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Color name
CMYK 0 / 49 / 1 / 59

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 49 / 1 / 59 it is the complementary color CMYK 26 / 0 / 25 / 21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 49 / 1 / 59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 49 / 1 / 59 shade: CMYK 0 / 52 / 10 / 57, CMYK 0 / 44 / 7 / 50, CMYK 0 / 38 / 5 / 44, CMYK 0 / 34 / 3 / 37 and CMYK 0 / 30 / 2 / 30

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 49 / 1 / 59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 49 / 1 / 59 shade: CMYK 0 / 50 / 1 / 59, CMYK 0 / 60 / 3 / 65, CMYK 0 / 76 / 7 / 72, CMYK 0 / 100 / 13 / 79 and CMYK 0 / 100 / 24 / 85

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 49 / 1 / 59 shade: CMYK 0 / 50 / 1 / 59, CMYK 0 / 50 / 14 / 59, CMYK 0 / 50 / 29 / 59, CMYK 0 / 50 / 42 / 59 and CMYK 0 / 50 / 50 / 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 49 / 1 / 59 shade: CMYK 0 / 50 / 1 / 59, CMYK 12 / 50 / 0 / 59, CMYK 27 / 50 / 0 / 59, CMYK 40 / 50 / 0 / 59 and CMYK 50 / 50 / 0 / 59

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 49 / 1 / 59 shade matches the following richer shades: CMYK 0 / 50 / 1 / 59, CMYK 0 / 66 / 1 / 54, CMYK 0 / 79 / 2 / 49, CMYK 0 / 90 / 1 / 44 and CMYK 0 / 99 / 2 / 39

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 49 / 1 / 59 shade: CMYK 0 / 50 / 1 / 59, CMYK 0 / 29 / 1 / 64, CMYK 0 / 1 / 0 / 69, CMYK 27 / 0 / 26 / 64 and CMYK 49 / 0 / 48 / 59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 49 / 1 / 59 shade: CMYK 26 / 50 / 0 / 59, CMYK 12 / 50 / 0 / 59, CMYK 0 / 50 / 1 / 59, CMYK 0 / 50 / 14 / 59 and CMYK 0 / 50 / 28 / 59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 49 / 1 / 59 shade: CMYK 0 / 50 / 2 / 80, CMYK 0 / 49 / 1 / 70, CMYK 0 / 50 / 1 / 59, CMYK 0 / 50 / 1 / 48 and CMYK 0 / 50 / 1 / 37

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 49 / 1 / 59 shade: CMYK 0 / 50 / 1 / 59, CMYK 0 / 39 / 50 / 59 and CMYK 50 / 0 / 19 / 59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 49 / 1 / 59 shade: CMYK 0 / 50 / 1 / 59, CMYK 1 / 0 / 50 / 59 and CMYK 50 / 1 / 0 / 59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 49 / 1 / 59 shade: CMYK 0 / 50 / 1 / 59, CMYK 0 / 39 / 50 / 59, CMYK 50 / 0 / 50 / 59 and CMYK 50 / 11 / 0 / 59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 49 / 1 / 59 shade: CMYK 0 / 50 / 1 / 59, CMYK 0 / 25 / 50 / 59, CMYK 50 / 0 / 50 / 59 and CMYK 50 / 26 / 0 / 59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 1 / 59

HEX #693568

RGB 105 53 104

HSL 301.15, 0.33%, 0.31%

LAB 30.76, 31.29, -19.98

 

Complementary color

CMYK 26 / 0 / 25 / 21

HEX #96CA97

RGB 150 202 151

HSL 121.15, 0.33%, 0.69%

LAB 76.65, -26.93, 20.13

 

CMYK 0 / 52 / 10 / 57

HEX #6E3563

RGB 110 53 99

HSL 311.58, 0.35%, 0.32%

LAB 31.26, 31.99, -15.94

 

CMYK 0 / 44 / 7 / 50

HEX #7F4776

RGB 127 71 118

HSL 309.64, 0.28%, 0.39%

LAB 38.42, 31.2, -16.7

 

CMYK 0 / 38 / 5 / 44

HEX #905989

RGB 144 89 137

HSL 307.64, 0.24%, 0.46%

LAB 45.47, 30.39, -17.31

 

CMYK 0 / 34 / 3 / 37

HEX #A16B9C

RGB 161 107 156

HSL 305.56, 0.22%, 0.53%

LAB 52.39, 29.61, -17.83

 

CMYK 0 / 30 / 2 / 30

HEX #B27DAF

RGB 178 125 175

HSL 303.4, 0.26%, 0.59%

LAB 59.18, 28.88, -18.29

 

CMYK 0 / 50 / 1 / 59

HEX #693568

RGB 105 53 104

HSL 301.15, 0.33%, 0.31%

LAB 30.76, 31.29, -19.98

 

CMYK 0 / 60 / 3 / 65

HEX #582355

RGB 88 35 85

HSL 303.4, 0.43%, 0.24%

LAB 23.45, 31.95, -19.18

 

CMYK 0 / 76 / 7 / 72

HEX #471142

RGB 71 17 66

HSL 305.56, 0.61%, 0.17%

LAB 16.17, 32.02, -17.86

 

CMYK 0 / 100 / 13 / 79

HEX #36002F

RGB 54 0 47

HSL 307.78, 1%, 0.11%

LAB 8.9, 31.48, -15.91

 

CMYK 0 / 100 / 24 / 85

HEX #25001C

RGB 37 0 28

HSL 314.59, 1%, 0.07%

LAB 4.31, 21.01, -8.73

 

CMYK 0 / 50 / 1 / 59

HEX #693468

RGB 105 52 104

HSL 301.13, 0.34%, 0.31%

LAB 30.54, 31.86, -20.32

 

CMYK 0 / 50 / 14 / 59

HEX #69345A

RGB 105 52 90

HSL 316.98, 0.34%, 0.31%

LAB 29.91, 29.18, -12.28

 

CMYK 0 / 50 / 29 / 59

HEX #69344B

RGB 105 52 75

HSL 333.96, 0.34%, 0.31%

LAB 29.33, 26.65, -3.35

 

CMYK 0 / 50 / 42 / 59

HEX #69343D

RGB 105 52 61

HSL 349.81, 0.34%, 0.31%

LAB 28.89, 24.67, 5.22

 

CMYK 0 / 50 / 50 / 59

HEX #693434

RGB 105 52 52

HSL 0, 0.34%, 0.31%

LAB 28.66, 23.59, 10.82

 

CMYK 0 / 50 / 1 / 59

HEX #693468

RGB 105 52 104

HSL 301.13, 0.34%, 0.31%

LAB 30.54, 31.86, -20.32

 

CMYK 12 / 50 / 0 / 59

HEX #5C3469

RGB 92 52 105

HSL 285.28, 0.34%, 0.31%

LAB 28.78, 27.86, -23.85

 

CMYK 27 / 50 / 0 / 59

HEX #4D3469

RGB 77 52 105

HSL 268.3, 0.34%, 0.31%

LAB 26.89, 23.1, -26.95

 

CMYK 40 / 50 / 0 / 59

HEX #3F3469

RGB 63 52 105

HSL 252.45, 0.34%, 0.31%

LAB 25.36, 18.89, -29.47

 

CMYK 50 / 50 / 0 / 59

HEX #343469

RGB 52 52 105

HSL 240, 0.34%, 0.31%

LAB 24.34, 15.86, -31.16

 

CMYK 0 / 50 / 1 / 59

HEX #693468

RGB 105 52 104

HSL 301.13, 0.34%, 0.31%

LAB 30.54, 31.86, -20.32

 

CMYK 0 / 66 / 1 / 54

HEX #752874

RGB 117 40 116

HSL 300.78, 0.49%, 0.31%

LAB 30.78, 43.82, -27.44

 

CMYK 0 / 79 / 2 / 49

HEX #821B80

RGB 130 27 128

HSL 301.17, 0.66%, 0.31%

LAB 32.01, 53.91, -32.93

 

CMYK 0 / 90 / 1 / 44

HEX #8F0E8D

RGB 143 14 141

HSL 300.93, 0.82%, 0.31%

LAB 34.14, 61.62, -37.47

 

CMYK 0 / 99 / 2 / 39

HEX #9C0199

RGB 156 1 153

HSL 301.16, 0.99%, 0.31%

LAB 36.72, 67.49, -40.56

 

CMYK 0 / 50 / 1 / 59

HEX #693468

RGB 105 52 104

HSL 301.13, 0.34%, 0.31%

LAB 30.54, 31.86, -20.32

 

CMYK 0 / 29 / 1 / 64

HEX #5C415B

RGB 92 65 91

HSL 302.22, 0.17%, 0.31%

LAB 31.37, 16.67, -10.85

 

CMYK 0 / 1 / 0 / 69

HEX #4F4E4F

RGB 79 78 79

HSL 300, 0.01%, 0.31%

LAB 33.3, 0.63, -0.45

 

CMYK 27 / 0 / 26 / 64

HEX #425B43

RGB 66 91 67

HSL 122.4, 0.16%, 0.31%

LAB 36.07, -14.86, 10.87

 

CMYK 49 / 0 / 48 / 59

HEX #356836

RGB 53 104 54

HSL 121.18, 0.32%, 0.31%

LAB 39.45, -28.6, 22.93

 

CMYK 26 / 50 / 0 / 59

HEX #4E3469

RGB 78 52 105

HSL 269.43, 0.34%, 0.31%

LAB 27.01, 23.41, -26.76

 

CMYK 12 / 50 / 0 / 59

HEX #5C3469

RGB 92 52 105

HSL 285.28, 0.34%, 0.31%

LAB 28.78, 27.86, -23.85

 

CMYK 0 / 50 / 1 / 59

HEX #693468

RGB 105 52 104

HSL 301.13, 0.34%, 0.31%

LAB 30.54, 31.86, -20.32

 

CMYK 0 / 50 / 14 / 59

HEX #69345A

RGB 105 52 90

HSL 316.98, 0.34%, 0.31%

LAB 29.91, 29.18, -12.28

 

CMYK 0 / 50 / 28 / 59

HEX #69344C

RGB 105 52 76

HSL 332.83, 0.34%, 0.31%

LAB 29.36, 26.81, -3.96

 

CMYK 0 / 50 / 2 / 80

HEX #321931

RGB 50 25 49

HSL 302.4, 0.33%, 0.15%

LAB 13.2, 17.01, -10.7

 

CMYK 0 / 49 / 1 / 70

HEX #4D274C

RGB 77 39 76

HSL 301.58, 0.33%, 0.23%

LAB 22.13, 24.13, -15.34

 

CMYK 0 / 50 / 1 / 59

HEX #693468

RGB 105 52 104

HSL 301.13, 0.34%, 0.31%

LAB 30.54, 31.86, -20.32

 

CMYK 0 / 50 / 1 / 48

HEX #844283

RGB 132 66 131

HSL 300.91, 0.33%, 0.39%

LAB 38.62, 38.09, -24.36

 

CMYK 0 / 50 / 1 / 37

HEX #A0509E

RGB 160 80 158

HSL 301.5, 0.33%, 0.47%

LAB 46.55, 44.37, -28.02

 

CMYK 0 / 50 / 1 / 59

HEX #693568

RGB 105 53 104

HSL 301.15, 0.33%, 0.31%

LAB 30.76, 31.29, -19.98

 

CMYK 0 / 39 / 50 / 59

HEX #694034

RGB 105 64 52

HSL 13.58, 0.34%, 0.31%

LAB 31.62, 16.38, 14.81

 

CMYK 50 / 0 / 19 / 59

HEX #346955

RGB 52 105 85

HSL 157.36, 0.34%, 0.31%

LAB 40.39, -22.97, 5.85

 

CMYK 0 / 50 / 1 / 59

HEX #693568

RGB 105 53 104

HSL 301.15, 0.33%, 0.31%

LAB 30.76, 31.29, -19.98

 

CMYK 1 / 0 / 50 / 59

HEX #686934

RGB 104 105 52

HSL 61.13, 0.34%, 0.31%

LAB 43.2, -8.75, 29.44

 

CMYK 50 / 1 / 0 / 59

HEX #346869

RGB 52 104 105

HSL 181.13, 0.34%, 0.31%

LAB 40.66, -17.02, -5.94

 

CMYK 0 / 50 / 1 / 59

HEX #693568

RGB 105 53 104

HSL 301.15, 0.33%, 0.31%

LAB 30.76, 31.29, -19.98

 

CMYK 0 / 39 / 50 / 59

HEX #694034

RGB 105 64 52

HSL 13.58, 0.34%, 0.31%

LAB 31.62, 16.38, 14.81

 

CMYK 50 / 0 / 50 / 59

HEX #346935

RGB 52 105 53

HSL 121.13, 0.34%, 0.31%

LAB 39.73, -29.55, 23.84

 

CMYK 50 / 11 / 0 / 59

HEX #345D69

RGB 52 93 105

HSL 193.58, 0.34%, 0.31%

LAB 37.08, -10.75, -11.32

 

CMYK 0 / 50 / 1 / 59

HEX #693568

RGB 105 53 104

HSL 301.15, 0.33%, 0.31%

LAB 30.76, 31.29, -19.98

 

CMYK 0 / 25 / 50 / 59

HEX #694F34

RGB 105 79 52

HSL 30.57, 0.34%, 0.31%

LAB 35.68, 7.16, 20.12

 

CMYK 50 / 0 / 50 / 59

HEX #346935

RGB 52 105 53

HSL 121.13, 0.34%, 0.31%

LAB 39.73, -29.55, 23.84

 

CMYK 50 / 26 / 0 / 59

HEX #344E69

RGB 52 78 105

HSL 210.57, 0.34%, 0.31%

LAB 32.26, -1.55, -18.7

 

Description

Color code: CMYK 0 / 49 / 1 / 59 | qconv.com Color code: CMYK 0 / 49 / 1 / 59 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 53 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 53 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 1 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 1% 59% C M Y K

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Provide designers and agencies with accurate color values.

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