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Color name
CMYK 0 / 76 / 42 / 38

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 76 / 42 / 38 it is the complementary color CMYK 55 / 0 / 25 / 15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 76 / 42 / 38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 76 / 42 / 38 shade: CMYK 0 / 77 / 47 / 36, CMYK 0 / 69 / 41 / 29, CMYK 0 / 62 / 37 / 23, CMYK 0 / 57 / 33 / 16 and CMYK 0 / 52 / 29 / 9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 76 / 42 / 38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 76 / 42 / 38 shade: CMYK 0 / 76 / 42 / 38, CMYK 0 / 86 / 48 / 45, CMYK 0 / 98 / 56 / 51, CMYK 0 / 100 / 67 / 58 and CMYK 0 / 100 / 82 / 65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 76 / 42 / 38 shade: CMYK 0 / 76 / 42 / 39, CMYK 0 / 76 / 62 / 39 and CMYK 0 / 76 / 76 / 39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 76 / 42 / 38 shade: CMYK 0 / 76 / 42 / 39, CMYK 0 / 76 / 22 / 39, CMYK 0 / 76 / 1 / 39, CMYK 20 / 76 / 0 / 39 and CMYK 40 / 76 / 0 / 39

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 76 / 42 / 38 shade matches the following richer shades: CMYK 0 / 76 / 42 / 39, CMYK 0 / 87 / 48 / 33 and CMYK 0 / 97 / 53 / 27

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 76 / 42 / 38 shade: CMYK 0 / 76 / 42 / 39, CMYK 0 / 62 / 34 / 45, CMYK 0 / 44 / 24 / 51, CMYK 0 / 22 / 12 / 58 and CMYK 7 / 0 / 3 / 61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 76 / 42 / 38 shade: CMYK 0 / 76 / 1 / 39, CMYK 0 / 76 / 22 / 39, CMYK 0 / 76 / 42 / 39, CMYK 0 / 76 / 62 / 39 and CMYK 0 / 70 / 76 / 39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 76 / 42 / 38 shade: CMYK 0 / 76 / 42 / 65, CMYK 0 / 76 / 42 / 52, CMYK 0 / 76 / 42 / 39, CMYK 0 / 76 / 42 / 26 and CMYK 0 / 68 / 37 / 18

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 76 / 42 / 38 shade: CMYK 0 / 76 / 42 / 38, CMYK 0 / 19 / 76 / 39 and CMYK 76 / 12 / 0 / 39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 76 / 42 / 38 shade: CMYK 0 / 76 / 42 / 38, CMYK 42 / 0 / 76 / 39 and CMYK 76 / 42 / 0 / 39

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 76 / 42 / 38 shade: CMYK 0 / 76 / 42 / 38, CMYK 0 / 19 / 76 / 39, CMYK 76 / 0 / 35 / 39 and CMYK 76 / 57 / 0 / 39

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 76 / 42 / 38 shade: CMYK 0 / 76 / 42 / 38, CMYK 4 / 0 / 76 / 39, CMYK 76 / 0 / 35 / 39 and CMYK 72 / 76 / 0 / 39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 42 / 38

HEX #9E265C

RGB 158 38 92

HSL 333, 0.61%, 0.38%

LAB 36.8, 52.62, -2.3

 

Complementary color

CMYK 55 / 0 / 25 / 15

HEX #61D9A3

RGB 97 217 163

HSL 153, 0.61%, 0.62%

LAB 78.93, -46.25, 16.59

 

CMYK 0 / 77 / 47 / 36

HEX #A32657

RGB 163 38 87

HSL 336.48, 0.62%, 0.39%

LAB 37.59, 53.55, 2.17

 

CMYK 0 / 69 / 41 / 29

HEX #B4386A

RGB 180 56 106

HSL 335.81, 0.53%, 0.46%

LAB 43.61, 53.89, -0.63

 

CMYK 0 / 62 / 37 / 23

HEX #C54A7D

RGB 197 74 125

HSL 335.12, 0.51%, 0.53%

LAB 49.8, 53.68, -2.82

 

CMYK 0 / 57 / 33 / 16

HEX #D65C90

RGB 214 92 144

HSL 334.43, 0.6%, 0.6%

LAB 56.05, 53.17, -4.57

 

CMYK 0 / 52 / 29 / 9

HEX #E76EA3

RGB 231 110 163

HSL 333.72, 0.72%, 0.67%

LAB 62.33, 52.5, -6.03

 

CMYK 0 / 76 / 42 / 38

HEX #9E265C

RGB 158 38 92

HSL 333, 0.61%, 0.38%

LAB 36.8, 52.62, -2.3

 

CMYK 0 / 86 / 48 / 45

HEX #8D1449

RGB 141 20 73

HSL 333.72, 0.75%, 0.32%

LAB 30.98, 51.33, 1.15

 

CMYK 0 / 98 / 56 / 51

HEX #7C0236

RGB 124 2 54

HSL 334.43, 0.97%, 0.25%

LAB 25.55, 48.81, 5.69

 

CMYK 0 / 100 / 67 / 58

HEX #6B0023

RGB 107 0 35

HSL 340.37, 1%, 0.21%

LAB 21.01, 43.55, 12.1

 

CMYK 0 / 100 / 82 / 65

HEX #5A0010

RGB 90 0 16

HSL 349.33, 1%, 0.18%

LAB 16.56, 37.96, 18.68

 

CMYK 0 / 76 / 42 / 39

HEX #9C255A

RGB 156 37 90

HSL 333.28, 0.62%, 0.38%

LAB 36.23, 52.18, -1.89

 

CMYK 0 / 76 / 62 / 39

HEX #9C253B

RGB 156 37 59

HSL 348.91, 0.62%, 0.38%

LAB 35.41, 49.56, 16.93

 

CMYK 0 / 76 / 76 / 39

HEX #9C2525

RGB 156 37 37

HSL 0, 0.62%, 0.38%

LAB 35.05, 48.37, 30.28

 

CMYK 0 / 76 / 42 / 39

HEX #9C255A

RGB 156 37 90

HSL 333.28, 0.62%, 0.38%

LAB 36.23, 52.18, -1.89

 

CMYK 0 / 76 / 22 / 39

HEX #9C257A

RGB 156 37 122

HSL 317.14, 0.62%, 0.38%

LAB 37.47, 56.03, -20.27

 

CMYK 0 / 76 / 1 / 39

HEX #9C259A

RGB 156 37 154

HSL 301.01, 0.62%, 0.38%

LAB 39.11, 60.85, -37.36

 

CMYK 20 / 76 / 0 / 39

HEX #7D259C

RGB 125 37 156

HSL 284.37, 0.62%, 0.38%

LAB 34.16, 54.73, -46.79

 

CMYK 40 / 76 / 0 / 39

HEX #5D259C

RGB 93 37 156

HSL 268.24, 0.62%, 0.38%

LAB 29.54, 48.67, -54.5

 

CMYK 0 / 76 / 42 / 39

HEX #9C255A

RGB 156 37 90

HSL 333.28, 0.62%, 0.38%

LAB 36.23, 52.18, -1.89

 

CMYK 0 / 87 / 48 / 33

HEX #AB1659

RGB 171 22 89

HSL 333.02, 0.77%, 0.38%

LAB 37.76, 60.05, 1.33

 

CMYK 0 / 97 / 53 / 27

HEX #BB0657

RGB 187 6 87

HSL 333.15, 0.94%, 0.38%

LAB 40.22, 65.97, 6.57

 

CMYK 0 / 76 / 42 / 39

HEX #9C255A

RGB 156 37 90

HSL 333.28, 0.62%, 0.38%

LAB 36.23, 52.18, -1.89

 

CMYK 0 / 62 / 34 / 45

HEX #8C355C

RGB 140 53 92

HSL 333.1, 0.45%, 0.38%

LAB 35.78, 40.99, -4.16

 

CMYK 0 / 44 / 24 / 51

HEX #7C455E

RGB 124 69 94

HSL 332.73, 0.28%, 0.38%

LAB 36.65, 27.07, -4.41

 

CMYK 0 / 22 / 12 / 58

HEX #6C545F

RGB 108 84 95

HSL 332.5, 0.13%, 0.38%

LAB 38.47, 11.93, -2.56

 

CMYK 7 / 0 / 3 / 61

HEX #5D6461

RGB 93 100 97

HSL 154.29, 0.04%, 0.38%

LAB 41.7, -3.35, 0.76

 

CMYK 0 / 76 / 1 / 39

HEX #9C259A

RGB 156 37 154

HSL 301.01, 0.62%, 0.38%

LAB 39.11, 60.85, -37.36

 

CMYK 0 / 76 / 22 / 39

HEX #9C257A

RGB 156 37 122

HSL 317.14, 0.62%, 0.38%

LAB 37.47, 56.03, -20.27

 

CMYK 0 / 76 / 42 / 39

HEX #9C255A

RGB 156 37 90

HSL 333.28, 0.62%, 0.38%

LAB 36.23, 52.18, -1.89

 

CMYK 0 / 76 / 62 / 39

HEX #9C253B

RGB 156 37 59

HSL 348.91, 0.62%, 0.38%

LAB 35.41, 49.56, 16.93

 

CMYK 0 / 70 / 76 / 39

HEX #9C2F25

RGB 156 47 37

HSL 5.04, 0.62%, 0.38%

LAB 36.43, 44.57, 31.8

 

CMYK 0 / 76 / 42 / 65

HEX #591534

RGB 89 21 52

HSL 332.65, 0.62%, 0.22%

LAB 19.67, 33.69, -2.37

 

CMYK 0 / 76 / 42 / 52

HEX #7A1D47

RGB 122 29 71

HSL 332.9, 0.62%, 0.3%

LAB 28.04, 43.06, -2.28

 

CMYK 0 / 76 / 42 / 39

HEX #9C255A

RGB 156 37 90

HSL 333.28, 0.62%, 0.38%

LAB 36.23, 52.18, -1.89

 

CMYK 0 / 76 / 42 / 26

HEX #BD2D6E

RGB 189 45 110

HSL 332.92, 0.62%, 0.46%

LAB 43.98, 60.73, -2.39

 

CMYK 0 / 68 / 37 / 18

HEX #D14283

RGB 209 66 131

HSL 332.73, 0.61%, 0.54%

LAB 50.79, 61.16, -4.73

 

CMYK 0 / 76 / 42 / 38

HEX #9E265C

RGB 158 38 92

HSL 333, 0.61%, 0.38%

LAB 36.8, 52.62, -2.3

 

CMYK 0 / 19 / 76 / 39

HEX #9C7E25

RGB 156 126 37

HSL 44.87, 0.62%, 0.38%

LAB 54.16, 2.27, 49.88

 

CMYK 76 / 12 / 0 / 39

HEX #258A9C

RGB 37 138 156

HSL 189.08, 0.62%, 0.38%

LAB 52.92, -21.83, -17.74

 

CMYK 0 / 76 / 42 / 38

HEX #9E265C

RGB 158 38 92

HSL 333, 0.61%, 0.38%

LAB 36.8, 52.62, -2.3

 

CMYK 42 / 0 / 76 / 39

HEX #5A9C25

RGB 90 156 37

HSL 93.28, 0.62%, 0.38%

LAB 58.12, -40.89, 52.03

 

CMYK 76 / 42 / 0 / 39

HEX #255A9C

RGB 37 90 156

HSL 213.28, 0.62%, 0.38%

LAB 38.03, 6.4, -40.99

 

CMYK 0 / 76 / 42 / 38

HEX #9E265C

RGB 158 38 92

HSL 333, 0.61%, 0.38%

LAB 36.8, 52.62, -2.3

 

CMYK 0 / 19 / 76 / 39

HEX #9C7E25

RGB 156 126 37

HSL 44.87, 0.62%, 0.38%

LAB 54.16, 2.27, 49.88

 

CMYK 76 / 0 / 35 / 39

HEX #259C66

RGB 37 156 102

HSL 152.77, 0.62%, 0.38%

LAB 57.2, -45.02, 19.31

 

CMYK 76 / 57 / 0 / 39

HEX #25439C

RGB 37 67 156

HSL 224.87, 0.62%, 0.38%

LAB 31.37, 21.78, -51.73

 

CMYK 0 / 76 / 42 / 38

HEX #9E265C

RGB 158 38 92

HSL 333, 0.61%, 0.38%

LAB 36.8, 52.62, -2.3

 

CMYK 4 / 0 / 76 / 39

HEX #969C25

RGB 150 156 37

HSL 63.03, 0.62%, 0.38%

LAB 61.99, -16.67, 57.08

 

CMYK 76 / 0 / 35 / 39

HEX #259C66

RGB 37 156 102

HSL 152.77, 0.62%, 0.38%

LAB 57.2, -45.02, 19.31

 

CMYK 72 / 76 / 0 / 39

HEX #2B259C

RGB 43 37 156

HSL 243.03, 0.62%, 0.38%

LAB 24.44, 41.65, -63.06

 

Description

Color code: CMYK 0 / 76 / 42 / 38 | qconv.com Color code: CMYK 0 / 76 / 42 / 38 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 38 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 38 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 42 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 42% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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