Jetson The last 25 minutes of the album helps me feel the feelings I feel at an Itchy-O concert. With a little assistance and a good pair of headphones, I can get that feeling of show 6 of 6 hallowmass transcendence.

We have all the ingredients now to experience at home the rituals

1. The EPs for the music
2. The live album for the energ
3. The last 25 minutes of this for the psychedelic dissociative trance

I hope a home video version of the planitarium show can be released some day! I'd vibe Favorite track: The Last Echo.
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  • Record/Vinyl + Digital Album

    A sacred transmission, finally etched in wax.

    This deluxe and limited edition 2xLP edition of Söm Sâptâlahn arrives pressed on heavyweight 180-gram vinyl, mastered specifically for analog fidelity and cosmic resonance. Spanning the seven tones that shape our septagrammatic cosmology, this record is not merely for listening—it is a tool for initiation.

    Includes: – 180g black vinyl (limited first pressing)
    – Gatefold jacket with ritual artwork
    – Extensive Liner notes and insider content
    – Download of full digital album

    Engineered for seekers, audiophiles, and exocosmic insurgents.

    Includes unlimited streaming of SÖM SÂPTÂLAHN via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Download available in 24-bit/48kHz.
    ships out within 5 days
    edition of 100 
    Purchasable with gift card

      $32.70 USD or more 

     

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about

And from the unknowable depths of Sem Nullah emerged a vibration, and from the vibration a sound. And the sound was a mighty sound. And the sound did call forth Thee Itchy-O, and in turn Thee itchy-O did call forth the sound.
And the universe stilled and the metals took their hardened form and a beautiful and dark dream weaved its way through the cosmos...
– The Codec of Thee itchy-O

DIVINE RESONANCE; THE PRIMAL BOND BETWEEN MUSIC AND MAGICK
Early ancestors inhabited a world lost to today’s modern rationalists. More in tune with the natural world, they shared the intuition that imagination was a faculty of perception, perhaps even superior to the five primary senses most familiar to us today. Their experience was of a world of unmediated wonder, terror, and awe. Today, still subject to the same anxieties, desires, and biology, we lack the tools and vocabulary to exercise our spiritual faculties to exorcize the demons that haunt our innermost dreams or exalt the forces that conspire for our benefit. This spiritual impoverishment lies at the heart of the malaise of the modern world. From a Jungian perspective–blind to our own collective shadow, we project it onto others, othering them as we alienate ourselves, becoming more fragmented and isolated even as the world grows smaller and more interconnected.
The ancients found connection to self, community, and other through ritual. Ritual binds community with the cycles of life, the seasons, and the movement of the celestial bodies. The rhythms of nature find rhyme in the rhythms of ritual. The first sound a mammal experiences is the warm, life-giving beat of their mother’s heart washing over and through them. The electrochemical frequencies, patterns, and rhythms of our nervous system determine how alert or at ease we are. Just as the beating of the heart sustains the life of the body, the beating of the drum sustains the ritual. As the axiom goes, as above, so below.
In the ancient world, it was an intuitive fact that vibration influences the warp and weave of the fabric of reality. Even with the widening scope of our burgeoning sciences, we recognize that electrical frequencies power our brains. We can’t help but find that certain vibrations grate, soothe, or fire us up. Neuroscience tells us that music entrains the hemispheres of brains and even synchronizes neighboring brainwaves. For ancients and moderns alike, music has the power to produce profoundly altered states of consciousness. Mystics could harness trance-inducing rhythms that accessed other realms to bring back knowledge beyond the limited bandwidth of our conscious minds.
SÖM SÂPTÂLAHN integrates these ancient tools with cutting-edge technology to produce a true mind-altering experience.

DISK ONE | SIDE A
Disk One’s first side draws listeners into three avant-meditations crafted to elicit an array of profound experiences. Each track, resonating with intention, uses rhythm and frequency to evoke hypnagogic states in which the listener is invited to join in the dance of shadow and light.
Chontaré
Et tu Domine suseptor meus et gloria mea et exaltans caput meum.
Tyler Aldridge, Ethan Alexander, Scott Banning, David Britton, Jesse Dawson, Grayson Fiske, James Nelson, Jacob Passini, Hanne Schrixx, Aaron Spriggs, and Kirsten Vermulen
The first ray from the East in the season of Spring.
Mars rises, friendly as the unseen,
a drift of amber air and wild essence,
beneath petals trembling at the edge of dawn.
The seeker steps forward, charged and grounded,
The hammer held by no hand strikes and sparks.

Entangled - Unbinding
Dues virtutum converte nos; et ostende faciem uam, et salvi erimus

Tyler Aldridge, Ethan Alexander, Scott Banning, David Britton, Jesse Dawson, Collin Elliot, Grayson Fiske, Joseph Hatfield, Thomas Knight, James Nelson, Jacob Passini, Hanne Schrixx, Aaron Spriggs, and Kirsten Vermulen

Under the gaze of distant stars,
the whisper of a once murderer unfolds the rhythm of siddhas.
Dancing through the darkened air,
a guide to those who see not with eyes.

Phenex
In prinipio creavit Dues caelum et terrum
Tyler Aldridge, Ethan Alexander, Scott Banning, David Britton, Jesse Dawson, Grayson Fiske, James Nelson, Jacob Passini, Hanne Schrixx, Aaron Spriggs, and Kirsten Vermulen
Deep below the gaze of stars,
a hand unseen unbinds the broken,
releasing what holds form to the past.
In darkness, a new shape emerges,
forged by the quiet promise of becoming.
SIDE B
With each resonant tone, the journey into self deepens, moving from awareness to transformation. These meditative compositions evoke neuro-physiological alchemy. Tuned to resonate with the primal elements that compose us while conjuring archetypes from the collective depths of the psyche. The ground of consciousness dissolves in the aqua vitae of deep mind.
Dues Auditor Gemituum
Et anima turbataest valde; sed tu Domineusque quo?

Tyler Aldridge, Ethan Alexander, Scott Banning, Evan Bowles, David Britton, Jesse Dawson, Grayson Fiske, James Nelson, Jacob Passini, Hanne Schrixx, Aaron Spriggs, and Kirsten Vermulen

In the quiet depths,
A wounded spirit waits.
Between shadows and breath, a tether holds firm,
The measured weight of galaxies.
How much longer before this fear yields?

Expanding Intelligence
Expectans expectavi Dominum et intendit mihi

Tyler Aldridge, Ethan Alexander, Scott Banning, David Britton, Jesse Dawson, Grayson Fiske, James Nelson, Jacob Passini, Hanne Schrixx, Aaron Spriggs, and Kirsten Vermulen

Within a gentle strike the arc of song takes form.
It carries the rhythm of unbroken clouds.
As mind and spirit unspool
you… will… disappear.

Disk Two | Side A
PTOTHING / SOKTU-OBU
Scott Banning, David Britton, Jesse Dawson, Collin Elliot, Brad Schumacher and Aaron Spriggs

PTOTHING is Thee itchy-O’s esoteric practice of entering into a mystical trance state, while SOKTU-OBU indicates the exploration of extra-physical realms during such states. Vibration in the form of sound, rhythm, and frequency becomes the vessel, guiding the voyager into the depths of the Exocosm. For the initiate, ptothing is a potent tool for dissolving the limitations of ordinary experience.


This track is based on traditional delvings into deep esoteric currents, and as such it can also serve as a system reset, or a re-alignment of energy centers. As the nervous system is bathed in sound, The Hanguessa–a simulated guide, and emissary from beyond the Brane between worlds–ushers you to elevated states through the protocols of SOKTU-OBU.

This practice invites the initiate to plunge into possibilities that lie outside of the confines of habitual awareness, deep into the universal nexus of mind where psyche and soma entwine. Guardians of Benevolence are invoked to encircle the journey, illuminate the unseen, and embrace the shadow within. Each breath is a portal, and every moment hums with the potential for transformation and emergence. Finally, on the other side, The Hanguessa re-unites the now-tuned astral body with the physical, bestowing gifts of resolve, resilience, and mettle.


Side B
Mumiah; At The Edge of Endings - The Final Echo
Convertere anima mea in requium tuam; quia Dominus benficit tibi
At The Edge of Endings - Tyler Aldridge, Ethan Alexander, Scott Banning, David Britton, Jesse Dawson, Grayson Fiske, James Nelson, Jacob Passini, Hanne Schrixx, Aaron Spriggs, and Kirsten Vermulen.
The Final Echo - Scott Banning, Jesse Dawson
A rending storm,
fractured cries of metal rattle a rift.
Smash the edges of form,
shatter the mirrors of known.
From entropy, deep, steady, the world.
The weight of resonance awakens what once slumbered.
Endings turn within themselves,
And the seed of all beginnings takes root.

credits

released March 14, 2025

THE PLAYERS
Tyler Aldridge - Sound Design
Ethan Alexander - Double Bass
Scott Banning - Various Percussion & Binaural Frequencies
Evan Bowles - Sound Design
David Britton - Synthesizer
Jesse Dawson - Para (7 Bars) & Binaural Frequencies
Collin Elliot - Sound Design
Grayson Fiske - Souchoë + Seir (14 Bars)
Joseph Hatfield - Guitar
Thomas Knight - Taiko
James Nelson - Guitar
Jacob Passini - Cello
Brad Schumacher - Vocoder
Hanne Schrixx - Choir of Thrones (7 Hanging Gongs) and Atembui; (7-Bar Rack)
Aaron Spriggs - Theremin & Effects
Kirsten Vermulen - Souchoë Choir (7 Cradle Gongs) and Vocals

METALLURGISTS
Benjamin Ellyson
Jackson Ellis
Eugene Hamzezadeh
Sarah Harling
Mark Moffett
SPECIAL THANKS
Eric Blattert
Evan Bowles
Aaron Burris-Deboskey
Jon Frances
Aaron Taylor Kuffner
Lydia Martin
Thor Metzinger
Paul D. Miller
Keenan Pepper
Cory Phare
Stephane Pigeon
Bill Piotrowski
Michael Schulze
Benjamin Sunderlin
Seth Tucker
Wayne Vitale
Athena Wilkinson

Mettle Institute
Gamelan X
Fiske Planetarium
The Hennebach Program in the Humanities
Colorado School of Mines
University of Denver
Itchy-O’s Āoth
All of the generous cymbal donors


Photo Credits: Seth McConnell & Bernard Wooten
Design/Layout: Casper Smith Design
Liner Notes; Benjamin Beardsley

All compositions written and produced by itchy-O
Director of Music & Esoterics - Scott Banning
Director of Audio Engineering - Michael Patterson
Tonal Pitch Informants - Ethan Alexander & Grayson Fiske
Resonance and Form Strategist - Kirsten Vermulen

All tracks recorded live at METTLE STUDIOS except various percussion in Entangled - Unbinding recorded at Evergroove Studio and METTLE STUDIOS. Metal Hit library recorded at the University of Denver and developed by Bill Piotrowski. Digital Mastering by PLX Mastering. Vinyl Mastering by Aardvark.

www.itchyo.com
www.mettleinstitute.com

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itchy-O Denver, Colorado

Itchy-O aspires to create transcendent spiritual experiences with performances. With a driving drum corps battery, taiko drummers, an arsenal of electronics including synthesizers, theremin, vocoders, and other custom-made sonic devices, itchy-O completely engulfs an audience from every angle in an electric bog of music, ephemera, and spectacle. ... more

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