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Color name
CMYK 0 / 42 / 24 / 16

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 42 / 24 / 16 it is the complementary color CMYK 69 / 0 / 30 / 49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 42 / 24 / 16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 42 / 24 / 16 shade: CMYK 0 / 43 / 28 / 14, CMYK 0 / 40 / 25 / 7, CMYK 0 / 37 / 23 / 1, CMYK 0 / 30 / 16 / 0 and CMYK 0 / 23 / 8 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 42 / 24 / 16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 42 / 24 / 16 shade: CMYK 0 / 42 / 24 / 16, CMYK 0 / 46 / 27 / 23, CMYK 0 / 51 / 31 / 29, CMYK 0 / 57 / 35 / 36 and CMYK 0 / 64 / 40 / 43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 42 / 24 / 16 shade: CMYK 0 / 42 / 24 / 16, CMYK 0 / 42 / 36 / 16 and CMYK 0 / 42 / 42 / 16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 42 / 24 / 16 shade: CMYK 0 / 42 / 24 / 16, CMYK 0 / 42 / 13 / 16, CMYK 0 / 42 / 1 / 16, CMYK 10 / 42 / 0 / 16 and CMYK 22 / 42 / 0 / 16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 42 / 24 / 16 shade matches the following richer shades: CMYK 0 / 42 / 24 / 16, CMYK 0 / 52 / 30 / 11 and CMYK 0 / 61 / 34 / 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 42 / 24 / 16 shade: CMYK 0 / 42 / 24 / 16, CMYK 0 / 31 / 18 / 22, CMYK 0 / 18 / 10 / 27, CMYK 0 / 4 / 2 / 33 and CMYK 12 / 0 / 6 / 30

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 42 / 24 / 16 shade: CMYK 0 / 42 / 1 / 16, CMYK 0 / 42 / 13 / 16, CMYK 0 / 42 / 24 / 16, CMYK 0 / 42 / 35 / 16 and CMYK 0 / 38 / 42 / 16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 42 / 24 / 16 shade: CMYK 0 / 69 / 39 / 24, CMYK 0 / 55 / 31 / 20, CMYK 0 / 42 / 24 / 16, CMYK 0 / 31 / 17 / 13 and CMYK 0 / 21 / 12 / 9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 42 / 24 / 16 shade: CMYK 0 / 42 / 24 / 16, CMYK 0 / 10 / 42 / 16 and CMYK 42 / 7 / 0 / 16

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 42 / 24 / 16 shade: CMYK 0 / 42 / 24 / 16, CMYK 24 / 0 / 42 / 16 and CMYK 42 / 24 / 0 / 16

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 42 / 24 / 16 shade: CMYK 0 / 42 / 24 / 16, CMYK 0 / 10 / 42 / 16, CMYK 42 / 0 / 18 / 16 and CMYK 42 / 32 / 0 / 16

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 42 / 24 / 16 shade: CMYK 0 / 42 / 24 / 16, CMYK 3 / 0 / 42 / 16, CMYK 42 / 0 / 18 / 16 and CMYK 39 / 42 / 0 / 16

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 24 / 16

HEX #D67CA3

RGB 214 124 163

HSL 334, 0.52%, 0.66%

LAB 62.81, 39.79, -5.57

 

Complementary color

CMYK 69 / 0 / 30 / 49

HEX #29835C

RGB 41 131 92

HSL 154, 0.52%, 0.34%

LAB 48.86, -36.16, 13.54

 

CMYK 0 / 43 / 28 / 14

HEX #DB7C9E

RGB 219 124 158

HSL 338.53, 0.57%, 0.67%

LAB 63.3, 40.83, -1.92

 

CMYK 0 / 40 / 25 / 7

HEX #EC8EB1

RGB 236 142 177

HSL 337.66, 0.71%, 0.74%

LAB 69.72, 39.98, -2.96

 

CMYK 0 / 37 / 23 / 1

HEX #FDA0C4

RGB 253 160 196

HSL 336.77, 0.96%, 0.81%

LAB 76.08, 39.17, -3.89

 

CMYK 0 / 30 / 16 / 0

HEX #FFB2D7

RGB 255 178 215

HSL 331.17, 1%, 0.85%

LAB 80.74, 33.3, -7.31

 

CMYK 0 / 23 / 8 / 0

HEX #FFC4EA

RGB 255 196 234

HSL 321.36, 1%, 0.88%

LAB 85.34, 26.92, -10.66

 

CMYK 0 / 42 / 24 / 16

HEX #D67CA3

RGB 214 124 163

HSL 334, 0.52%, 0.66%

LAB 62.81, 39.79, -5.57

 

CMYK 0 / 46 / 27 / 23

HEX #C56A90

RGB 197 106 144

HSL 334.95, 0.44%, 0.59%

LAB 56.28, 40.63, -4.51

 

CMYK 0 / 51 / 31 / 29

HEX #B4587D

RGB 180 88 125

HSL 335.87, 0.38%, 0.53%

LAB 49.69, 41.47, -3.26

 

CMYK 0 / 57 / 35 / 36

HEX #A3466A

RGB 163 70 106

HSL 336.77, 0.4%, 0.46%

LAB 43.07, 42.25, -1.75

 

CMYK 0 / 64 / 40 / 43

HEX #923457

RGB 146 52 87

HSL 337.66, 0.47%, 0.39%

LAB 36.47, 42.84, 0.16

 

CMYK 0 / 42 / 24 / 16

HEX #D57BA2

RGB 213 123 162

HSL 334, 0.52%, 0.66%

LAB 62.44, 39.82, -5.55

 

CMYK 0 / 42 / 36 / 16

HEX #D57B89

RGB 213 123 137

HSL 350.67, 0.52%, 0.66%

LAB 61.76, 36.51, 7.76

 

CMYK 0 / 42 / 42 / 16

HEX #D57B7B

RGB 213 123 123

HSL 0, 0.52%, 0.66%

LAB 61.43, 34.91, 15.31

 

CMYK 0 / 42 / 24 / 16

HEX #D57BA2

RGB 213 123 162

HSL 334, 0.52%, 0.66%

LAB 62.44, 39.82, -5.55

 

CMYK 0 / 42 / 13 / 16

HEX #D57BBA

RGB 213 123 186

HSL 318, 0.52%, 0.66%

LAB 63.22, 43.5, -18.03

 

CMYK 0 / 42 / 1 / 16

HEX #D57BD2

RGB 213 123 210

HSL 302, 0.52%, 0.66%

LAB 64.13, 47.61, -30.16

 

CMYK 10 / 42 / 0 / 16

HEX #BF7BD5

RGB 191 123 213

HSL 285.33, 0.52%, 0.66%

LAB 61.69, 41.6, -35.83

 

CMYK 22 / 42 / 0 / 16

HEX #A77BD5

RGB 167 123 213

HSL 269.33, 0.52%, 0.66%

LAB 59.15, 34.58, -40

 

CMYK 0 / 42 / 24 / 16

HEX #D57BA2

RGB 213 123 162

HSL 334, 0.52%, 0.66%

LAB 62.44, 39.82, -5.55

 

CMYK 0 / 52 / 30 / 11

HEX #E36DA0

RGB 227 109 160

HSL 334.07, 0.68%, 0.66%

LAB 61.49, 51.3, -5.61

 

CMYK 0 / 61 / 34 / 5

HEX #F15F9E

RGB 241 95 158

HSL 334.11, 0.84%, 0.66%

LAB 61.09, 61.8, -4.81

 

CMYK 0 / 42 / 24 / 16

HEX #D57BA2

RGB 213 123 162

HSL 334, 0.52%, 0.66%

LAB 62.44, 39.82, -5.55

 

CMYK 0 / 31 / 18 / 22

HEX #C789A4

RGB 199 137 164

HSL 333.87, 0.36%, 0.66%

LAB 63.93, 27.66, -4.68

 

CMYK 0 / 18 / 10 / 27

HEX #B997A6

RGB 185 151 166

HSL 333.53, 0.2%, 0.66%

LAB 65.9, 15.17, -3.06

 

CMYK 0 / 4 / 2 / 33

HEX #ABA5A7

RGB 171 165 167

HSL 340, 0.03%, 0.66%

LAB 68.28, 2.53, -0.27

 

CMYK 12 / 0 / 6 / 30

HEX #9DB3A9

RGB 157 179 169

HSL 152.73, 0.13%, 0.66%

LAB 71.06, -9.56, 2.53

 

CMYK 0 / 42 / 1 / 16

HEX #D57BD2

RGB 213 123 210

HSL 302, 0.52%, 0.66%

LAB 64.13, 47.61, -30.16

 

CMYK 0 / 42 / 13 / 16

HEX #D57BBA

RGB 213 123 186

HSL 318, 0.52%, 0.66%

LAB 63.22, 43.5, -18.03

 

CMYK 0 / 42 / 24 / 16

HEX #D57BA2

RGB 213 123 162

HSL 334, 0.52%, 0.66%

LAB 62.44, 39.82, -5.55

 

CMYK 0 / 42 / 35 / 16

HEX #D57B8A

RGB 213 123 138

HSL 350, 0.52%, 0.66%

LAB 61.78, 36.64, 7.22

 

CMYK 0 / 38 / 42 / 16

HEX #D5847B

RGB 213 132 123

HSL 6, 0.52%, 0.66%

LAB 63.41, 30.12, 18.04

 

CMYK 0 / 69 / 39 / 24

HEX #C13C76

RGB 193 60 118

HSL 333.83, 0.53%, 0.5%

LAB 46.81, 57.44, -3.05

 

CMYK 0 / 55 / 31 / 20

HEX #CB5B8C

RGB 203 91 140

HSL 333.75, 0.52%, 0.58%

LAB 54.1, 49.62, -5.29

 

CMYK 0 / 42 / 24 / 16

HEX #D57BA2

RGB 213 123 162

HSL 334, 0.52%, 0.66%

LAB 62.44, 39.82, -5.55

 

CMYK 0 / 31 / 17 / 13

HEX #DF9AB8

RGB 223 154 184

HSL 333.91, 0.52%, 0.74%

LAB 71.05, 30.12, -5.07

 

CMYK 0 / 21 / 12 / 9

HEX #E9B9CE

RGB 233 185 206

HSL 333.75, 0.52%, 0.82%

LAB 79.88, 20.55, -3.96

 

CMYK 0 / 42 / 24 / 16

HEX #D67CA3

RGB 214 124 163

HSL 334, 0.52%, 0.66%

LAB 62.81, 39.79, -5.57

 

CMYK 0 / 10 / 42 / 16

HEX #D5C07B

RGB 213 192 123

HSL 46, 0.52%, 0.66%

LAB 78.04, -2.07, 37.43

 

CMYK 42 / 7 / 0 / 16

HEX #7BC6D5

RGB 123 198 213

HSL 190, 0.52%, 0.66%

LAB 75.7, -19.41, -14.8

 

CMYK 0 / 42 / 24 / 16

HEX #D67CA3

RGB 214 124 163

HSL 334, 0.52%, 0.66%

LAB 62.81, 39.79, -5.57

 

CMYK 24 / 0 / 42 / 16

HEX #A2D57B

RGB 162 213 123

HSL 94, 0.52%, 0.66%

LAB 80.01, -32.19, 39.18

 

CMYK 42 / 24 / 0 / 16

HEX #7BA2D5

RGB 123 162 213

HSL 214, 0.52%, 0.66%

LAB 65.64, -0.11, -30.15

 

CMYK 0 / 42 / 24 / 16

HEX #D67CA3

RGB 214 124 163

HSL 334, 0.52%, 0.66%

LAB 62.81, 39.79, -5.57

 

CMYK 0 / 10 / 42 / 16

HEX #D5C07B

RGB 213 192 123

HSL 46, 0.52%, 0.66%

LAB 78.04, -2.07, 37.43

 

CMYK 42 / 0 / 18 / 16

HEX #7BD5AE

RGB 123 213 174

HSL 154, 0.52%, 0.66%

LAB 78.96, -35.85, 10.93

 

CMYK 42 / 32 / 0 / 16

HEX #7B90D5

RGB 123 144 213

HSL 226, 0.52%, 0.66%

LAB 60.75, 10.2, -37.75

 

CMYK 0 / 42 / 24 / 16

HEX #D67CA3

RGB 214 124 163

HSL 334, 0.52%, 0.66%

LAB 62.81, 39.79, -5.57

 

CMYK 3 / 0 / 42 / 16

HEX #CFD57B

RGB 207 213 123

HSL 64, 0.52%, 0.66%

LAB 83.06, -15.19, 43.67

 

CMYK 42 / 0 / 18 / 16

HEX #7BD5AE

RGB 123 213 174

HSL 154, 0.52%, 0.66%

LAB 78.96, -35.85, 10.93

 

CMYK 39 / 42 / 0 / 16

HEX #817BD5

RGB 129 123 213

HSL 244, 0.52%, 0.66%

LAB 55.72, 24.12, -45.63

 

Description

Color code: CMYK 0 / 42 / 24 / 16 | qconv.com Color code: CMYK 0 / 42 / 24 / 16 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 124 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 124 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 24 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 24% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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