Mr. Mitch England, UK
I am impulsive.
I change my mind regularly.
Here is my art.
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supported by 78 fans who also own “Proud (feat. miles)”
“Do you still dream in water?” she asks. He nods—“only when it rains inside.” Their words drift, slow like signal loss,, soft clicks between heartbeats. A drone hums overhead, its shadow stroking their faces. “Are we free now?” she whispers. He laughs, small, broken. “We’re just less afraid.” They share one headphone, listening to the city’s pulse— loops of breath, echoes of what could’ve been “Hold me,” she says. “I am,” he answers, “in the static.”
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Promises
by Floating Points, Pharoah Sanders & The London Symphony Orchestra
supported by 74 fans who also own “Proud (feat. miles)”
Even at 80 years old, Pharoah Sanders played his tenor sax with the conviction of a gospel preacher. Every second of this album is arrestingly beautiful. As far as I'm concerned, this is essential listening for anyone who considers themselves a fan of music.
go to albumsupported by 65 fans who also own “Proud (feat. miles)”
January 2025 - Some good songs on here. Others feel a bit laboured. Overall good though.
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The Downey Groove
by Elninodiablo
Dub-drenched electronics, warm psychedelia, and sensual grooves from the Berlin-based DJ and producer.
go to albumHypertextural club music made for massive soundsystems and headphones alike from Syz, on Banoffee Pies Records.
go to albumEmotionally stirring avant-techno from Surgeons Girl, offering a field of percolating analog synths to get lost in.
go to albumsupported by 61 fans who also own “Proud (feat. miles)”
I love all Hessle Audio releases because they're just plain fun. This sort of thing hearkens back to 1991 in a good way with classic "rave" breakbeat elements with a modern touch of course. I think people have new labels for this music but it sounds like classic rave breakbeats to me and this is far from a bad thing.
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