Henri Cartier Bresson

Henri Cartier-Bresson. Behind the Gare St. Lazare. 1932. Gelatin silver print, printed 1950s. 13 7/8 × 9 1/2" (35.2 × 24.1 cm). Gift of the artist, by exchange. 249.2005. © 2025 Henri Cartier-Bresson/Magnum Photos, courtesy Fondation Henri Cartier-Bresson, Paris. Photography

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For a man who worked professionally for barely more than ten years, Sergio Larrain, who died in 2012, had a disproportionately large impact on photography. The author of four books, he is widely considered Chile’s finest lensman, though he became something of a recluse later in life.

Paris, France - Photo by Henri Cartier-Bresson

What's up photography fans? It's Martin from All About Street Photography, and today I want to talk about Henri Cartier-Bresson's iconic photo of a

Henri Cartier-Bresson was a French photographer who was known for "candid" photography. He was also an early user of 35 mm film. He was born in 1908 and died in 2004. Part of his book, The Decisive Moment, 1952 I personally like this photo because it shows how composed a candid photo can be. This photo clearly was taken quickly, as he had to capture the birds flying away, but it looks as if a lot of time and planning went into it. He talks about this candid, quick photography in his book The…

41/365 Do you think a master of photography would be using the rule of thirds? Give me a break! One look at his images and you will see a difference between a rule of thirds image and a designed image. Henri Cartier-Bresson was a master at composition and he incorporated design and geometry into all […] To access this post, you must be log in in as a Master Pass member, or please purchase The Master Pass Membership, The Master Pass Package or The Ultimate Package.

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Picasso retrospective. MoMA. NYC. USA. 1957.

#FlashbackFriday "I was walking behind this man when all of a sudden he turned around." Henri Cartier-Bresson: Allées du Prado, Marseille, 1932.

photo: égypte by henri cartier-bresson, 1950

Henri Cartier-Bresson

‘In photography, I have found a language that suits me,’ Martine Franck once said. The late documentary and portrait photographer is the subject of a retrospective at the Fondation Henri Cartier-Bresson’s new Paris home in Le Marais

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Sean O'Hagan celebrates the classic photography of Henri Cartier-Bresson