Graphic score

Design and music intersect in many areas, yet one relatively obscure but staggeringly creative area is in the design of graphic notation.

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Wadada Leo Smith's graphic score for 'Seven Heavens,' a piece written in 2005.

Marcello Mercado, Himmelsfeld - Flatten, 2017, Graphic notations, Score, Experimental music Notations, Visualisation of a piece of music

Karlheinz Stockhausen, also find other notation diagrams in "Notations 21" it is an ambitious thesaurus of sensemaking for the art and science of neo-notation. Inspired by John Cage’s iconic 1968 Notations and originally released for its 50th anniversary, the ambitious 320-page volume by Theresa Sauer and Mark Batty Publishers reveals how 165 composers and musicians around the world are experiencing, communicating and reconceiving music visually by reinventing notation.

Marcello Mercado Das Kapital - Capital Opera Oratorium, 1996 - 2009 Graphic notations, Score, Experimental music <notation

graphic score – Google Suche

Daniel Barbiero September 2015 What decides whether a notational form or system survives is its vitality -Cornelius Cardew Solitute by Hans Christoph Steiner 1 In his comprehensive survey of the history of Western art music, Richard Taruskin raises the possibility that advances in electronic musical technologies have brought us to the cusp of a …

Many people try to play sheet music on the piano, but what about trying to play a drawing on the piano? The idea seems bizarre at first, but it’s central to a movement that began in the 1950s, where composers created “graphic scores” instead of typical sheet music. These graphic musical scores attempt to represent

As somebody with one foot in the visual art world and the other in sound world, I have always been interested in the experimental music notation strategies. Aside from the fact that these are often beautiful artifacts, I…

As somebody with one foot in the visual art world and the other in sound world, I have always been interested in the experimental music notation strategies. Aside from the fact that these are often beautiful artifacts, I…

black and white -- dots, grid. nice composition.

Fabien Levy: - L'air d'ailleurs-Bicinium, for alto saxophone, tape and electronic transformations [1997] Wolfgang Motz: - Sotto pressione, for two oboes and computer sounds [1982] Marco Stroppa: - Traiettoria, for piano and computer sounds [1982-84/88] Vincent David: sax, Peter Graham Veale: ob, Christian Hommel: ob, Pierre-Laurent Aimard: pno. Download