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Table of Contents

  1. From Comparative Poetics to World Poetics: A Proposed Theoretical Construction
  2. Wang Ning
  3. pp. 1-15
  4. DOI: https://doi.org/10.1353/phl.2024.a930326
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  1. World Poetics?
  2. Theo D'haen
  3. pp. 16-30
  4. DOI: https://doi.org/10.1353/phl.2024.a930327
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  1. Desynonymizing (World) Theory and Poetics
  2. Galin Tihanov
  3. pp. 31-47
  4. DOI: https://doi.org/10.1353/phl.2024.a930328
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  1. From Weltpoesie to Weltpoetik: World Poetics as Third-Order Observing
  2. Thomas Beebee
  3. pp. 48-64
  4. DOI: https://doi.org/10.1353/phl.2024.a930329
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  1. World Poetics: Some Reflections on Its Rise and Conception
  2. Ming Dong Gu
  3. pp. 65-79
  4. DOI: https://doi.org/10.1353/phl.2024.a930330
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  1. Worlding and Reworlding of Weltliteratur as Place and Value: From Asia into Oceania
  2. Rob Sean Wilson
  3. pp. 80-95
  4. DOI: https://doi.org/10.1353/phl.2024.a930331
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  1. World Poetics, Narrative Poetics, and Genre Studies
  2. Biwu Shang
  3. pp. 96-113
  4. DOI: https://doi.org/10.1353/phl.2024.a930332
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  1. Transforming Perspectives: Reconfiguration in the Poetics of World Literature
  2. Jin Bing
  3. pp. 114-131
  4. DOI: https://doi.org/10.1353/phl.2024.a930333
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  1. The Role of Translation in the Worlding of Poetics
  2. Tong King Lee
  3. pp. 132-148
  4. DOI: https://doi.org/10.1353/phl.2024.a930334
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  1. Love, Jealousy, and the Fear of Ontological Dependence: A Philosophical Reading of Shakespeare's Othello
  2. Vittorio Sandri
  3. pp. 149-164
  4. DOI: https://doi.org/10.1353/phl.2024.a930335
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  1. Explanation Beyond Interpretation
  2. Aaron R. Hanlon
  3. pp. 165-184
  4. DOI: https://doi.org/10.1353/phl.2024.a930336
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  1. Cultivating Moral Attention in Ellison's Invisible Man and Murdoch's Moral Theory
  2. Amy C. Smith
  3. pp. 185-203
  4. DOI: https://doi.org/10.1353/phl.2024.a930337
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  1. "I Trot Like a Horse": The Early Modern Animal Debate in Gulliver's Travels
  2. Dana Laitinen
  3. pp. 204-214
  4. DOI: https://doi.org/10.1353/phl.2024.a930338
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  1. Biofictional Nietzsche among the Biofictionalists
  2. Michael Lackey
  3. pp. 215-231
  4. DOI: https://doi.org/10.1353/phl.2024.a930339
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  1. Everything to Do with Dionysus: Reading The Birth of Tragedy through the Lens of Satyr Play
  2. Christina Tarnopolsky
  3. pp. 232-250
  4. DOI: https://doi.org/10.1353/phl.2024.a930340
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  1. The Distance of Irish Modernism: Memory, Narrative, Representation by John Greaney (review)
  2. Xiaojing Chen, Hamid Farahmandian
  3. pp. 251-253
  4. DOI: https://doi.org/10.1353/phl.2024.a930341
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  1. The Philosophy of Modern Song by Bob Dylan (review)
  2. Peter Cheyne
  3. pp. 254-257
  4. DOI: https://doi.org/10.1353/phl.2024.a930342
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