Unlocking the creative potential of young people through critical thinking.

AtWork is a 5-day intensive workshop for about 25 participants, conducted by a unique creative mind.

The participants debate the chosen topic and produce a final creative output – getting At-Work – by personalizing a notebook, which becomes their answer to the question posed. Yearly themes of AtWork Tours stimulate collective discussion and personal reflection on issues such as identity, diversity, culture, and community. The creative outputs are first exhibited in a local collective exhibition and then in the final international Tour exhibition. The participants can then choose to donate their works to the Moleskine Foundation Collection.

All AtWork participants become part of the AtWork Community, a group of global creative thinkers who believe that creativity can be a tool for social transformation.
AtWork offers a transformative experience and is committed to providing young people (18-27 years old), who would not otherwise have access to a similar educational offer, with unconventional educational tools and experiences that help foster critical thinking, creative doing, and continuous learning.

AtWork has started its journey in 2012 in Dakar and since then it continued to travel around the African continent and beyond.

Master Conversations

Simon Njami in conversation with William Kentridge around Art, Culture, Education, and much more.

Master Conversations

Simon Njami in conversation with Rossy De Palma around Art, Culture, Education, and much more.

What is AtWork?

The AtWork format consists of four main elements:

The Workshop

The AtWork process starts with the participants writing their interpretation of the chosen workshop theme. This is a way to get their thinking process started, which will be the starting point of the workshop group discussion and will later spill out into the conversation with the larger AtWork community.

The workshop lasts 5 days, during which the students, led by the artist/curator will have critical discussions around the theme chosen and will produce their notebooks.

The workshop will follow an Input-Elaboration-Output structure. The main phases will consist in:

  • Critical debate and discussion around the workshop theme
  • Idea elaboration and definition
  • Notebook production and restitution

The Exhibition


The exhibition is the first occasion for sharing and bringing the discussion outside the work group.

This activity is key for the effectiveness of the workshop as thanks to the exhibition the workshop participants will interact and confront their ideas with an external audience, creating a wider discussion and strengthening their critical thinking experience. The notebooks produced by participants can be showcased physically at the local art gallery alongside with the on-line exhibition of the rest of the collection.

The exhibition can take place right after the workshop or after it, to allow some time to prepare it and curate it properly. In fact, the co-creation the exhibition along with the hosting organization is part of the workshop’s activities, where the students can continue their debate as well as their personal process while acquiring some basic curatorial skills.

Community and Collection

The community building aspect of AtWork is at the core of the format. Through AtWork Facebook Group on-line we want the participants to be connected to a larger international and cross-cultural network of like-minded people as well as be part of a space, where they can exchange their experiences, share opinions and practices.

The students can decide to donate their notebook produced during the workshop to Moleskine Foundation, adopting Creative Commons licences. In this case their notebook will become part of our collection (physically and on-line), thus sustaining Moleskine Foundation’s mission and future AtWork’s initiatives.

The on-line part of the collection continues to inspire new young minds all over the world with the breadth of its creative proposal during various AtWork experiences. Being part of the collection is also a unique opportunity for the students to exhibit their work alongside prominent contemporary artists, without any hierarchy of the works’ importance.

This horizontal approach is at the core of the entire AtWork experience and allows the workshop participants to cross their local dimension boundaries and enter an international arena of discussion with wide and diversified audiences.

“We have nothing to teach anyone… This inner light that belongs to everyone just asks to come out; and provided that we have the necessary intellectual and human tools, our role is to help this light reveal itself and flourish”

Simon Njami — Advisor

Summary

Conceived by
Moleskine Foundation and Simon Njami

Online platform
at-work.org

Advisor
Simon Njami

Colophon

Partners
Kër Thiossane, Dakar, Senegal
Fondation Donwahi, Abidjan, Ivory Coast
Al Riwaq Art Space, Manama, Bahrain
Kunstenfestival, Watou, Belgium
mARTadero, Cochabamba, Bolivia
Makarere University, Kampala, Uganda
Maisha Foundation, Kampala, Uganda
Polimoda, Florence, Italy
Nation25, Venice, Italy
Darb 1718, Cairo, Egypt
Something Else, Off Biennale Cairo
Fondazione Fotografia Modena, Modena, Italy
State of Concept, Athens, Greece
Tandem Europe
Onassis Cultural Centre, Athens, Greece
FARE, Milan, Italy
Leo Burnett, Milan, Italy
Desta for Africa, Addis Ababa, Ethiopia
National Gallery of Zimbabwe, Harare, Zimbabwe
Hangar, Lisbon, Portugal