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Color name
CMYK 0 / 49 / 13 / 50

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 49 / 13 / 50 it is the complementary color CMYK 33 / 0 / 24 / 25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 49 / 13 / 50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 49 / 13 / 50 shade: CMYK 0 / 51 / 20 / 48, CMYK 0 / 45 / 17 / 41, CMYK 0 / 40 / 14 / 35, CMYK 0 / 35 / 11 / 28 and CMYK 0 / 32 / 9 / 21

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 49 / 13 / 50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 49 / 13 / 50 shade: CMYK 0 / 49 / 13 / 50, CMYK 0 / 58 / 17 / 56, CMYK 0 / 69 / 22 / 63, CMYK 0 / 86 / 30 / 70 and CMYK 0 / 100 / 42 / 76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 49 / 13 / 50 shade: CMYK 0 / 50 / 13 / 50, CMYK 0 / 50 / 27 / 50, CMYK 0 / 50 / 40 / 50 and CMYK 0 / 50 / 50 / 50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 49 / 13 / 50 shade: CMYK 0 / 50 / 13 / 50, CMYK 0 / 50 / 0 / 50, CMYK 13 / 50 / 0 / 50, CMYK 27 / 50 / 0 / 50 and CMYK 40 / 50 / 0 / 50

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 49 / 13 / 50 shade matches the following richer shades: CMYK 0 / 50 / 13 / 50, CMYK 0 / 66 / 18 / 44, CMYK 0 / 79 / 21 / 37, CMYK 0 / 90 / 24 / 31 and CMYK 0 / 99 / 27 / 25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 49 / 13 / 50 shade: CMYK 0 / 50 / 13 / 50, CMYK 0 / 29 / 8 / 56, CMYK 0 / 1 / 0 / 62, CMYK 27 / 0 / 20 / 56 and CMYK 48 / 0 / 35 / 50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 49 / 13 / 50 shade: CMYK 13 / 50 / 0 / 50, CMYK 0 / 50 / 0 / 50, CMYK 0 / 50 / 13 / 50, CMYK 0 / 50 / 27 / 50 and CMYK 0 / 50 / 40 / 50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 49 / 13 / 50 shade: CMYK 0 / 50 / 14 / 71, CMYK 0 / 50 / 14 / 60, CMYK 0 / 50 / 13 / 50, CMYK 0 / 50 / 13 / 39 and CMYK 0 / 44 / 12 / 31

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 49 / 13 / 50 shade: CMYK 0 / 49 / 13 / 50, CMYK 0 / 27 / 50 / 50 and CMYK 50 / 0 / 6 / 50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 49 / 13 / 50 shade: CMYK 0 / 49 / 13 / 50, CMYK 13 / 0 / 50 / 50 and CMYK 50 / 13 / 0 / 50

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 49 / 13 / 50 shade: CMYK 0 / 49 / 13 / 50, CMYK 0 / 27 / 50 / 50, CMYK 50 / 0 / 37 / 50 and CMYK 50 / 23 / 0 / 50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 49 / 13 / 50 shade: CMYK 0 / 49 / 13 / 50, CMYK 0 / 12 / 50 / 50, CMYK 50 / 0 / 37 / 50 and CMYK 50 / 38 / 0 / 50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 13 / 50

HEX #80416F

RGB 128 65 111

HSL 316.19, 0.33%, 0.38%

LAB 36.96, 33.63, -14.57

 

Complementary color

CMYK 33 / 0 / 24 / 25

HEX #7FBE90

RGB 127 190 144

HSL 136.19, 0.33%, 0.62%

LAB 71.79, -29.86, 16.95

 

CMYK 0 / 51 / 20 / 48

HEX #85416A

RGB 133 65 106

HSL 323.82, 0.34%, 0.39%

LAB 37.5, 34.51, -10.56

 

CMYK 0 / 45 / 17 / 41

HEX #96537D

RGB 150 83 125

HSL 322.39, 0.29%, 0.46%

LAB 44.45, 33.7, -11.54

 

CMYK 0 / 40 / 14 / 35

HEX #A76590

RGB 167 101 144

HSL 320.91, 0.27%, 0.53%

LAB 51.31, 32.88, -12.34

 

CMYK 0 / 35 / 11 / 28

HEX #B877A3

RGB 184 119 163

HSL 319.38, 0.31%, 0.59%

LAB 58.06, 32.09, -13.04

 

CMYK 0 / 32 / 9 / 21

HEX #C989B6

RGB 201 137 182

HSL 317.81, 0.37%, 0.66%

LAB 64.71, 31.35, -13.66

 

CMYK 0 / 49 / 13 / 50

HEX #80416F

RGB 128 65 111

HSL 316.19, 0.33%, 0.38%

LAB 36.96, 33.63, -14.57

 

CMYK 0 / 58 / 17 / 56

HEX #6F2F5C

RGB 111 47 92

HSL 317.81, 0.41%, 0.31%

LAB 29.88, 34.33, -13.54

 

CMYK 0 / 69 / 22 / 63

HEX #5E1D49

RGB 94 29 73

HSL 319.38, 0.53%, 0.24%

LAB 22.79, 34.7, -12.06

 

CMYK 0 / 86 / 30 / 70

HEX #4D0B36

RGB 77 11 54

HSL 320.91, 0.75%, 0.17%

LAB 15.92, 34.07, -9.69

 

CMYK 0 / 100 / 42 / 76

HEX #3C0023

RGB 60 0 35

HSL 325, 1%, 0.12%

LAB 9.66, 31.19, -5.6

 

CMYK 0 / 50 / 13 / 50

HEX #80406F

RGB 128 64 111

HSL 315.94, 0.33%, 0.38%

LAB 36.75, 34.18, -14.89

 

CMYK 0 / 50 / 27 / 50

HEX #80405E

RGB 128 64 94

HSL 331.88, 0.33%, 0.38%

LAB 36.11, 31.39, -5.15

 

CMYK 0 / 50 / 40 / 50

HEX #80404D

RGB 128 64 77

HSL 347.81, 0.33%, 0.38%

LAB 35.58, 29.03, 4.88

 

CMYK 0 / 50 / 50 / 50

HEX #804040

RGB 128 64 64

HSL 0, 0.33%, 0.38%

LAB 35.25, 27.52, 12.68

 

CMYK 0 / 50 / 13 / 50

HEX #80406F

RGB 128 64 111

HSL 315.94, 0.33%, 0.38%

LAB 36.75, 34.18, -14.89

 

CMYK 0 / 50 / 0 / 50

HEX #804080

RGB 128 64 128

HSL 300, 0.33%, 0.38%

LAB 37.51, 37.34, -24.29

 

CMYK 13 / 50 / 0 / 50

HEX #6F4080

RGB 111 64 128

HSL 284.06, 0.33%, 0.38%

LAB 35.21, 32.06, -28.05

 

CMYK 27 / 50 / 0 / 50

HEX #5E4080

RGB 94 64 128

HSL 268.13, 0.33%, 0.38%

LAB 33.15, 26.89, -31.45

 

CMYK 40 / 50 / 0 / 50

HEX #4D4080

RGB 77 64 128

HSL 252.19, 0.33%, 0.38%

LAB 31.35, 22, -34.4

 

CMYK 0 / 50 / 13 / 50

HEX #80406F

RGB 128 64 111

HSL 315.94, 0.33%, 0.38%

LAB 36.75, 34.18, -14.89

 

CMYK 0 / 66 / 18 / 44

HEX #903176

RGB 144 49 118

HSL 316.42, 0.49%, 0.38%

LAB 36.81, 47.71, -18.97

 

CMYK 0 / 79 / 21 / 37

HEX #A0217E

RGB 160 33 126

HSL 316.06, 0.66%, 0.38%

LAB 37.96, 58.76, -21.94

 

CMYK 0 / 90 / 24 / 31

HEX #AF1185

RGB 175 17 133

HSL 315.95, 0.82%, 0.38%

LAB 39.93, 66.45, -23.01

 

CMYK 0 / 99 / 27 / 25

HEX #BF028C

RGB 191 2 140

HSL 316.19, 0.98%, 0.38%

LAB 42.78, 72.2, -22.63

 

CMYK 0 / 50 / 13 / 50

HEX #80406F

RGB 128 64 111

HSL 315.94, 0.33%, 0.38%

LAB 36.75, 34.18, -14.89

 

CMYK 0 / 29 / 8 / 56

HEX #715068

RGB 113 80 104

HSL 316.36, 0.17%, 0.38%

LAB 38.28, 18.08, -8.38

 

CMYK 0 / 1 / 0 / 62

HEX #616061

RGB 97 96 97

HSL 300, 0.01%, 0.38%

LAB 40.85, 0.61, -0.43

 

CMYK 27 / 0 / 20 / 56

HEX #516F59

RGB 81 111 89

HSL 136, 0.16%, 0.38%

LAB 44, -15.85, 8.78

 

CMYK 48 / 0 / 35 / 50

HEX #427F52

RGB 66 127 82

HSL 135.74, 0.32%, 0.38%

LAB 48.19, -30.4, 18.51

 

CMYK 13 / 50 / 0 / 50

HEX #6F4080

RGB 111 64 128

HSL 284.06, 0.33%, 0.38%

LAB 35.21, 32.06, -28.05

 

CMYK 0 / 50 / 0 / 50

HEX #804080

RGB 128 64 128

HSL 300, 0.33%, 0.38%

LAB 37.51, 37.34, -24.29

 

CMYK 0 / 50 / 13 / 50

HEX #80406F

RGB 128 64 111

HSL 315.94, 0.33%, 0.38%

LAB 36.75, 34.18, -14.89

 

CMYK 0 / 50 / 27 / 50

HEX #80405E

RGB 128 64 94

HSL 331.88, 0.33%, 0.38%

LAB 36.11, 31.39, -5.15

 

CMYK 0 / 50 / 40 / 50

HEX #80404D

RGB 128 64 77

HSL 347.81, 0.33%, 0.38%

LAB 35.58, 29.03, 4.88

 

CMYK 0 / 50 / 14 / 71

HEX #4A2540

RGB 74 37 64

HSL 316.22, 0.33%, 0.22%

LAB 20.63, 21.79, -9.52

 

CMYK 0 / 50 / 14 / 60

HEX #653357

RGB 101 51 87

HSL 316.8, 0.33%, 0.3%

LAB 28.96, 27.78, -11.82

 

CMYK 0 / 50 / 13 / 50

HEX #80406F

RGB 128 64 111

HSL 315.94, 0.33%, 0.38%

LAB 36.75, 34.18, -14.89

 

CMYK 0 / 50 / 13 / 39

HEX #9C4E87

RGB 156 78 135

HSL 316.15, 0.33%, 0.46%

LAB 44.61, 40.09, -17.27

 

CMYK 0 / 44 / 12 / 31

HEX #B0639B

RGB 176 99 155

HSL 316.36, 0.33%, 0.54%

LAB 52.42, 38.89, -17.03

 

CMYK 0 / 49 / 13 / 50

HEX #80416F

RGB 128 65 111

HSL 316.19, 0.33%, 0.38%

LAB 36.96, 33.63, -14.57

 

CMYK 0 / 27 / 50 / 50

HEX #805E40

RGB 128 94 64

HSL 28.13, 0.33%, 0.38%

LAB 42.71, 9.93, 22.56

 

CMYK 50 / 0 / 6 / 50

HEX #408078

RGB 64 128 120

HSL 172.5, 0.33%, 0.38%

LAB 49.36, -22.62, -1.99

 

CMYK 0 / 49 / 13 / 50

HEX #80416F

RGB 128 65 111

HSL 316.19, 0.33%, 0.38%

LAB 36.96, 33.63, -14.57

 

CMYK 13 / 0 / 50 / 50

HEX #6F8040

RGB 111 128 64

HSL 75.94, 0.33%, 0.38%

LAB 50.91, -16.99, 32.46

 

CMYK 50 / 13 / 0 / 50

HEX #406F80

RGB 64 111 128

HSL 195.94, 0.33%, 0.38%

LAB 44.26, -11.04, -14.37

 

CMYK 0 / 49 / 13 / 50

HEX #80416F

RGB 128 65 111

HSL 316.19, 0.33%, 0.38%

LAB 36.96, 33.63, -14.57

 

CMYK 0 / 27 / 50 / 50

HEX #805E40

RGB 128 94 64

HSL 28.13, 0.33%, 0.38%

LAB 42.71, 9.93, 22.56

 

CMYK 50 / 0 / 37 / 50

HEX #408051

RGB 64 128 81

HSL 135.94, 0.33%, 0.38%

LAB 48.41, -31.65, 19.36

 

CMYK 50 / 23 / 0 / 50

HEX #406380

RGB 64 99 128

HSL 207.19, 0.33%, 0.38%

LAB 40.53, -3.95, -20.08

 

CMYK 0 / 49 / 13 / 50

HEX #80416F

RGB 128 65 111

HSL 316.19, 0.33%, 0.38%

LAB 36.96, 33.63, -14.57

 

CMYK 0 / 12 / 50 / 50

HEX #807140

RGB 128 113 64

HSL 45.94, 0.33%, 0.38%

LAB 47.97, -1.2, 29.2

 

CMYK 50 / 0 / 37 / 50

HEX #408051

RGB 64 128 81

HSL 135.94, 0.33%, 0.38%

LAB 48.41, -31.65, 19.36

 

CMYK 50 / 38 / 0 / 50

HEX #404F80

RGB 64 79 128

HSL 225.94, 0.33%, 0.38%

LAB 34.48, 8.67, -29.52

 

Description

Color code: CMYK 0 / 49 / 13 / 50 | qconv.com Color code: CMYK 0 / 49 / 13 / 50 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 65 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 65 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 13 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 13% 50% C M Y K

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Provide designers and agencies with accurate color values.

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