Baroque art aesthetic

Painted Hall at Old Royal Naval College in Greenwich returned to former glory in £8.5m project

Still-life with bunches of grapes, figs and four pomegranates on a ledge by Michelangelo Cerquozzi (Italian, 1602–1660)

Create a classical and realistic portrayal of a Renaissance man expressing charity, inspired by antique baroque paintings.

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Therefore He is also to be worshipped as the Judge who shall judge the living and the dead. He who will come again is to be adored as the Creator and Redeemer and Judge of all mankind. And He sits there in all the royalties of His Father's Kingdom. 'All power in heaven and on earth is given unto Me;' and He is adored there both as God and man in the glory of the Ever-blessed Trinity. And as He is to be adored with divine worship at the right hand of the Father, so He is to be adored upon the…

Michelangelo Merisi da Caravaggio (Italian 1573-1610) Oil on canvas, National Gallery of Ancient Art, Rome Italy Caravaggio pushed his figures up against the picture plane and used dramatic lighting which gives his paintings a quality of immediacy. He portrayed realistic observations of the physical and emotional human state. These combined characteristics had a formative influence on Baroque painting.