Contributors
| Laura Auricchio | Dean, Fordham College at Lincoln Center, New York |
| Joseph Baillio | Senior vice president, Wildenstein and Company, New York |
| Sophia Boosalis | Kress Fellow, Paintings Conservation, The Nelson-Atkins Museum of Art, Kansas City |
| Brigid M. Boyle | Bloch Family Foundation Doctoral Fellow, The Nelson-Atkins Museum of Art, Kansas City |
| Aimée Brown Price | Instructor, New York Studio School of Drawing, Painting, and Sculpture |
| Kenneth Brummel | Curator, international art, Auckland Art Gallery Toi o Tāmaki, Aotearoa New Zealand |
| Kathryn Calley Galitz | Art historian and specialist on late eighteenth- and nineteenth-century French art |
| Elizabeth C. Childs | Department chair, Etta and Mark Steinberg Professor of Art History, Washington University in St. Louis |
| André Dombrowski | Frances Shapiro-Weitzenhoffer Associate Professor of 19th Century European Art, University of Pennsylvania |
| Susan Enterline | Assistant painting conservator, The Nelson-Atkins Museum of Art, Kansas City |
| Rachel Freeman | Conservator of paper and Asian art, The Nelson-Atkins Museum of Art, Kansas City |
| Rima Girnius | Former associate curator of European painting and sculpture, The Nelson-Atkins Museum of Art, Kansas City |
| Becca Goodman | Owner and painting conservator, Goodman LaFon, Detroit |
| Meghan L. Gray | Curatorial associate, European painting and sculpture, The Nelson-Atkins Museum of Art, Kansas City |
| Danielle Hampton Cullen | Project assistant, French paintings catalogue, The Nelson-Atkins Museum of Art, Kansas City |
| Nancy Heugh | Conservator, Heugh-Edmondson Conservation Services, LLC, Kansas City |
| Mary Frances Ivey | PhD candidate, The Kress Foundation Department of Art History, University of Kansas, Lawrence |
| Diana Jaskierny | Associate painting conservator, The Nelson-Atkins Museum of Art, Kansas City |
| Simon Kelly | Curator of modern and contemporary art, Saint Louis Art Museum |
| Mia Laufer | Associate curator, Des Moines Art Center |
| Ellen W. Lee | Senior curator emerita, Indianapolis Museum of Art (IMA) at Newfields |
| MacKenzie Mallon | Specialist, Provenance, The Nelson-Atkins Museum of Art, Kansas City |
| Aimee Marcereau DeGalan | Louis L. and Adelaide C. Ward Senior Curator of European Arts, The Nelson-Atkins Museum of Art, Kansas City |
| Kirsten Marples | Curatorial associate, Menil Drawing Institute, Houston |
| Asher Ethan Miller | Associate curator, European paintings, Metropolitan Museum of Art, New York |
| Nicole R. Myers | Chief Curatorial and Research Officer; The Barbara Thomas Lemmon Senior Curator of European Art, Dallas Museum of Art |
| Allison Perelman | PhD candidate, Department of Art History and Archaeology, Washington University in St. Louis |
| Richard Rand | Associate director for collections, J. Paul Getty Museum, Los Angeles |
| Mary Schafer | Head of conservation and senior painting conservator, The Nelson-Atkins Museum of Art, Kansas City |
| Megan Seiler | MA graduate, The Kress Foundation Department of Art History, University of Kansas, Lawrence |
| Kristel Smentek | Associate professor and director, History, Theory, and Criticism Group, School of Architecture + Planning, Massachusetts Institute of Technology, Cambridge |
| Glynnis Napier Stevenson | Project assistant, French paintings catalogue, The Nelson-Atkins Museum of Art, Kansas City |
| Stanton Thomas | Curator of collections and exhibitions, Museum of Fine Arts, St. Petersburg, FL |
| John Twilley | Mellon Conservation Science Advisor, The Nelson-Atkins Museum of Art, Kansas City |
Names of authors appear at the end of their catalogue entry.
doi: 10.37764/78973.2.1030