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Color name
CMYK 0 / 6 / 33 / 14

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 6 / 33 / 14 it is the complementary color CMYK 67 / 55 / 0 / 58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 6 / 33 / 14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 6 / 33 / 14 shade: CMYK 0 / 8 / 37 / 12, CMYK 0 / 7 / 33 / 5, CMYK 0 / 5 / 29 / 0, CMYK 0 / 0 / 22 / 0 and CMYK 0 / 0 / 15 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 6 / 33 / 14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 6 / 33 / 14 shade: CMYK 0 / 6 / 33 / 14, CMYK 0 / 7 / 37 / 21, CMYK 0 / 8 / 41 / 27, CMYK 0 / 10 / 46 / 34 and CMYK 0 / 11 / 53 / 41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 6 / 33 / 14 shade: CMYK 0 / 6 / 33 / 14, CMYK 0 / 15 / 33 / 14, CMYK 0 / 24 / 33 / 14, CMYK 0 / 32 / 33 / 14 and CMYK 0 / 33 / 33 / 14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 6 / 33 / 14 shade: CMYK 0 / 6 / 33 / 14, CMYK 3 / 0 / 33 / 14, CMYK 12 / 0 / 33 / 14, CMYK 21 / 0 / 33 / 14 and CMYK 29 / 0 / 33 / 14

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 6 / 33 / 14 shade matches the following richer shades: CMYK 0 / 6 / 33 / 14, CMYK 0 / 7 / 41 / 10, CMYK 0 / 9 / 49 / 5 and CMYK 0 / 10 / 55 / 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 6 / 33 / 14 shade: CMYK 0 / 6 / 33 / 14, CMYK 0 / 4 / 23 / 19, CMYK 0 / 3 / 13 / 23, CMYK 0 / 0 / 1 / 28 and CMYK 11 / 9 / 0 / 24

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 6 / 33 / 14 shade: CMYK 0 / 23 / 33 / 14, CMYK 0 / 15 / 33 / 14, CMYK 0 / 6 / 33 / 14, CMYK 3 / 0 / 33 / 14 and CMYK 11 / 0 / 33 / 14

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 6 / 33 / 14 shade: CMYK 0 / 10 / 57 / 22, CMYK 0 / 8 / 44 / 18, CMYK 0 / 6 / 33 / 14, CMYK 0 / 4 / 22 / 10 and CMYK 0 / 2 / 13 / 6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 6 / 33 / 14 shade: CMYK 0 / 6 / 33 / 14, CMYK 33 / 0 / 32 / 14 and CMYK 19 / 33 / 0 / 14

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 6 / 33 / 14 shade: CMYK 0 / 6 / 33 / 14, CMYK 33 / 0 / 6 / 14 and CMYK 6 / 33 / 0 / 14

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 6 / 33 / 14 shade: CMYK 0 / 6 / 33 / 14, CMYK 33 / 0 / 32 / 14, CMYK 33 / 27 / 0 / 14 and CMYK 0 / 33 / 0 / 14

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 6 / 33 / 14 shade: CMYK 0 / 6 / 33 / 14, CMYK 33 / 0 / 22 / 14, CMYK 33 / 27 / 0 / 14 and CMYK 0 / 33 / 11 / 14

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 33 / 14

HEX #DBCE93

RGB 219 206 147

HSL 49.17, 0.5%, 0.72%

LAB 82.54, -4.22, 31.03

 

Complementary color

CMYK 67 / 55 / 0 / 58

HEX #24316C

RGB 36 49 108

HSL 229.17, 0.5%, 0.28%

LAB 22.49, 15.39, -36.12

 

CMYK 0 / 8 / 37 / 12

HEX #E0CE8E

RGB 224 206 142

HSL 46.83, 0.57%, 0.72%

LAB 82.88, -2.87, 34.13

 

CMYK 0 / 7 / 33 / 5

HEX #F1E0A1

RGB 241 224 161

HSL 47.25, 0.74%, 0.79%

LAB 89.2, -3.28, 33

 

CMYK 0 / 5 / 29 / 0

HEX #FFF2B4

RGB 255 242 180

HSL 49.6, 1%, 0.85%

LAB 95.19, -4.76, 31.56

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC7

RGB 255 255 199

HSL 60, 1%, 0.89%

LAB 98.79, -8.74, 26.85

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFDA

RGB 255 255 218

HSL 60, 1%, 0.93%

LAB 99.16, -6.02, 17.71

 

CMYK 0 / 6 / 33 / 14

HEX #DBCE93

RGB 219 206 147

HSL 49.17, 0.5%, 0.72%

LAB 82.54, -4.22, 31.03

 

CMYK 0 / 7 / 37 / 21

HEX #CABC80

RGB 202 188 128

HSL 48.65, 0.41%, 0.65%

LAB 76.12, -3.83, 32.17

 

CMYK 0 / 8 / 41 / 27

HEX #B9AA6D

RGB 185 170 109

HSL 48.16, 0.35%, 0.58%

LAB 69.59, -3.37, 33.38

 

CMYK 0 / 10 / 46 / 34

HEX #A8985A

RGB 168 152 90

HSL 47.69, 0.31%, 0.51%

LAB 62.94, -2.81, 34.65

 

CMYK 0 / 11 / 53 / 41

HEX #978647

RGB 151 134 71

HSL 47.25, 0.36%, 0.44%

LAB 56.17, -2.13, 35.95

 

CMYK 0 / 6 / 33 / 14

HEX #DBCE93

RGB 219 206 147

HSL 49.17, 0.5%, 0.72%

LAB 82.54, -4.22, 31.03

 

CMYK 0 / 15 / 33 / 14

HEX #DBBB93

RGB 219 187 147

HSL 33.33, 0.5%, 0.72%

LAB 77.7, 5.71, 24.52

 

CMYK 0 / 24 / 33 / 14

HEX #DBA793

RGB 219 167 147

HSL 16.67, 0.5%, 0.72%

LAB 72.76, 16.4, 17.74

 

CMYK 0 / 32 / 33 / 14

HEX #DB9493

RGB 219 148 147

HSL 0.83, 0.5%, 0.72%

LAB 68.28, 26.64, 11.46

 

CMYK 0 / 33 / 33 / 14

HEX #DB9393

RGB 219 147 147

HSL 0, 0.5%, 0.72%

LAB 68.05, 27.18, 11.14

 

CMYK 0 / 6 / 33 / 14

HEX #DBCE93

RGB 219 206 147

HSL 49.17, 0.5%, 0.72%

LAB 82.54, -4.22, 31.03

 

CMYK 3 / 0 / 33 / 14

HEX #D4DB93

RGB 212 219 147

HSL 65.83, 0.5%, 0.72%

LAB 85.39, -13.52, 34.68

 

CMYK 12 / 0 / 33 / 14

HEX #C1DB93

RGB 193 219 147

HSL 81.67, 0.5%, 0.72%

LAB 84.02, -20.65, 32.63

 

CMYK 21 / 0 / 33 / 14

HEX #AEDB93

RGB 174 219 147

HSL 97.5, 0.5%, 0.72%

LAB 82.79, -27.5, 30.77

 

CMYK 29 / 0 / 33 / 14

HEX #9BDB93

RGB 155 219 147

HSL 113.33, 0.5%, 0.72%

LAB 81.7, -33.97, 29.12

 

CMYK 0 / 6 / 33 / 14

HEX #DBCE93

RGB 219 206 147

HSL 49.17, 0.5%, 0.72%

LAB 82.54, -4.22, 31.03

 

CMYK 0 / 7 / 41 / 10

HEX #E6D588

RGB 230 213 136

HSL 49.15, 0.65%, 0.72%

LAB 85.09, -4.76, 40.15

 

CMYK 0 / 9 / 49 / 5

HEX #F2DD7C

RGB 242 221 124

HSL 49.32, 0.82%, 0.72%

LAB 87.99, -5.22, 49.89

 

CMYK 0 / 10 / 55 / 1

HEX #FDE471

RGB 253 228 113

HSL 49.29, 0.97%, 0.72%

LAB 90.58, -5.23, 58.36

 

CMYK 0 / 6 / 33 / 14

HEX #DBCE93

RGB 219 206 147

HSL 49.17, 0.5%, 0.72%

LAB 82.54, -4.22, 31.03

 

CMYK 0 / 4 / 23 / 19

HEX #CFC79F

RGB 207 199 159

HSL 50, 0.33%, 0.72%

LAB 79.96, -3.61, 21.07

 

CMYK 0 / 3 / 13 / 23

HEX #C4BFAB

RGB 196 191 171

HSL 48, 0.17%, 0.72%

LAB 77.24, -1.69, 10.71

 

CMYK 0 / 0 / 1 / 28

HEX #B8B8B6

RGB 184 184 182

HSL 60, 0.01%, 0.72%

LAB 74.73, -0.37, 1

CMYK 0 / 0 / 1 / 28

CMYK 11 / 9 / 0 / 24

HEX #ADB0C2

RGB 173 176 194

HSL 231.43, 0.15%, 0.72%

LAB 72.11, 2.53, -9.51

CMYK 11 / 9 / 0 / 24

CMYK 0 / 23 / 33 / 14

HEX #DBA893

RGB 219 168 147

HSL 17.5, 0.5%, 0.72%

LAB 73, 15.86, 18.08

 

CMYK 0 / 15 / 33 / 14

HEX #DBBB93

RGB 219 187 147

HSL 33.33, 0.5%, 0.72%

LAB 77.7, 5.71, 24.52

 

CMYK 0 / 6 / 33 / 14

HEX #DBCE93

RGB 219 206 147

HSL 49.17, 0.5%, 0.72%

LAB 82.54, -4.22, 31.03

 

CMYK 3 / 0 / 33 / 14

HEX #D5DB93

RGB 213 219 147

HSL 65, 0.5%, 0.72%

LAB 85.46, -13.14, 34.79

 

CMYK 11 / 0 / 33 / 14

HEX #C2DB93

RGB 194 219 147

HSL 80.83, 0.5%, 0.72%

LAB 84.09, -20.28, 32.73

 

CMYK 0 / 10 / 57 / 22

HEX #C6B256

RGB 198 178 86

HSL 49.29, 0.5%, 0.56%

LAB 72.57, -4.33, 48.87

 

CMYK 0 / 8 / 44 / 18

HEX #D0C074

RGB 208 192 116

HSL 49.57, 0.49%, 0.64%

LAB 77.5, -4.81, 40.23

 

CMYK 0 / 6 / 33 / 14

HEX #DBCE93

RGB 219 206 147

HSL 49.17, 0.5%, 0.72%

LAB 82.54, -4.22, 31.03

 

CMYK 0 / 4 / 22 / 10

HEX #E5DCB2

RGB 229 220 178

HSL 49.41, 0.5%, 0.8%

LAB 87.51, -3.54, 21.78

 

CMYK 0 / 2 / 13 / 6

HEX #EFEAD1

RGB 239 234 209

HSL 50, 0.48%, 0.88%

LAB 92.49, -2.46, 12.74

 

CMYK 0 / 6 / 33 / 14

HEX #DBCE93

RGB 219 206 147

HSL 49.17, 0.5%, 0.72%

LAB 82.54, -4.22, 31.03

 

CMYK 33 / 0 / 32 / 14

HEX #93DB95

RGB 147 219 149

HSL 121.67, 0.5%, 0.72%

LAB 81.31, -36.24, 27.5

 

CMYK 19 / 33 / 0 / 14

HEX #B193DB

RGB 177 147 219

HSL 265, 0.5%, 0.72%

LAB 66, 25.4, -32.58

 

CMYK 0 / 6 / 33 / 14

HEX #DBCE93

RGB 219 206 147

HSL 49.17, 0.5%, 0.72%

LAB 82.54, -4.22, 31.03

 

CMYK 33 / 0 / 6 / 14

HEX #93DBCE

RGB 147 219 206

HSL 169.17, 0.5%, 0.72%

LAB 82.55, -25.23, -0.76

 

CMYK 6 / 33 / 0 / 14

HEX #CE93DB

RGB 206 147 219

HSL 289.17, 0.5%, 0.72%

LAB 68.83, 34.4, -27.99

 

CMYK 0 / 6 / 33 / 14

HEX #DBCE93

RGB 219 206 147

HSL 49.17, 0.5%, 0.72%

LAB 82.54, -4.22, 31.03

 

CMYK 33 / 0 / 32 / 14

HEX #93DB95

RGB 147 219 149

HSL 121.67, 0.5%, 0.72%

LAB 81.31, -36.24, 27.5

 

CMYK 33 / 27 / 0 / 14

HEX #93A0DB

RGB 147 160 219

HSL 229.17, 0.5%, 0.72%

LAB 66.87, 9.16, -31.43

 

CMYK 0 / 33 / 0 / 14

HEX #DB93DA

RGB 219 147 218

HSL 300.83, 0.5%, 0.72%

LAB 70.17, 38.31, -25.26

 

CMYK 0 / 6 / 33 / 14

HEX #DBCE93

RGB 219 206 147

HSL 49.17, 0.5%, 0.72%

LAB 82.54, -4.22, 31.03

 

CMYK 33 / 0 / 22 / 14

HEX #93DBAA

RGB 147 219 170

HSL 139.17, 0.5%, 0.72%

LAB 81.71, -32.58, 17.09

 

CMYK 33 / 27 / 0 / 14

HEX #93A0DB

RGB 147 160 219

HSL 229.17, 0.5%, 0.72%

LAB 66.87, 9.16, -31.43

 

CMYK 0 / 33 / 11 / 14

HEX #DB93C4

RGB 219 147 196

HSL 319.17, 0.5%, 0.72%

LAB 69.41, 34.44, -14.23

 

Description

Color code: CMYK 0 / 6 / 33 / 14 | qconv.com Color code: CMYK 0 / 6 / 33 / 14 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 206 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 206 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 33 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 33% 14% C M Y K

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Provide designers and agencies with accurate color values.

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