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In this Issue

Table of Contents

  1. A New Continental Source of a Fifteenth-Century English Mass
  2. Fiona Shand
  3. pp. 405-419
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  1. Music Manuscripts from George Iliffe from Seaford Hall, Leicestershire, including a New Ascription to Byrd
  2. O. W. Neighbour
  3. pp. 420-435
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  1. Meditation and Consolatory Soul-God Dialogues in Seventeenth-Century Lutheran Germany
  2. Janette Tilley
  3. pp. 436-457
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  1. Beethoven and the Double Bar
  2. Barry Cooper
  3. pp. 458-483
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  1. The Cambridge History of Seventeenth-Century Music (review)
  2. David Schulenberg
  3. pp. 484-487
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  1. The Stylus Phantasticus and Free Keyboard Music of the North German Baroque (review)
  2. Geoffrey Webber
  3. pp. 487-489
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  1. Mozart: The Early Years, 1756-1781 (review)
  2. David Black
  3. pp. 489-492
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  1. The Tragic and the Ecstatic: The Musical Revolution of Wagner's Tristan und Isolde (review)
  2. Stephen McClatchie
  3. pp. 492-495
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  1. Deeper than Reason: Emotion and its Role in Literature, Music, and Art (review)
  2. Julian Johnson
  3. pp. 495-498
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  1. Music and the Aesthetics of Modernity: Essays (review)
  2. Julian Johnson
  3. pp. 498-502
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  1. Dictionnaire de la musique en France au xixe siècle (review)
  2. Mark Everist
  3. pp. 502-505
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  1. The Art of Fugue: Bach Fugues for Keyboard, 1715-1750 (review)
  2. Paul Walker
  3. pp. 505-507
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  1. Courtly Love Songs of Medieval France: Transmission and Style in the Trouvère Repertoire (review)
  2. Elizabeth Eva Leach
  3. pp. 507-511
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  1. The String Quartets of Beethoven (review)
  2. Glenn Stanley
  3. pp. 511-515
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  1. The Chamber Cantatas of Antonio Vivaldi (review)
  2. Sandra Mangsen
  3. pp. 515-519
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  1. The Price of Assimilation: Felix Mendelssohn and the Nineteenth-Century Anti-Semitic Tradition (review)
  2. Donald Monturean Mintz
  3. pp. 519-523
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  1. The Cambridge Companion to the Concerto (review)
  2. David A. Grayson
  3. pp. 523-528
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  1. Semantisierte Sinnlichkeit: Studien zu Rezeption und Zeichenstruktur der Leitmotivtechnik Richard Wagners (review)
  2. Arnold Whittall
  3. pp. 528-530
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  1. Pierrot lunaire: Albert Giraud-Otto Erich Hartleben-Arnold Schoenberg (review)
  2. Nick Chadwick
  3. pp. 530-535
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  1. Fascinating Rhythm: Reading Jazz in American Writing (review)
  2. Mervyn Cooke
  3. pp. 535-538
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  1. The String Quartets of Joseph Haydn (review)
  2. William Drabkin
  3. pp. 538-539
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  1. Capturing Sound: How Technology Has Changed Music (review)
  2. Simon Trezise
  3. pp. 539-542
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  1. Vaughan Williams and the Symphony (review)
  2. Christopher Mark
  3. pp. 542-545
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  1. Die Sinfonien Hans Werner Henzes: Entstehungsgeschichtliche und werkanalytische Untersuchungen zu einer Sinfonie-Ästhetik Henzes (review)
  2. Björn Heile
  3. pp. 545-547
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  1. Britten's Children (review)
  2. Arnold Whittall
  3. pp. 547-549
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  1. Gitarre und Zister-Bauweise, Spieltechnik und Geschichte bis 1800: Bericht des 22. Musikinstrumentenbau-Symposiums 2001 (review)
  2. Matthew Spring
  3. pp. 549-552
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  1. Holzblasinstrumente (review)
  2. Jeremy Montagu
  3. pp. 552-554
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  1. Carmargo Guarnieri, Brazilian Composer: A Study of his Creative Life and Works (review)
  2. Robert Keeley
  3. pp. 554-555
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  1. Paul Hindemith und die Neue Welt: Studien zur amerikanischen Hindemith-Rezeption (review)
  2. Claire Taylor-Jay
  3. pp. 555-556
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  1. Books Received
  3. pp. 559-561
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