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Color name
CMYK 0 / 48 / 76 / 9

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 48 / 76 / 9 it is the complementary color CMYK 88 / 33 / 0 / 22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 48 / 76 / 9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 48 / 76 / 9 shade: CMYK 0 / 49 / 78 / 7, CMYK 0 / 45 / 72 / 0, CMYK 0 / 38 / 65 / 0, CMYK 0 / 31 / 58 / 0 and CMYK 0 / 24 / 50 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 48 / 76 / 9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 48 / 76 / 9 shade: CMYK 0 / 48 / 76 / 9, CMYK 0 / 52 / 83 / 16, CMYK 0 / 57 / 91 / 22, CMYK 0 / 63 / 100 / 29 and CMYK 0 / 70 / 100 / 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 48 / 76 / 9 shade: CMYK 0 / 48 / 77 / 9, CMYK 0 / 69 / 77 / 9 and CMYK 0 / 77 / 77 / 9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 48 / 76 / 9 shade: CMYK 0 / 48 / 77 / 9, CMYK 0 / 28 / 77 / 9, CMYK 0 / 7 / 77 / 9, CMYK 14 / 0 / 77 / 9 and CMYK 34 / 0 / 77 / 9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 48 / 76 / 9 shade matches the following richer shades: CMYK 0 / 48 / 77 / 9 and CMYK 0 / 54 / 86 / 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 48 / 76 / 9 shade: CMYK 0 / 48 / 77 / 9, CMYK 0 / 42 / 66 / 16, CMYK 0 / 34 / 54 / 24, CMYK 0 / 24 / 39 / 31 and CMYK 0 / 13 / 20 / 38

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 48 / 76 / 9 shade: CMYK 0 / 77 / 64 / 9, CMYK 0 / 69 / 77 / 9, CMYK 0 / 48 / 77 / 9, CMYK 0 / 28 / 77 / 9 and CMYK 0 / 8 / 77 / 9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 48 / 76 / 9 shade: CMYK 0 / 56 / 88 / 29, CMYK 0 / 56 / 89 / 15, CMYK 0 / 48 / 77 / 9, CMYK 0 / 39 / 61 / 8 and CMYK 0 / 30 / 47 / 6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 48 / 76 / 9 shade: CMYK 0 / 48 / 76 / 9, CMYK 44 / 0 / 77 / 9 and CMYK 77 / 74 / 0 / 9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 48 / 76 / 9 shade: CMYK 0 / 48 / 76 / 9, CMYK 77 / 0 / 48 / 9 and CMYK 48 / 77 / 0 / 9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 48 / 76 / 9 shade: CMYK 0 / 48 / 76 / 9, CMYK 44 / 0 / 77 / 9, CMYK 77 / 28 / 0 / 9 and CMYK 33 / 77 / 0 / 9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 48 / 76 / 9 shade: CMYK 0 / 48 / 76 / 9, CMYK 67 / 0 / 77 / 9, CMYK 77 / 28 / 0 / 9 and CMYK 10 / 77 / 0 / 9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 76 / 9

HEX #E87938

RGB 232 121 56

HSL 22.16, 0.79%, 0.56%

LAB 62.61, 38.45, 53.2

 

Complementary color

CMYK 88 / 33 / 0 / 22

HEX #1786C7

RGB 23 134 199

HSL 202.16, 0.79%, 0.44%

LAB 53.34, -5.55, -41.78

 

CMYK 0 / 49 / 78 / 7

HEX #ED7933

RGB 237 121 51

HSL 22.58, 0.84%, 0.56%

LAB 63.28, 40.22, 56.33

 

CMYK 0 / 45 / 72 / 0

HEX #FE8B46

RGB 254 139 70

HSL 22.5, 0.99%, 0.64%

LAB 69.45, 38.52, 54.72

 

CMYK 0 / 38 / 65 / 0

HEX #FF9D59

RGB 255 157 89

HSL 24.58, 1%, 0.67%

LAB 73.61, 30.67, 50.19

 

CMYK 0 / 31 / 58 / 0

HEX #FFAF6C

RGB 255 175 108

HSL 27.35, 1%, 0.71%

LAB 77.88, 22.55, 45.77

 

CMYK 0 / 24 / 50 / 0

HEX #FFC17F

RGB 255 193 127

HSL 30.94, 1%, 0.75%

LAB 82.34, 14.68, 41.68

 

CMYK 0 / 48 / 76 / 9

HEX #E87938

RGB 232 121 56

HSL 22.16, 0.79%, 0.56%

LAB 62.61, 38.45, 53.2

 

CMYK 0 / 52 / 83 / 16

HEX #D76725

RGB 215 103 37

HSL 22.25, 0.71%, 0.49%

LAB 56.37, 40.23, 54.68

 

CMYK 0 / 57 / 91 / 22

HEX #C65512

RGB 198 85 18

HSL 22.33, 0.83%, 0.42%

LAB 50.15, 42.1, 55.39

 

CMYK 0 / 63 / 100 / 29

HEX #B54300

RGB 181 67 0

HSL 22.21, 1%, 0.35%

LAB 44, 43.95, 54.86

 

CMYK 0 / 70 / 100 / 36

HEX #A43100

RGB 164 49 0

HSL 17.93, 1%, 0.32%

LAB 38, 45.64, 50.1

 

CMYK 0 / 48 / 77 / 9

HEX #E77736

RGB 231 119 54

HSL 22.03, 0.79%, 0.56%

LAB 62.04, 39, 53.5

 

CMYK 0 / 69 / 77 / 9

HEX #E74736

RGB 231 71 54

HSL 5.76, 0.79%, 0.56%

LAB 53.77, 60.59, 45.05

 

CMYK 0 / 77 / 77 / 9

HEX #E73636

RGB 231 54 54

HSL 0, 0.79%, 0.56%

LAB 51.72, 66.3, 42.87

 

CMYK 0 / 48 / 77 / 9

HEX #E77736

RGB 231 119 54

HSL 22.03, 0.79%, 0.56%

LAB 62.04, 39, 53.5

 

CMYK 0 / 28 / 77 / 9

HEX #E7A736

RGB 231 167 54

HSL 38.31, 0.79%, 0.56%

LAB 72.82, 13.77, 63.95

 

CMYK 0 / 7 / 77 / 9

HEX #E7D736

RGB 231 215 54

HSL 54.58, 0.79%, 0.56%

LAB 84.92, -11.11, 75.15

 

CMYK 14 / 0 / 77 / 9

HEX #C7E736

RGB 199 231 54

HSL 70.85, 0.79%, 0.56%

LAB 86.78, -32.01, 75.94

 

CMYK 34 / 0 / 77 / 9

HEX #98E736

RGB 152 231 54

HSL 86.78, 0.79%, 0.56%

LAB 84.01, -49.68, 72.37

 

CMYK 0 / 48 / 77 / 9

HEX #E77736

RGB 231 119 54

HSL 22.03, 0.79%, 0.56%

LAB 62.04, 39, 53.5

 

CMYK 0 / 54 / 86 / 2

HEX #F97224

RGB 249 114 36

HSL 21.97, 0.95%, 0.56%

LAB 63.59, 47.79, 63.25

 

CMYK 0 / 48 / 77 / 9

HEX #E77736

RGB 231 119 54

HSL 22.03, 0.79%, 0.56%

LAB 62.04, 39, 53.5

 

CMYK 0 / 42 / 66 / 16

HEX #D57C48

RGB 213 124 72

HSL 22.13, 0.63%, 0.56%

LAB 60.81, 30.09, 42.66

 

CMYK 0 / 34 / 54 / 24

HEX #C3815A

RGB 195 129 90

HSL 22.29, 0.47%, 0.56%

LAB 59.93, 21.3, 31.45

 

CMYK 0 / 24 / 39 / 31

HEX #B0856C

RGB 176 133 108

HSL 22.06, 0.3%, 0.56%

LAB 59.06, 13.09, 19.87

 

CMYK 0 / 13 / 20 / 38

HEX #9E8A7E

RGB 158 138 126

HSL 22.5, 0.14%, 0.56%

LAB 58.93, 5.53, 9.19

 

CMYK 0 / 77 / 64 / 9

HEX #E73653

RGB 231 54 83

HSL 350.17, 0.79%, 0.56%

LAB 52.12, 67.59, 26.61

 

CMYK 0 / 69 / 77 / 9

HEX #E74736

RGB 231 71 54

HSL 5.76, 0.79%, 0.56%

LAB 53.77, 60.59, 45.05

 

CMYK 0 / 48 / 77 / 9

HEX #E77736

RGB 231 119 54

HSL 22.03, 0.79%, 0.56%

LAB 62.04, 39, 53.5

 

CMYK 0 / 28 / 77 / 9

HEX #E7A636

RGB 231 166 54

HSL 37.97, 0.79%, 0.56%

LAB 72.58, 14.3, 63.73

 

CMYK 0 / 8 / 77 / 9

HEX #E7D536

RGB 231 213 54

HSL 53.9, 0.79%, 0.56%

LAB 84.4, -10.1, 74.68

 

CMYK 0 / 56 / 88 / 29

HEX #B55015

RGB 181 80 21

HSL 22.13, 0.79%, 0.4%

LAB 46.47, 38.03, 50.4

 

CMYK 0 / 56 / 89 / 15

HEX #DA6019

RGB 218 96 25

HSL 22.07, 0.79%, 0.48%

LAB 55.42, 44.53, 58.53

 

CMYK 0 / 48 / 77 / 9

HEX #E77736

RGB 231 119 54

HSL 22.03, 0.79%, 0.56%

LAB 62.04, 39, 53.5

 

CMYK 0 / 39 / 61 / 8

HEX #EB905B

RGB 235 144 91

HSL 22.08, 0.78%, 0.64%

LAB 68.29, 29.6, 42.33

 

CMYK 0 / 30 / 47 / 6

HEX #F0A980

RGB 240 169 128

HSL 21.96, 0.79%, 0.72%

LAB 75.11, 21.43, 31.55

 

CMYK 0 / 48 / 76 / 9

HEX #E87938

RGB 232 121 56

HSL 22.16, 0.79%, 0.56%

LAB 62.61, 38.45, 53.2

 

CMYK 44 / 0 / 77 / 9

HEX #82E736

RGB 130 231 54

HSL 94.24, 0.79%, 0.56%

LAB 83, -56.94, 71.05

 

CMYK 77 / 74 / 0 / 9

HEX #363CE7

RGB 54 60 231

HSL 237.97, 0.79%, 0.56%

LAB 37.45, 54.37, -85.69

 

CMYK 0 / 48 / 76 / 9

HEX #E87938

RGB 232 121 56

HSL 22.16, 0.79%, 0.56%

LAB 62.61, 38.45, 53.2

 

CMYK 77 / 0 / 48 / 9

HEX #36E777

RGB 54 231 119

HSL 142.03, 0.79%, 0.56%

LAB 81.44, -67.06, 42.14

 

CMYK 48 / 77 / 0 / 9

HEX #7736E7

RGB 119 54 231

HSL 262.03, 0.79%, 0.56%

LAB 41.74, 64.29, -78.45

 

CMYK 0 / 48 / 76 / 9

HEX #E87938

RGB 232 121 56

HSL 22.16, 0.79%, 0.56%

LAB 62.61, 38.45, 53.2

 

CMYK 44 / 0 / 77 / 9

HEX #82E736

RGB 130 231 54

HSL 94.24, 0.79%, 0.56%

LAB 83, -56.94, 71.05

 

CMYK 77 / 28 / 0 / 9

HEX #36A6E7

RGB 54 166 231

HSL 202.03, 0.79%, 0.56%

LAB 64.82, -9.54, -41.55

 

CMYK 33 / 77 / 0 / 9

HEX #9A36E7

RGB 154 54 231

HSL 273.9, 0.79%, 0.56%

LAB 46.01, 69.58, -71.28

 

CMYK 0 / 48 / 76 / 9

HEX #E87938

RGB 232 121 56

HSL 22.16, 0.79%, 0.56%

LAB 62.61, 38.45, 53.2

 

CMYK 67 / 0 / 77 / 9

HEX #4DE736

RGB 77 231 54

HSL 112.2, 0.79%, 0.56%

LAB 81.29, -70.42, 68.82

 

CMYK 77 / 28 / 0 / 9

HEX #36A6E7

RGB 54 166 231

HSL 202.03, 0.79%, 0.56%

LAB 64.82, -9.54, -41.55

 

CMYK 10 / 77 / 0 / 9

HEX #CF36E7

RGB 207 54 231

HSL 291.86, 0.79%, 0.56%

LAB 53.68, 78.91, -58.51

 

Description

Color code: CMYK 0 / 48 / 76 / 9 | qconv.com Color code: CMYK 0 / 48 / 76 / 9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 121 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 121 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 76 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 76% 9% C M Y K

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