In this Issue
Early Music is a stimulating and richly illustrated journal, and is unrivalled in its field. Founded in 1973, it remains the journal for anyone interested in early music and how it is being interpreted today. Contributions from scholars and performers on international standing explore every aspect of earlier musical repertoires, present vital new evidence for our understanding of the music of the past, and tackle controversial issues of performance practice.
Each issue is beautifully illustrated and contains a wide range of articles on performance practice, iconography, sources, instruments and many other aspects of the historical context for a given work or repertory. Some issues are dedicated to a particular theme to mark the anniversary of a composer or to explore an otherwise uncharted territory, such as the music of the New World or the early musical traditions of non-Western cultures.
published by
Oxford University Pressviewing issue
Volume 33, Number 2, May 2005Table of Contents
- Music-selling in Boccherini's Madrid
- pp. 165-177
- Haydn at St Paul's--1791 or 1792?
- pp. 273-280
- Absorbing Lassus
- pp. 305-320
- The enigmatic Taverner
- pp. 321-325
- Writing the history of song
- pp. 325-327
- Music of the Catholic monarchs
- pp. 327-330
- The early lute
- pp. 330-331
- A question of rhetoric
- pp. 331-332
- Listening for Kenner and Liebhaber
- pp. 332-334
- Brahms on record
- pp. 334-336
- The subtlety of organum
- pp. 337-340
- Froberger's secret art
- pp. 340-343
- Tercentenary Gilles
- pp. 343-344
- Quartet enlightenment
- pp. 344-347
- Pictures at an exhibition
- pp. 348-350
- Counter-Reformation piety
- pp. 350-351
- Monteverdian musings
- pp. 351-352
- 17th-century England
- pp. 352-354
- Clavichord recordings
- pp. 354-356
- French Baroque devotions
- pp. 356-358
- Jesuit opera
- pp. 358-359
- Michel Piguet (1932-2004)
- pp. 361-362
- Eric Van Tassel (1939-2004)
- pp. 362-363
Previous Issue
Next Issue
Additional Information
Copyright
Copyright © 2005 Oxford University Press.