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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 45 / 34 / 39 it is the complementary color CMYK 41 / 0 / 10 / 34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 45 / 34 / 39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 45 / 34 / 39 shade: CMYK 0 / 47 / 39 / 37, CMYK 0 / 42 / 34 / 30, CMYK 0 / 37 / 30 / 24, CMYK 0 / 34 / 27 / 17 and CMYK 0 / 31 / 24 / 10

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 45 / 34 / 39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 45 / 34 / 39 shade: CMYK 0 / 45 / 34 / 39, CMYK 0 / 51 / 40 / 45, CMYK 0 / 59 / 47 / 52, CMYK 0 / 70 / 56 / 59 and CMYK 0 / 84 / 69 / 65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 45 / 34 / 39 shade: CMYK 0 / 45 / 34 / 40 and CMYK 0 / 45 / 45 / 40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 45 / 34 / 39 shade: CMYK 0 / 45 / 34 / 40, CMYK 0 / 45 / 22 / 40, CMYK 0 / 45 / 10 / 40, CMYK 2 / 45 / 0 / 40 and CMYK 14 / 45 / 0 / 40

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 45 / 34 / 39 shade matches the following richer shades: CMYK 0 / 45 / 34 / 40, CMYK 0 / 62 / 47 / 32, CMYK 0 / 76 / 58 / 24, CMYK 0 / 88 / 66 / 17 and CMYK 0 / 97 / 73 / 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 45 / 34 / 39 shade: CMYK 0 / 45 / 34 / 40, CMYK 0 / 23 / 18 / 47, CMYK 7 / 0 / 2 / 52, CMYK 33 / 0 / 8 / 44 and CMYK 52 / 0 / 13 / 36

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 45 / 34 / 39 shade: CMYK 0 / 45 / 10 / 40, CMYK 0 / 45 / 21 / 40, CMYK 0 / 45 / 34 / 40, CMYK 0 / 44 / 45 / 40 and CMYK 0 / 32 / 45 / 40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 45 / 34 / 39 shade: CMYK 0 / 46 / 35 / 60, CMYK 0 / 45 / 34 / 50, CMYK 0 / 45 / 34 / 40, CMYK 0 / 38 / 29 / 32 and CMYK 0 / 29 / 22 / 26

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 45 / 34 / 39 shade: CMYK 0 / 45 / 34 / 39, CMYK 0 / 2 / 45 / 40 and CMYK 45 / 16 / 0 / 40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 45 / 34 / 39 shade: CMYK 0 / 45 / 34 / 39, CMYK 34 / 0 / 45 / 40 and CMYK 45 / 34 / 0 / 40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 45 / 34 / 39 shade: CMYK 0 / 45 / 34 / 39, CMYK 0 / 2 / 45 / 40, CMYK 45 / 0 / 11 / 40 and CMYK 45 / 43 / 0 / 40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 45 / 34 / 39 shade: CMYK 0 / 45 / 34 / 39, CMYK 11 / 0 / 45 / 40, CMYK 45 / 0 / 11 / 40 and CMYK 34 / 45 / 0 / 40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 34 / 39

HEX #9C5667

RGB 156 86 103

HSL 345.43, 0.29%, 0.47%

LAB 45.22, 30.93, 3.09

 

Complementary color

CMYK 41 / 0 / 10 / 34

HEX #63A998

RGB 99 169 152

HSL 165.43, 0.29%, 0.53%

LAB 64.4, -26.19, 1.86

 

CMYK 0 / 47 / 39 / 37

HEX #A15662

RGB 161 86 98

HSL 350.4, 0.3%, 0.48%

LAB 45.79, 32.19, 7.04

 

CMYK 0 / 42 / 34 / 30

HEX #B26875

RGB 178 104 117

HSL 349.46, 0.32%, 0.55%

LAB 52.56, 31.19, 5.64

 

CMYK 0 / 37 / 30 / 24

HEX #C37A88

RGB 195 122 136

HSL 348.49, 0.38%, 0.62%

LAB 59.25, 30.27, 4.44

 

CMYK 0 / 34 / 27 / 17

HEX #D48C9B

RGB 212 140 155

HSL 347.5, 0.46%, 0.69%

LAB 65.84, 29.41, 3.39

 

CMYK 0 / 31 / 24 / 10

HEX #E59EAE

RGB 229 158 174

HSL 346.48, 0.58%, 0.76%

LAB 72.34, 28.63, 2.44

 

CMYK 0 / 45 / 34 / 39

HEX #9C5667

RGB 156 86 103

HSL 345.43, 0.29%, 0.47%

LAB 45.22, 30.93, 3.09

 

CMYK 0 / 51 / 40 / 45

HEX #8B4454

RGB 139 68 84

HSL 346.48, 0.34%, 0.41%

LAB 38.31, 31.92, 4.58

 

CMYK 0 / 59 / 47 / 52

HEX #7A3241

RGB 122 50 65

HSL 347.5, 0.42%, 0.34%

LAB 31.35, 32.9, 6.47

 

CMYK 0 / 70 / 56 / 59

HEX #69202E

RGB 105 32 46

HSL 348.49, 0.53%, 0.27%

LAB 24.43, 33.66, 9.02

 

CMYK 0 / 84 / 69 / 65

HEX #580E1B

RGB 88 14 27

HSL 349.46, 0.73%, 0.2%

LAB 17.77, 33.68, 12.72

 

CMYK 0 / 45 / 34 / 40

HEX #9A5565

RGB 154 85 101

HSL 346.09, 0.29%, 0.47%

LAB 44.67, 30.46, 3.48

 

CMYK 0 / 45 / 45 / 40

HEX #9A5555

RGB 154 85 85

HSL 0, 0.29%, 0.47%

LAB 44.27, 28.5, 12.66

 

CMYK 0 / 45 / 34 / 40

HEX #9A5565

RGB 154 85 101

HSL 346.09, 0.29%, 0.47%

LAB 44.67, 30.46, 3.48

 

CMYK 0 / 45 / 22 / 40

HEX #9A5578

RGB 154 85 120

HSL 329.57, 0.29%, 0.47%

LAB 45.25, 33.2, -7.24

 

CMYK 0 / 45 / 10 / 40

HEX #9A558B

RGB 154 85 139

HSL 313.04, 0.29%, 0.47%

LAB 45.95, 36.37, -17.66

 

CMYK 2 / 45 / 0 / 40

HEX #97559A

RGB 151 85 154

HSL 297.39, 0.29%, 0.47%

LAB 46.19, 38.21, -26.29

 

CMYK 14 / 45 / 0 / 40

HEX #84559A

RGB 132 85 154

HSL 280.87, 0.29%, 0.47%

LAB 43.85, 32.29, -30.12

 

CMYK 0 / 45 / 34 / 40

HEX #9A5565

RGB 154 85 101

HSL 346.09, 0.29%, 0.47%

LAB 44.67, 30.46, 3.48

 

CMYK 0 / 62 / 47 / 32

HEX #AD415B

RGB 173 65 91

HSL 345.56, 0.45%, 0.47%

LAB 43.39, 46.34, 8.19

 

CMYK 0 / 76 / 58 / 24

HEX #C12E52

RGB 193 46 82

HSL 345.31, 0.62%, 0.47%

LAB 44.09, 59.17, 15.29

 

CMYK 0 / 88 / 66 / 17

HEX #D41A48

RGB 212 26 72

HSL 345.16, 0.78%, 0.47%

LAB 45.91, 68.54, 24.57

 

CMYK 0 / 97 / 73 / 9

HEX #E8073E

RGB 232 7 62

HSL 345.33, 0.94%, 0.47%

LAB 49.08, 75.22, 35.42

 

CMYK 0 / 45 / 34 / 40

HEX #9A5565

RGB 154 85 101

HSL 346.09, 0.29%, 0.47%

LAB 44.67, 30.46, 3.48

 

CMYK 0 / 23 / 18 / 47

HEX #87686F

RGB 135 104 111

HSL 346.45, 0.13%, 0.47%

LAB 47.23, 13.56, 0.85

 

CMYK 7 / 0 / 2 / 52

HEX #737B79

RGB 115 123 121

HSL 165, 0.03%, 0.47%

LAB 50.91, -3.39, 0.06

 

CMYK 33 / 0 / 8 / 44

HEX #608F83

RGB 96 143 131

HSL 164.68, 0.2%, 0.47%

LAB 55.86, -18.7, 1.3

 

CMYK 52 / 0 / 13 / 36

HEX #4DA28D

RGB 77 162 141

HSL 165.18, 0.36%, 0.47%

LAB 61.08, -31, 3.1

 

CMYK 0 / 45 / 10 / 40

HEX #9A558B

RGB 154 85 139

HSL 313.04, 0.29%, 0.47%

LAB 45.95, 36.37, -17.66

 

CMYK 0 / 45 / 21 / 40

HEX #9A5579

RGB 154 85 121

HSL 328.7, 0.29%, 0.47%

LAB 45.29, 33.36, -7.8

 

CMYK 0 / 45 / 34 / 40

HEX #9A5566

RGB 154 85 102

HSL 345.22, 0.29%, 0.47%

LAB 44.7, 30.59, 2.9

 

CMYK 0 / 44 / 45 / 40

HEX #9A5655

RGB 154 86 85

HSL 0.87, 0.29%, 0.47%

LAB 44.49, 27.94, 12.97

 

CMYK 0 / 32 / 45 / 40

HEX #9A6855

RGB 154 104 85

HSL 16.52, 0.29%, 0.47%

LAB 48.79, 17.7, 18.82

 

CMYK 0 / 46 / 35 / 60

HEX #653742

RGB 101 55 66

HSL 345.65, 0.29%, 0.31%

LAB 29.14, 21.94, 2.21

 

CMYK 0 / 45 / 34 / 50

HEX #7F4654

RGB 127 70 84

HSL 345.26, 0.29%, 0.39%

LAB 36.99, 26.15, 2.45

 

CMYK 0 / 45 / 34 / 40

HEX #9A5565

RGB 154 85 101

HSL 346.09, 0.29%, 0.47%

LAB 44.67, 30.46, 3.48

 

CMYK 0 / 38 / 29 / 32

HEX #AD6B7B

RGB 173 107 123

HSL 345.45, 0.29%, 0.55%

LAB 52.76, 28.46, 2.3

 

CMYK 0 / 29 / 22 / 26

HEX #BC8593

RGB 188 133 147

HSL 344.73, 0.29%, 0.63%

LAB 61.28, 23.18, 0.97

 

CMYK 0 / 45 / 34 / 39

HEX #9C5667

RGB 156 86 103

HSL 345.43, 0.29%, 0.47%

LAB 45.22, 30.93, 3.09

 

CMYK 0 / 2 / 45 / 40

HEX #9A9755

RGB 154 151 85

HSL 57.39, 0.29%, 0.47%

LAB 61.36, -8.73, 35.03

 

CMYK 45 / 16 / 0 / 40

HEX #55829A

RGB 85 130 154

HSL 200.87, 0.29%, 0.47%

LAB 52.1, -8.73, -17.68

 

CMYK 0 / 45 / 34 / 39

HEX #9C5667

RGB 156 86 103

HSL 345.43, 0.29%, 0.47%

LAB 45.22, 30.93, 3.09

 

CMYK 34 / 0 / 45 / 40

HEX #669A55

RGB 102 154 85

HSL 105.22, 0.29%, 0.47%

LAB 58.59, -30.85, 30.78

 

CMYK 45 / 34 / 0 / 40

HEX #55669A

RGB 85 102 154

HSL 225.22, 0.29%, 0.47%

LAB 43.9, 7.94, -30.35

 

CMYK 0 / 45 / 34 / 39

HEX #9C5667

RGB 156 86 103

HSL 345.43, 0.29%, 0.47%

LAB 45.22, 30.93, 3.09

 

CMYK 0 / 2 / 45 / 40

HEX #9A9755

RGB 154 151 85

HSL 57.39, 0.29%, 0.47%

LAB 61.36, -8.73, 35.03

 

CMYK 45 / 0 / 11 / 40

HEX #559A89

RGB 85 154 137

HSL 165.22, 0.29%, 0.47%

LAB 58.83, -26.07, 2.14

 

CMYK 45 / 43 / 0 / 40

HEX #55589A

RGB 85 88 154

HSL 237.39, 0.29%, 0.47%

LAB 39.99, 16.74, -36.51

 

CMYK 0 / 45 / 34 / 39

HEX #9C5667

RGB 156 86 103

HSL 345.43, 0.29%, 0.47%

LAB 45.22, 30.93, 3.09

 

CMYK 11 / 0 / 45 / 40

HEX #899A55

RGB 137 154 85

HSL 74.78, 0.29%, 0.47%

LAB 60.86, -17.41, 34.11

 

CMYK 45 / 0 / 11 / 40

HEX #559A89

RGB 85 154 137

HSL 165.22, 0.29%, 0.47%

LAB 58.83, -26.07, 2.14

 

CMYK 34 / 45 / 0 / 40

HEX #66559A

RGB 102 85 154

HSL 254.78, 0.29%, 0.47%

LAB 40.66, 23.3, -35.35

 

Description

Color code: CMYK 0 / 45 / 34 / 39 | qconv.com Color code: CMYK 0 / 45 / 34 / 39 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 86 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 86 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 34 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 34% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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