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Color name
CMYK 0 / 72 / 38 / 41

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 72 / 38 / 41 it is the complementary color CMYK 51 / 0 / 24 / 16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 72 / 38 / 41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 72 / 38 / 41 shade: CMYK 0 / 73 / 43 / 39, CMYK 0 / 65 / 38 / 33, CMYK 0 / 59 / 33 / 26, CMYK 0 / 53 / 30 / 19 and CMYK 0 / 49 / 26 / 13

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 72 / 38 / 41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 72 / 38 / 41 shade: CMYK 0 / 72 / 38 / 41, CMYK 0 / 82 / 44 / 48, CMYK 0 / 95 / 53 / 55, CMYK 0 / 100 / 64 / 61 and CMYK 0 / 100 / 79 / 68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 72 / 38 / 41 shade: CMYK 0 / 72 / 38 / 41, CMYK 0 / 72 / 58 / 41 and CMYK 0 / 72 / 72 / 41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 72 / 38 / 41 shade: CMYK 0 / 72 / 38 / 41, CMYK 0 / 72 / 19 / 41, CMYK 1 / 72 / 0 / 41, CMYK 21 / 72 / 0 / 41 and CMYK 40 / 72 / 0 / 41

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 72 / 38 / 41 shade matches the following richer shades: CMYK 0 / 72 / 38 / 41, CMYK 0 / 84 / 44 / 35 and CMYK 0 / 94 / 49 / 29

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 72 / 38 / 41 shade: CMYK 0 / 72 / 38 / 41, CMYK 0 / 57 / 30 / 47, CMYK 0 / 39 / 20 / 53, CMYK 0 / 14 / 8 / 59 and CMYK 16 / 0 / 8 / 59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 72 / 38 / 41 shade: CMYK 1 / 72 / 0 / 41, CMYK 0 / 72 / 18 / 41, CMYK 0 / 72 / 37 / 41, CMYK 0 / 72 / 56 / 41 and CMYK 0 / 68 / 72 / 41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 72 / 38 / 41 shade: CMYK 0 / 72 / 38 / 66, CMYK 0 / 72 / 38 / 54, CMYK 0 / 72 / 38 / 41, CMYK 0 / 72 / 38 / 28 and CMYK 0 / 65 / 34 / 20

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 72 / 38 / 41 shade: CMYK 0 / 72 / 38 / 41, CMYK 0 / 21 / 72 / 41 and CMYK 72 / 9 / 0 / 41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 72 / 38 / 41 shade: CMYK 0 / 72 / 38 / 41, CMYK 37 / 0 / 72 / 41 and CMYK 72 / 37 / 0 / 41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 72 / 38 / 41 shade: CMYK 0 / 72 / 38 / 41, CMYK 0 / 21 / 72 / 41, CMYK 72 / 0 / 35 / 41 and CMYK 72 / 52 / 0 / 41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 72 / 38 / 41 shade: CMYK 0 / 72 / 38 / 41, CMYK 1 / 0 / 72 / 41, CMYK 72 / 0 / 35 / 41 and CMYK 71 / 72 / 0 / 41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 38 / 41

HEX #962A5D

RGB 150 42 93

HSL 331.67, 0.56%, 0.38%

LAB 35.85, 48.98, -4.51

 

Complementary color

CMYK 51 / 0 / 24 / 16

HEX #69D5A2

RGB 105 213 162

HSL 151.67, 0.56%, 0.62%

LAB 77.99, -42.91, 15.84

 

CMYK 0 / 73 / 43 / 39

HEX #9B2A58

RGB 155 42 88

HSL 335.58, 0.57%, 0.39%

LAB 36.61, 49.92, -0.08

 

CMYK 0 / 65 / 38 / 33

HEX #AC3C6B

RGB 172 60 107

HSL 334.82, 0.48%, 0.45%

LAB 42.86, 49.92, -2.52

 

CMYK 0 / 59 / 33 / 26

HEX #BD4E7E

RGB 189 78 126

HSL 334.05, 0.46%, 0.52%

LAB 49.22, 49.48, -4.41

 

CMYK 0 / 53 / 30 / 19

HEX #CE6091

RGB 206 96 145

HSL 333.27, 0.53%, 0.59%

LAB 55.62, 48.83, -5.94

 

CMYK 0 / 49 / 26 / 13

HEX #DF72A4

RGB 223 114 164

HSL 332.48, 0.63%, 0.66%

LAB 62, 48.07, -7.21

 

CMYK 0 / 72 / 38 / 41

HEX #962A5D

RGB 150 42 93

HSL 331.67, 0.56%, 0.38%

LAB 35.85, 48.98, -4.51

 

CMYK 0 / 82 / 44 / 48

HEX #85184A

RGB 133 24 74

HSL 332.48, 0.69%, 0.31%

LAB 29.75, 48.2, -1.51

 

CMYK 0 / 95 / 53 / 55

HEX #740637

RGB 116 6 55

HSL 333.27, 0.9%, 0.24%

LAB 24.06, 46.05, 2.64

 

CMYK 0 / 100 / 64 / 61

HEX #630024

RGB 99 0 36

HSL 338.18, 1%, 0.19%

LAB 19.14, 41.5, 8.55

 

CMYK 0 / 100 / 79 / 68

HEX #520011

RGB 82 0 17

HSL 347.56, 1%, 0.16%

LAB 14.59, 35.75, 15.21

 

CMYK 0 / 72 / 38 / 41

HEX #972A5D

RGB 151 42 93

HSL 331.93, 0.56%, 0.38%

LAB 36.03, 49.28, -4.21

 

CMYK 0 / 72 / 58 / 41

HEX #972A40

RGB 151 42 64

HSL 347.89, 0.56%, 0.38%

LAB 35.21, 46.52, 13.28

 

CMYK 0 / 72 / 72 / 41

HEX #972A2A

RGB 151 42 42

HSL 0, 0.56%, 0.38%

LAB 34.81, 45.11, 26.7

 

CMYK 0 / 72 / 38 / 41

HEX #972A5D

RGB 151 42 93

HSL 331.93, 0.56%, 0.38%

LAB 36.03, 49.28, -4.21

 

CMYK 0 / 72 / 19 / 41

HEX #972A7B

RGB 151 42 123

HSL 315.41, 0.56%, 0.38%

LAB 37.23, 53.16, -21.33

 

CMYK 1 / 72 / 0 / 41

HEX #952A97

RGB 149 42 151

HSL 298.9, 0.56%, 0.38%

LAB 38.34, 57.14, -36.84

 

CMYK 21 / 72 / 0 / 41

HEX #782A97

RGB 120 42 151

HSL 282.94, 0.56%, 0.38%

LAB 33.74, 50.67, -44.46

 

CMYK 40 / 72 / 0 / 41

HEX #5B2A97

RGB 91 42 151

HSL 266.97, 0.56%, 0.38%

LAB 29.7, 44.66, -51.19

 

CMYK 0 / 72 / 38 / 41

HEX #972A5D

RGB 151 42 93

HSL 331.93, 0.56%, 0.38%

LAB 36.03, 49.28, -4.21

 

CMYK 0 / 84 / 44 / 35

HEX #A61A5D

RGB 166 26 93

HSL 331.29, 0.73%, 0.38%

LAB 37.18, 58.28, -2.19

 

CMYK 0 / 94 / 49 / 29

HEX #B60B5C

RGB 182 11 92

HSL 331.58, 0.89%, 0.38%

LAB 39.51, 64.65, 2.23

 

CMYK 0 / 72 / 38 / 41

HEX #972A5D

RGB 151 42 93

HSL 331.93, 0.56%, 0.38%

LAB 36.03, 49.28, -4.21

 

CMYK 0 / 57 / 30 / 47

HEX #873A5E

RGB 135 58 94

HSL 331.95, 0.4%, 0.38%

LAB 35.96, 37.09, -5.26

 

CMYK 0 / 39 / 20 / 53

HEX #77495F

RGB 119 73 95

HSL 331.3, 0.24%, 0.38%

LAB 36.95, 22.97, -4.66

 

CMYK 0 / 14 / 8 / 59

HEX #685960

RGB 104 89 96

HSL 332, 0.08%, 0.38%

LAB 39.47, 7.45, -1.77

 

CMYK 16 / 0 / 8 / 59

HEX #586961

RGB 88 105 97

HSL 151.76, 0.09%, 0.38%

LAB 42.82, -8.18, 2.35

 

CMYK 1 / 72 / 0 / 41

HEX #952A97

RGB 149 42 151

HSL 298.9, 0.56%, 0.38%

LAB 38.34, 57.14, -36.84

 

CMYK 0 / 72 / 18 / 41

HEX #972A7C

RGB 151 42 124

HSL 314.86, 0.56%, 0.38%

LAB 37.28, 53.31, -21.88

 

CMYK 0 / 72 / 37 / 41

HEX #972A5F

RGB 151 42 95

HSL 330.83, 0.56%, 0.38%

LAB 36.1, 49.51, -5.39

 

CMYK 0 / 72 / 56 / 41

HEX #972A42

RGB 151 42 66

HSL 346.79, 0.56%, 0.38%

LAB 35.26, 46.67, 12.05

 

CMYK 0 / 68 / 72 / 41

HEX #97302A

RGB 151 48 42

HSL 3.3, 0.56%, 0.38%

LAB 35.71, 42.64, 27.76

 

CMYK 0 / 72 / 38 / 66

HEX #561835

RGB 86 24 53

HSL 331.94, 0.56%, 0.22%

LAB 19.59, 31.49, -3.25

 

CMYK 0 / 72 / 38 / 54

HEX #762149

RGB 118 33 73

HSL 331.76, 0.56%, 0.3%

LAB 27.9, 40.49, -3.91

 

CMYK 0 / 72 / 38 / 41

HEX #972A5D

RGB 151 42 93

HSL 331.93, 0.56%, 0.38%

LAB 36.03, 49.28, -4.21

 

CMYK 0 / 72 / 38 / 28

HEX #B73371

RGB 183 51 113

HSL 331.82, 0.56%, 0.46%

LAB 43.69, 57.38, -4.78

 

CMYK 0 / 65 / 34 / 20

HEX #CB4886

RGB 203 72 134

HSL 331.6, 0.56%, 0.54%

LAB 50.75, 57.38, -6.7

 

CMYK 0 / 72 / 38 / 41

HEX #962A5D

RGB 150 42 93

HSL 331.67, 0.56%, 0.38%

LAB 35.85, 48.98, -4.51

 

CMYK 0 / 21 / 72 / 41

HEX #97782A

RGB 151 120 42

HSL 42.94, 0.56%, 0.38%

LAB 52.04, 3.61, 45.51

 

CMYK 72 / 9 / 0 / 41

HEX #2A8A97

RGB 42 138 151

HSL 187.16, 0.56%, 0.38%

LAB 52.84, -22.81, -14.95

 

CMYK 0 / 72 / 38 / 41

HEX #962A5D

RGB 150 42 93

HSL 331.67, 0.56%, 0.38%

LAB 35.85, 48.98, -4.51

 

CMYK 37 / 0 / 72 / 41

HEX #5F972A

RGB 95 151 42

HSL 90.83, 0.56%, 0.38%

LAB 56.81, -36.61, 48.97

 

CMYK 72 / 37 / 0 / 41

HEX #2A5F97

RGB 42 95 151

HSL 210.83, 0.56%, 0.38%

LAB 39.43, 2, -35.75

 

CMYK 0 / 72 / 38 / 41

HEX #962A5D

RGB 150 42 93

HSL 331.67, 0.56%, 0.38%

LAB 35.85, 48.98, -4.51

 

CMYK 0 / 21 / 72 / 41

HEX #97782A

RGB 151 120 42

HSL 42.94, 0.56%, 0.38%

LAB 52.04, 3.61, 45.51

 

CMYK 72 / 0 / 35 / 41

HEX #2A9762

RGB 42 151 98

HSL 150.83, 0.56%, 0.38%

LAB 55.59, -43.11, 19.36

 

CMYK 72 / 52 / 0 / 41

HEX #2A4997

RGB 42 73 151

HSL 222.94, 0.56%, 0.38%

LAB 32.9, 16.47, -46.2

 

CMYK 0 / 72 / 38 / 41

HEX #962A5D

RGB 150 42 93

HSL 331.67, 0.56%, 0.38%

LAB 35.85, 48.98, -4.51

 

CMYK 1 / 0 / 72 / 41

HEX #95972A

RGB 149 151 42

HSL 61.1, 0.56%, 0.38%

LAB 60.51, -14.27, 53.87

 

CMYK 72 / 0 / 35 / 41

HEX #2A9762

RGB 42 151 98

HSL 150.83, 0.56%, 0.38%

LAB 55.59, -43.11, 19.36

 

CMYK 71 / 72 / 0 / 41

HEX #2C2A97

RGB 44 42 151

HSL 241.1, 0.56%, 0.38%

LAB 25.03, 37.14, -59.02

 

Description

Color code: CMYK 0 / 72 / 38 / 41 | qconv.com Color code: CMYK 0 / 72 / 38 / 41 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 42 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 42 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 38 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 38% 41% C M Y K

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Provide designers and agencies with accurate color values.

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