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Color name
CMYK 0 / 50 / 17 / 15

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 50 / 17 / 15 it is the complementary color CMYK 74 / 0 / 49 / 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 50 / 17 / 15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 50 / 17 / 15 shade: CMYK 0 / 51 / 21 / 13, CMYK 0 / 47 / 19 / 6, CMYK 0 / 44 / 16 / 0, CMYK 0 / 36 / 9 / 0 and CMYK 0 / 29 / 2 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 50 / 17 / 15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 50 / 17 / 15 shade: CMYK 0 / 50 / 17 / 15, CMYK 0 / 55 / 20 / 22, CMYK 0 / 61 / 22 / 28, CMYK 0 / 67 / 26 / 35 and CMYK 0 / 76 / 30 / 42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 50 / 17 / 15 shade: CMYK 0 / 50 / 17 / 15, CMYK 0 / 50 / 30 / 15, CMYK 0 / 50 / 44 / 15 and CMYK 0 / 50 / 50 / 15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 50 / 17 / 15 shade: CMYK 0 / 50 / 17 / 15, CMYK 0 / 50 / 4 / 15, CMYK 10 / 50 / 0 / 15, CMYK 24 / 50 / 0 / 15 and CMYK 37 / 50 / 0 / 15

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 50 / 17 / 15 shade matches the following richer shades: CMYK 0 / 50 / 17 / 15, CMYK 0 / 59 / 20 / 9 and CMYK 0 / 68 / 23 / 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 50 / 17 / 15 shade: CMYK 0 / 50 / 17 / 15, CMYK 0 / 39 / 13 / 21, CMYK 0 / 26 / 9 / 27, CMYK 0 / 11 / 3 / 33 and CMYK 7 / 0 / 4 / 34

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 50 / 17 / 15 shade: CMYK 10 / 50 / 0 / 15, CMYK 0 / 50 / 3 / 15, CMYK 0 / 50 / 17 / 15, CMYK 0 / 50 / 30 / 15 and CMYK 0 / 50 / 43 / 15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 50 / 17 / 15 shade: CMYK 0 / 75 / 25 / 24, CMYK 0 / 63 / 22 / 18, CMYK 0 / 50 / 17 / 15, CMYK 0 / 37 / 12 / 12 and CMYK 0 / 26 / 9 / 8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 50 / 17 / 15 shade: CMYK 0 / 50 / 17 / 15, CMYK 0 / 24 / 50 / 15 and CMYK 50 / 0 / 3 / 15

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 50 / 17 / 15 shade: CMYK 0 / 50 / 17 / 15, CMYK 17 / 0 / 50 / 15 and CMYK 50 / 17 / 0 / 15

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 50 / 17 / 15 shade: CMYK 0 / 50 / 17 / 15, CMYK 0 / 24 / 50 / 15, CMYK 50 / 0 / 33 / 15 and CMYK 50 / 27 / 0 / 15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 50 / 17 / 15 shade: CMYK 0 / 50 / 17 / 15, CMYK 0 / 8 / 50 / 15, CMYK 50 / 0 / 33 / 15 and CMYK 50 / 41 / 0 / 15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 17 / 15

HEX #D96CB4

RGB 217 108 180

HSL 320.37, 0.59%, 0.64%

LAB 60.58, 51.4, -18.59

 

Complementary color

CMYK 74 / 0 / 49 / 42

HEX #26934B

RGB 38 147 75

HSL 140.37, 0.59%, 0.36%

LAB 53.8, -46.58, 29.5

 

CMYK 0 / 51 / 21 / 13

HEX #DE6CAF

RGB 222 108 175

HSL 324.74, 0.63%, 0.65%

LAB 61.09, 52.22, -14.89

 

CMYK 0 / 47 / 19 / 6

HEX #EF7EC2

RGB 239 126 194

HSL 323.89, 0.78%, 0.72%

LAB 67.4, 51.52, -15.9

 

CMYK 0 / 44 / 16 / 0

HEX #FF90D5

RGB 255 144 213

HSL 322.7, 1%, 0.78%

LAB 73.55, 50.46, -16.97

 

CMYK 0 / 36 / 9 / 0

HEX #FFA2E8

RGB 255 162 232

HSL 314.84, 1%, 0.82%

LAB 77.83, 44.33, -20.87

 

CMYK 0 / 29 / 2 / 0

HEX #FFB4FB

RGB 255 180 251

HSL 303.2, 1%, 0.85%

LAB 82.31, 38.25, -24.3

 

CMYK 0 / 50 / 17 / 15

HEX #D96CB4

RGB 217 108 180

HSL 320.37, 0.59%, 0.64%

LAB 60.58, 51.4, -18.59

 

CMYK 0 / 55 / 20 / 22

HEX #C85AA1

RGB 200 90 161

HSL 321.27, 0.5%, 0.57%

LAB 54.2, 52.02, -17.53

 

CMYK 0 / 61 / 22 / 28

HEX #B7488E

RGB 183 72 142

HSL 322.16, 0.44%, 0.5%

LAB 47.82, 52.48, -16.23

 

CMYK 0 / 67 / 26 / 35

HEX #A6367B

RGB 166 54 123

HSL 323.04, 0.51%, 0.43%

LAB 41.49, 52.62, -14.57

 

CMYK 0 / 76 / 30 / 42

HEX #952468

RGB 149 36 104

HSL 323.89, 0.61%, 0.36%

LAB 35.3, 52.18, -12.37

 

CMYK 0 / 50 / 17 / 15

HEX #D96DB4

RGB 217 109 180

HSL 320.56, 0.59%, 0.64%

LAB 60.77, 50.91, -18.3

 

CMYK 0 / 50 / 30 / 15

HEX #D96D97

RGB 217 109 151

HSL 336.67, 0.59%, 0.64%

LAB 59.82, 46.85, -3.04

 

CMYK 0 / 50 / 44 / 15

HEX #D96D7A

RGB 217 109 122

HSL 352.78, 0.59%, 0.64%

LAB 59.06, 43.49, 12.66

 

CMYK 0 / 50 / 50 / 15

HEX #D96D6D

RGB 217 109 109

HSL 0, 0.59%, 0.64%

LAB 58.78, 42.23, 19.79

 

CMYK 0 / 50 / 17 / 15

HEX #D96DB4

RGB 217 109 180

HSL 320.56, 0.59%, 0.64%

LAB 60.77, 50.91, -18.3

 

CMYK 0 / 50 / 4 / 15

HEX #D96DD1

RGB 217 109 209

HSL 304.44, 0.59%, 0.64%

LAB 61.91, 55.6, -33.01

 

CMYK 10 / 50 / 0 / 15

HEX #C36DD9

RGB 195 109 217

HSL 287.78, 0.59%, 0.64%

LAB 59.48, 50.9, -41.51

 

CMYK 24 / 50 / 0 / 15

HEX #A66DD9

RGB 166 109 217

HSL 271.67, 0.59%, 0.64%

LAB 56.14, 43, -47

 

CMYK 37 / 50 / 0 / 15

HEX #896DD9

RGB 137 109 217

HSL 255.56, 0.59%, 0.64%

LAB 53.24, 35.47, -51.79

 

CMYK 0 / 50 / 17 / 15

HEX #D96DB4

RGB 217 109 180

HSL 320.56, 0.59%, 0.64%

LAB 60.77, 50.91, -18.3

 

CMYK 0 / 59 / 20 / 9

HEX #E85EB9

RGB 232 94 185

HSL 320.43, 0.75%, 0.64%

LAB 60.48, 63, -21.4

 

CMYK 0 / 68 / 23 / 3

HEX #F74FBE

RGB 247 79 190

HSL 320.36, 0.91%, 0.64%

LAB 60.86, 73.56, -23.49

 

CMYK 0 / 50 / 17 / 15

HEX #D96DB4

RGB 217 109 180

HSL 320.56, 0.59%, 0.64%

LAB 60.77, 50.91, -18.3

 

CMYK 0 / 39 / 13 / 21

HEX #CA7BAF

RGB 202 123 175

HSL 320.51, 0.43%, 0.64%

LAB 61.5, 38.07, -14.53

 

CMYK 0 / 26 / 9 / 27

HEX #BB8AAB

RGB 187 138 171

HSL 319.59, 0.26%, 0.64%

LAB 63.08, 24, -10.05

 

CMYK 0 / 11 / 3 / 33

HEX #AC99A6

RGB 172 153 166

HSL 318.95, 0.1%, 0.64%

LAB 65.2, 9.34, -4.22

 

CMYK 7 / 0 / 4 / 34

HEX #9DA8A1

RGB 157 168 161

HSL 141.82, 0.06%, 0.64%

LAB 67.83, -5.23, 2.27

 

CMYK 10 / 50 / 0 / 15

HEX #C36DD9

RGB 195 109 217

HSL 287.78, 0.59%, 0.64%

LAB 59.48, 50.9, -41.51

 

CMYK 0 / 50 / 3 / 15

HEX #D96DD2

RGB 217 109 210

HSL 303.89, 0.59%, 0.64%

LAB 61.95, 55.77, -33.51

 

CMYK 0 / 50 / 17 / 15

HEX #D96DB5

RGB 217 109 181

HSL 320, 0.59%, 0.64%

LAB 60.8, 51.07, -18.82

 

CMYK 0 / 50 / 30 / 15

HEX #D96D98

RGB 217 109 152

HSL 336.11, 0.59%, 0.64%

LAB 59.85, 46.98, -3.58

 

CMYK 0 / 50 / 43 / 15

HEX #D96D7B

RGB 217 109 123

HSL 352.22, 0.59%, 0.64%

LAB 59.08, 43.6, 12.12

 

CMYK 0 / 75 / 25 / 24

HEX #C13191

RGB 193 49 145

HSL 320, 0.6%, 0.47%

LAB 46.42, 64.45, -20.03

 

CMYK 0 / 63 / 22 / 18

HEX #D04CA3

RGB 208 76 163

HSL 320.45, 0.58%, 0.56%

LAB 53.19, 60.84, -20.13

 

CMYK 0 / 50 / 17 / 15

HEX #D96DB4

RGB 217 109 180

HSL 320.56, 0.59%, 0.64%

LAB 60.77, 50.91, -18.3

 

CMYK 0 / 37 / 12 / 12

HEX #E18DC5

RGB 225 141 197

HSL 320, 0.58%, 0.72%

LAB 68.82, 39.8, -15.61

 

CMYK 0 / 26 / 9 / 8

HEX #EAAED6

RGB 234 174 214

HSL 320, 0.59%, 0.8%

LAB 77.65, 28.11, -11.6

 

CMYK 0 / 50 / 17 / 15

HEX #D96CB4

RGB 217 108 180

HSL 320.37, 0.59%, 0.64%

LAB 60.58, 51.4, -18.59

 

CMYK 0 / 24 / 50 / 15

HEX #D9A66D

RGB 217 166 109

HSL 31.67, 0.59%, 0.64%

LAB 71.64, 11.96, 36.63

 

CMYK 50 / 0 / 3 / 15

HEX #6DD9D2

RGB 109 217 210

HSL 176.11, 0.59%, 0.64%

LAB 80.48, -32.75, -6.13

 

CMYK 0 / 50 / 17 / 15

HEX #D96CB4

RGB 217 108 180

HSL 320.37, 0.59%, 0.64%

LAB 60.58, 51.4, -18.59

 

CMYK 17 / 0 / 50 / 15

HEX #B5D96D

RGB 181 217 109

HSL 80, 0.59%, 0.64%

LAB 82.14, -28.66, 48.9

 

CMYK 50 / 17 / 0 / 15

HEX #6DB5D9

RGB 109 181 217

HSL 200, 0.59%, 0.64%

LAB 70.39, -12.79, -25.09

 

CMYK 0 / 50 / 17 / 15

HEX #D96CB4

RGB 217 108 180

HSL 320.37, 0.59%, 0.64%

LAB 60.58, 51.4, -18.59

 

CMYK 0 / 24 / 50 / 15

HEX #D9A66D

RGB 217 166 109

HSL 31.67, 0.59%, 0.64%

LAB 71.64, 11.96, 36.63

 

CMYK 50 / 0 / 33 / 15

HEX #6DD991

RGB 109 217 145

HSL 140, 0.59%, 0.64%

LAB 79, -46.93, 26.16

 

CMYK 50 / 27 / 0 / 15

HEX #6D9FD9

RGB 109 159 217

HSL 212.22, 0.59%, 0.64%

LAB 64.21, -0.7, -34.64

 

CMYK 0 / 50 / 17 / 15

HEX #D96CB4

RGB 217 108 180

HSL 320.37, 0.59%, 0.64%

LAB 60.58, 51.4, -18.59

 

CMYK 0 / 8 / 50 / 15

HEX #D9C76D

RGB 217 199 109

HSL 50, 0.59%, 0.64%

LAB 80.01, -5.43, 46.98

 

CMYK 50 / 0 / 33 / 15

HEX #6DD991

RGB 109 217 145

HSL 140, 0.59%, 0.64%

LAB 79, -46.93, 26.16

 

CMYK 50 / 41 / 0 / 15

HEX #6D7FD9

RGB 109 127 217

HSL 230, 0.59%, 0.64%

LAB 55.52, 18.03, -48.29

 

Description

Color code: CMYK 0 / 50 / 17 / 15 | qconv.com Color code: CMYK 0 / 50 / 17 / 15 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 108 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 108 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 17 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 17% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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