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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 6 / 16 / 27 it is the complementary color CMYK 30 / 19 / 0 / 61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 6 / 16 / 27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 6 / 16 / 27 shade: CMYK 0 / 8 / 21 / 25, CMYK 0 / 7 / 18 / 18, CMYK 0 / 6 / 16 / 12, CMYK 0 / 5 / 14 / 5 and CMYK 0 / 3 / 11 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 6 / 16 / 27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 6 / 16 / 27 shade: CMYK 0 / 6 / 16 / 27, CMYK 0 / 7 / 19 / 34, CMYK 0 / 9 / 22 / 40, CMYK 0 / 10 / 27 / 47 and CMYK 0 / 13 / 32 / 54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 6 / 16 / 27 shade: CMYK 0 / 6 / 16 / 27, CMYK 0 / 10 / 16 / 27, CMYK 0 / 15 / 16 / 27 and CMYK 0 / 16 / 16 / 27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 6 / 16 / 27 shade: CMYK 0 / 6 / 16 / 27, CMYK 0 / 1 / 16 / 27, CMYK 3 / 0 / 16 / 27, CMYK 7 / 0 / 16 / 27 and CMYK 11 / 0 / 16 / 27

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 6 / 16 / 27 shade matches the following richer shades: CMYK 0 / 6 / 16 / 27, CMYK 0 / 11 / 29 / 22, CMYK 0 / 15 / 40 / 16, CMYK 0 / 18 / 50 / 11 and CMYK 0 / 21 / 58 / 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 6 / 16 / 27 shade: CMYK 0 / 6 / 16 / 27, CMYK 0 / 1 / 2 / 33, CMYK 13 / 8 / 0 / 29, CMYK 26 / 17 / 0 / 23 and CMYK 38 / 24 / 0 / 18

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 6 / 16 / 27 shade: CMYK 0 / 15 / 16 / 27, CMYK 0 / 10 / 16 / 27, CMYK 0 / 6 / 16 / 27, CMYK 0 / 2 / 16 / 27 and CMYK 3 / 0 / 16 / 27

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 6 / 16 / 27 shade: CMYK 0 / 11 / 30 / 40, CMYK 0 / 8 / 22 / 34, CMYK 0 / 6 / 16 / 27, CMYK 0 / 4 / 11 / 21 and CMYK 0 / 2 / 7 / 14

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 6 / 16 / 27 shade: CMYK 0 / 6 / 16 / 27, CMYK 14 / 0 / 16 / 27 and CMYK 12 / 16 / 0 / 27

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 6 / 16 / 27 shade: CMYK 0 / 6 / 16 / 27, CMYK 16 / 0 / 6 / 27 and CMYK 6 / 16 / 0 / 27

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 6 / 16 / 27 shade: CMYK 0 / 6 / 16 / 27, CMYK 14 / 0 / 16 / 27, CMYK 16 / 10 / 0 / 27 and CMYK 3 / 16 / 0 / 27

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 6 / 16 / 27 shade: CMYK 0 / 6 / 16 / 27, CMYK 16 / 0 / 14 / 27, CMYK 16 / 10 / 0 / 27 and CMYK 0 / 16 / 2 / 27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 16 / 27

HEX #BAAF9C

RGB 186 175 156

HSL 38, 0.18%, 0.67%

LAB 71.89, 0.72, 11.15

 

Complementary color

CMYK 30 / 19 / 0 / 61

HEX #455063

RGB 69 80 99

HSL 218, 0.18%, 0.33%

LAB 33.78, 0.6, -12.48

 

CMYK 0 / 8 / 21 / 25

HEX #BFAF97

RGB 191 175 151

HSL 36, 0.24%, 0.67%

LAB 72.21, 1.84, 14.39

 

CMYK 0 / 7 / 18 / 18

HEX #D0C1AA

RGB 208 193 170

HSL 36.32, 0.29%, 0.74%

LAB 78.72, 1.53, 13.49

 

CMYK 0 / 6 / 16 / 12

HEX #E1D3BD

RGB 225 211 189

HSL 36.67, 0.38%, 0.81%

LAB 85.13, 1.25, 12.63

 

CMYK 0 / 5 / 14 / 5

HEX #F2E5D0

RGB 242 229 208

HSL 37.06, 0.57%, 0.88%

LAB 91.45, 1, 11.81

 

CMYK 0 / 3 / 11 / 0

HEX #FFF7E3

RGB 255 247 227

HSL 42.86, 1%, 0.95%

LAB 97.36, -0.62, 10.55

 

CMYK 0 / 6 / 16 / 27

HEX #BAAF9C

RGB 186 175 156

HSL 38, 0.18%, 0.67%

LAB 71.89, 0.72, 11.15

 

CMYK 0 / 7 / 19 / 34

HEX #A99D89

RGB 169 157 137

HSL 37.5, 0.16%, 0.6%

LAB 65.24, 1, 12.05

 

CMYK 0 / 9 / 22 / 40

HEX #988B76

RGB 152 139 118

HSL 37.06, 0.14%, 0.53%

LAB 58.46, 1.33, 13

 

CMYK 0 / 10 / 27 / 47

HEX #877963

RGB 135 121 99

HSL 36.67, 0.15%, 0.46%

LAB 51.53, 1.71, 14.04

 

CMYK 0 / 13 / 32 / 54

HEX #766750

RGB 118 103 80

HSL 36.32, 0.19%, 0.39%

LAB 44.42, 2.17, 15.18

 

CMYK 0 / 6 / 16 / 27

HEX #B9AE9B

RGB 185 174 155

HSL 38, 0.18%, 0.67%

LAB 71.52, 0.72, 11.16

 

CMYK 0 / 10 / 16 / 27

HEX #B9A69B

RGB 185 166 155

HSL 22, 0.18%, 0.67%

LAB 69.44, 5.06, 8.2

 

CMYK 0 / 15 / 16 / 27

HEX #B99E9B

RGB 185 158 155

HSL 6, 0.18%, 0.67%

LAB 67.38, 9.44, 5.24

 

CMYK 0 / 16 / 16 / 27

HEX #B99B9B

RGB 185 155 155

HSL 0, 0.18%, 0.67%

LAB 66.61, 11.1, 4.14

 

CMYK 0 / 6 / 16 / 27

HEX #B9AE9B

RGB 185 174 155

HSL 38, 0.18%, 0.67%

LAB 71.52, 0.72, 11.16

 

CMYK 0 / 1 / 16 / 27

HEX #B9B79B

RGB 185 183 155

HSL 56, 0.18%, 0.67%

LAB 73.9, -4.09, 14.51

 

CMYK 3 / 0 / 16 / 27

HEX #B4B99B

RGB 180 185 155

HSL 70, 0.18%, 0.67%

LAB 74.04, -7, 14.66

 

CMYK 7 / 0 / 16 / 27

HEX #ACB99B

RGB 172 185 155

HSL 86, 0.18%, 0.67%

LAB 73.44, -9.95, 13.72

 

CMYK 11 / 0 / 16 / 27

HEX #A4B99B

RGB 164 185 155

HSL 102, 0.18%, 0.67%

LAB 72.86, -12.84, 12.83

 

CMYK 0 / 6 / 16 / 27

HEX #B9AE9B

RGB 185 174 155

HSL 38, 0.18%, 0.67%

LAB 71.52, 0.72, 11.16

 

CMYK 0 / 11 / 29 / 22

HEX #C7B28E

RGB 199 178 142

HSL 37.89, 0.34%, 0.67%

LAB 73.5, 2.04, 21.18

 

CMYK 0 / 15 / 40 / 16

HEX #D5B680

RGB 213 182 128

HSL 38.12, 0.5%, 0.67%

LAB 75.55, 3.73, 31.61

 

CMYK 0 / 18 / 50 / 11

HEX #E2B972

RGB 226 185 114

HSL 38.04, 0.66%, 0.67%

LAB 77.33, 6, 41.38

 

CMYK 0 / 21 / 58 / 6

HEX #F0BD65

RGB 240 189 101

HSL 37.99, 0.82%, 0.67%

LAB 79.53, 8.58, 50.8

 

CMYK 0 / 6 / 16 / 27

HEX #B9AE9B

RGB 185 174 155

HSL 38, 0.18%, 0.67%

LAB 71.52, 0.72, 11.16

 

CMYK 0 / 1 / 2 / 33

HEX #ACABA9

RGB 172 171 169

HSL 40, 0.02%, 0.67%

LAB 70.01, -0.01, 1.14

 

CMYK 13 / 8 / 0 / 29

HEX #9EA7B6

RGB 158 167 182

HSL 217.5, 0.14%, 0.67%

LAB 68.23, -0.08, -8.8

 

CMYK 26 / 17 / 0 / 23

HEX #91A3C4

RGB 145 163 196

HSL 218.82, 0.3%, 0.67%

LAB 66.67, 1.14, -19.01

 

CMYK 38 / 24 / 0 / 18

HEX #83A0D2

RGB 131 160 210

HSL 217.97, 0.47%, 0.67%

LAB 65.45, 2.33, -28.73

 

CMYK 0 / 15 / 16 / 27

HEX #B99E9B

RGB 185 158 155

HSL 6, 0.18%, 0.67%

LAB 67.38, 9.44, 5.24

 

CMYK 0 / 10 / 16 / 27

HEX #B9A69B

RGB 185 166 155

HSL 22, 0.18%, 0.67%

LAB 69.44, 5.06, 8.2

 

CMYK 0 / 6 / 16 / 27

HEX #B9AE9B

RGB 185 174 155

HSL 38, 0.18%, 0.67%

LAB 71.52, 0.72, 11.16

 

CMYK 0 / 2 / 16 / 27

HEX #B9B69B

RGB 185 182 155

HSL 54, 0.18%, 0.67%

LAB 73.63, -3.56, 14.14

 

CMYK 3 / 0 / 16 / 27

HEX #B4B99B

RGB 180 185 155

HSL 70, 0.18%, 0.67%

LAB 74.04, -7, 14.66

 

CMYK 0 / 11 / 30 / 40

HEX #98876B

RGB 152 135 107

HSL 37.33, 0.18%, 0.51%

LAB 57.14, 1.94, 17.43

 

CMYK 0 / 8 / 22 / 34

HEX #A99B83

RGB 169 155 131

HSL 37.89, 0.18%, 0.59%

LAB 64.58, 1.17, 14.46

 

CMYK 0 / 6 / 16 / 27

HEX #B9AE9B

RGB 185 174 155

HSL 38, 0.18%, 0.67%

LAB 71.52, 0.72, 11.16

 

CMYK 0 / 4 / 11 / 21

HEX #CAC2B4

RGB 202 194 180

HSL 38.18, 0.17%, 0.75%

LAB 78.71, 0.39, 8.03

 

CMYK 0 / 2 / 7 / 14

HEX #DBD6CC

RGB 219 214 204

HSL 40, 0.17%, 0.83%

LAB 85.76, -0.02, 5.53

 

CMYK 0 / 6 / 16 / 27

HEX #BAAF9C

RGB 186 175 156

HSL 38, 0.18%, 0.67%

LAB 71.89, 0.72, 11.15

 

CMYK 14 / 0 / 16 / 27

HEX #A0B99B

RGB 160 185 155

HSL 110, 0.18%, 0.67%

LAB 72.59, -14.27, 12.4

 

CMYK 12 / 16 / 0 / 27

HEX #A29BB9

RGB 162 155 185

HSL 254, 0.18%, 0.67%

LAB 65.46, 8.56, -14.59

 

CMYK 0 / 6 / 16 / 27

HEX #BAAF9C

RGB 186 175 156

HSL 38, 0.18%, 0.67%

LAB 71.89, 0.72, 11.15

 

CMYK 16 / 0 / 6 / 27

HEX #9BB9AE

RGB 155 185 174

HSL 158, 0.18%, 0.67%

LAB 72.71, -12.39, 2.17

 

CMYK 6 / 16 / 0 / 27

HEX #AE9BB9

RGB 174 155 185

HSL 278, 0.18%, 0.67%

LAB 66.48, 12.62, -12.95

 

CMYK 0 / 6 / 16 / 27

HEX #BAAF9C

RGB 186 175 156

HSL 38, 0.18%, 0.67%

LAB 71.89, 0.72, 11.15

 

CMYK 14 / 0 / 16 / 27

HEX #A0B99B

RGB 160 185 155

HSL 110, 0.18%, 0.67%

LAB 72.59, -14.27, 12.4

 

CMYK 16 / 10 / 0 / 27

HEX #9BA6B9

RGB 155 166 185

HSL 218, 0.18%, 0.67%

LAB 67.83, 0.12, -11.08

 

CMYK 3 / 16 / 0 / 27

HEX #B49BB9

RGB 180 155 185

HSL 290, 0.18%, 0.67%

LAB 67.01, 14.68, -12.1

 

CMYK 0 / 6 / 16 / 27

HEX #BAAF9C

RGB 186 175 156

HSL 38, 0.18%, 0.67%

LAB 71.89, 0.72, 11.15

 

CMYK 16 / 0 / 14 / 27

HEX #9BB99F

RGB 155 185 159

HSL 128, 0.18%, 0.67%

LAB 72.34, -15.29, 9.83

 

CMYK 16 / 10 / 0 / 27

HEX #9BA6B9

RGB 155 166 185

HSL 218, 0.18%, 0.67%

LAB 67.83, 0.12, -11.08

 

CMYK 0 / 16 / 2 / 27

HEX #B99BB5

RGB 185 155 181

HSL 308, 0.18%, 0.67%

LAB 67.35, 15.66, -9.32

 

Description

Color code: CMYK 0 / 6 / 16 / 27 | qconv.com Color code: CMYK 0 / 6 / 16 / 27 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 175 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 175 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 16 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 16% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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