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Color name
CMYK 0 / 12 / 14 / 59

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 12 / 14 / 59 it is the complementary color CMYK 9 / 1 / 0 / 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 12 / 14 / 59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 12 / 14 / 59 shade: CMYK 0 / 16 / 23 / 57, CMYK 0 / 13 / 18 / 50, CMYK 0 / 11 / 15 / 44, CMYK 0 / 9 / 12 / 37 and CMYK 0 / 8 / 10 / 30

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 12 / 14 / 59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 12 / 14 / 59 shade: CMYK 0 / 12 / 14 / 59, CMYK 0 / 16 / 19 / 65, CMYK 0 / 21 / 27 / 72, CMYK 0 / 30 / 39 / 79 and CMYK 0 / 46 / 62 / 85

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 12 / 14 / 59 shade: CMYK 0 / 13 / 14 / 59 and CMYK 0 / 14 / 14 / 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 12 / 14 / 59 shade: CMYK 0 / 13 / 14 / 59, CMYK 0 / 9 / 14 / 59, CMYK 0 / 5 / 14 / 59, CMYK 0 / 1 / 14 / 59 and CMYK 3 / 0 / 14 / 59

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 12 / 14 / 59 shade matches the following richer shades: CMYK 0 / 13 / 14 / 59, CMYK 0 / 34 / 39 / 53, CMYK 0 / 50 / 58 / 47, CMYK 0 / 63 / 72 / 41 and CMYK 0 / 73 / 84 / 35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 12 / 14 / 59 shade: CMYK 0 / 13 / 14 / 59, CMYK 15 / 2 / 0 / 59, CMYK 39 / 5 / 0 / 53, CMYK 58 / 8 / 0 / 47 and CMYK 73 / 9 / 0 / 41

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 12 / 14 / 59 shade: CMYK 0 / 14 / 9 / 59, CMYK 0 / 14 / 13 / 59, CMYK 0 / 13 / 14 / 59, CMYK 0 / 9 / 14 / 59 and CMYK 0 / 5 / 14 / 59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 12 / 14 / 59 shade: CMYK 0 / 13 / 15 / 76, CMYK 0 / 13 / 15 / 68, CMYK 0 / 13 / 14 / 59, CMYK 0 / 13 / 14 / 51 and CMYK 0 / 11 / 13 / 42

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 12 / 14 / 59 shade: CMYK 0 / 12 / 14 / 59, CMYK 5 / 0 / 14 / 59 and CMYK 14 / 11 / 0 / 59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 12 / 14 / 59 shade: CMYK 0 / 12 / 14 / 59, CMYK 14 / 0 / 13 / 59 and CMYK 13 / 14 / 0 / 59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 12 / 14 / 59 shade: CMYK 0 / 12 / 14 / 59, CMYK 5 / 0 / 14 / 59, CMYK 14 / 2 / 0 / 59 and CMYK 10 / 14 / 0 / 59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 12 / 14 / 59 shade: CMYK 0 / 12 / 14 / 59, CMYK 10 / 0 / 14 / 59, CMYK 14 / 2 / 0 / 59 and CMYK 6 / 14 / 0 / 59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 14 / 59

HEX #695C5A

RGB 105 92 90

HSL 8, 0.08%, 0.38%

LAB 40.24, 4.88, 3.07

 

Complementary color

CMYK 9 / 1 / 0 / 35

HEX #96A3A5

RGB 150 163 165

HSL 188, 0.08%, 0.62%

LAB 66.06, -4.17, -2.62

 

CMYK 0 / 16 / 23 / 57

HEX #6E5C55

RGB 110 92 85

HSL 16.8, 0.13%, 0.38%

LAB 40.61, 6.09, 6.74

 

CMYK 0 / 13 / 18 / 50

HEX #7F6E68

RGB 127 110 104

HSL 15.65, 0.1%, 0.45%

LAB 47.83, 5.61, 5.79

 

CMYK 0 / 11 / 15 / 44

HEX #90807B

RGB 144 128 123

HSL 14.29, 0.09%, 0.52%

LAB 54.86, 5.21, 4.93

 

CMYK 0 / 9 / 12 / 37

HEX #A1928E

RGB 161 146 142

HSL 12.63, 0.09%, 0.59%

LAB 61.73, 4.86, 4.13

 

CMYK 0 / 8 / 10 / 30

HEX #B2A4A1

RGB 178 164 161

HSL 10.59, 0.1%, 0.66%

LAB 68.45, 4.54, 3.38

 

CMYK 0 / 12 / 14 / 59

HEX #695C5A

RGB 105 92 90

HSL 8, 0.08%, 0.38%

LAB 40.24, 4.88, 3.07

 

CMYK 0 / 16 / 19 / 65

HEX #584A47

RGB 88 74 71

HSL 10.59, 0.11%, 0.31%

LAB 32.76, 5.33, 3.97

 

CMYK 0 / 21 / 27 / 72

HEX #473834

RGB 71 56 52

HSL 12.63, 0.15%, 0.24%

LAB 25, 5.91, 5.01

 

CMYK 0 / 30 / 39 / 79

HEX #362621

RGB 54 38 33

HSL 14.29, 0.24%, 0.17%

LAB 16.89, 6.69, 6.26

 

CMYK 0 / 46 / 62 / 85

HEX #25140E

RGB 37 20 14

HSL 15.65, 0.45%, 0.1%

LAB 8.35, 7.86, 6.73

 

CMYK 0 / 13 / 14 / 59

HEX #685B59

RGB 104 91 89

HSL 8, 0.08%, 0.38%

LAB 39.83, 4.89, 3.08

 

CMYK 0 / 14 / 14 / 59

HEX #685959

RGB 104 89 89

HSL 0, 0.08%, 0.38%

LAB 39.26, 6.11, 2.25

 

CMYK 0 / 13 / 14 / 59

HEX #685B59

RGB 104 91 89

HSL 8, 0.08%, 0.38%

LAB 39.83, 4.89, 3.08

 

CMYK 0 / 9 / 14 / 59

HEX #685F59

RGB 104 95 89

HSL 24, 0.08%, 0.38%

LAB 40.97, 2.46, 4.73

 

CMYK 0 / 5 / 14 / 59

HEX #686359

RGB 104 99 89

HSL 40, 0.08%, 0.38%

LAB 42.14, 0.07, 6.39

 

CMYK 0 / 1 / 14 / 59

HEX #686759

RGB 104 103 89

HSL 56, 0.08%, 0.38%

LAB 43.31, -2.3, 8.05

 

CMYK 3 / 0 / 14 / 59

HEX #656859

RGB 101 104 89

HSL 72, 0.08%, 0.38%

LAB 43.34, -4.12, 8.06

 

CMYK 0 / 13 / 14 / 59

HEX #685B59

RGB 104 91 89

HSL 8, 0.08%, 0.38%

LAB 39.83, 4.89, 3.08

 

CMYK 0 / 34 / 39 / 53

HEX #784F49

RGB 120 79 73

HSL 7.66, 0.24%, 0.38%

LAB 37.96, 16.45, 10.59

 

CMYK 0 / 50 / 58 / 47

HEX #884439

RGB 136 68 57

HSL 8.35, 0.41%, 0.38%

LAB 37.23, 27.89, 19.91

 

CMYK 0 / 63 / 72 / 41

HEX #97382A

RGB 151 56 42

HSL 7.71, 0.56%, 0.38%

LAB 37.07, 39, 29.33

 

CMYK 0 / 73 / 84 / 35

HEX #A72D1A

RGB 167 45 26

HSL 8.09, 0.73%, 0.38%

LAB 38.14, 48.69, 40.22

 

CMYK 0 / 13 / 14 / 59

HEX #685B59

RGB 104 91 89

HSL 8, 0.08%, 0.38%

LAB 39.83, 4.89, 3.08

 

CMYK 15 / 2 / 0 / 59

HEX #586668

RGB 88 102 104

HSL 187.5, 0.08%, 0.38%

LAB 42.12, -4.84, -2.93

 

CMYK 39 / 5 / 0 / 53

HEX #497278

RGB 73 114 120

HSL 187.66, 0.24%, 0.38%

LAB 45.37, -12.61, -7.86

 

CMYK 58 / 8 / 0 / 47

HEX #397D88

RGB 57 125 136

HSL 188.35, 0.41%, 0.38%

LAB 48.65, -18.03, -12.49

 

CMYK 73 / 9 / 0 / 41

HEX #298997

RGB 41 137 151

HSL 187.64, 0.57%, 0.38%

LAB 52.51, -22.43, -15.46

 

CMYK 0 / 14 / 9 / 59

HEX #68595F

RGB 104 89 95

HSL 336, 0.08%, 0.38%

LAB 39.44, 7.25, -1.2

 

CMYK 0 / 14 / 13 / 59

HEX #68595B

RGB 104 89 91

HSL 352, 0.08%, 0.38%

LAB 39.32, 6.48, 1.1

 

CMYK 0 / 13 / 14 / 59

HEX #685B59

RGB 104 91 89

HSL 8, 0.08%, 0.38%

LAB 39.83, 4.89, 3.08

 

CMYK 0 / 9 / 14 / 59

HEX #685F59

RGB 104 95 89

HSL 24, 0.08%, 0.38%

LAB 40.97, 2.46, 4.73

 

CMYK 0 / 5 / 14 / 59

HEX #686359

RGB 104 99 89

HSL 40, 0.08%, 0.38%

LAB 42.14, 0.07, 6.39

 

CMYK 0 / 13 / 15 / 76

HEX #3C3433

RGB 60 52 51

HSL 6.67, 0.08%, 0.22%

LAB 22.5, 3.35, 1.93

 

CMYK 0 / 13 / 15 / 68

HEX #524746

RGB 82 71 70

HSL 5, 0.08%, 0.3%

LAB 31.21, 4.45, 2.3

 

CMYK 0 / 13 / 14 / 59

HEX #685B59

RGB 104 91 89

HSL 8, 0.08%, 0.38%

LAB 39.83, 4.89, 3.08

 

CMYK 0 / 13 / 14 / 51

HEX #7E6E6C

RGB 126 110 108

HSL 6.67, 0.08%, 0.46%

LAB 47.84, 5.91, 3.41

 

CMYK 0 / 11 / 13 / 42

HEX #938380

RGB 147 131 128

HSL 9.47, 0.08%, 0.54%

LAB 56.08, 5.53, 3.83

 

CMYK 0 / 12 / 14 / 59

HEX #695C5A

RGB 105 92 90

HSL 8, 0.08%, 0.38%

LAB 40.24, 4.88, 3.07

 

CMYK 5 / 0 / 14 / 59

HEX #636859

RGB 99 104 89

HSL 80, 0.08%, 0.38%

LAB 43.17, -4.93, 7.8

 

CMYK 14 / 11 / 0 / 59

HEX #595D68

RGB 89 93 104

HSL 224, 0.08%, 0.38%

LAB 39.5, 0.94, -6.81

 

CMYK 0 / 12 / 14 / 59

HEX #695C5A

RGB 105 92 90

HSL 8, 0.08%, 0.38%

LAB 40.24, 4.88, 3.07

 

CMYK 14 / 0 / 13 / 59

HEX #59685B

RGB 89 104 91

HSL 128, 0.08%, 0.38%

LAB 42.43, -8.5, 5.42

 

CMYK 13 / 14 / 0 / 59

HEX #5B5968

RGB 91 89 104

HSL 248, 0.08%, 0.38%

LAB 38.5, 4.14, -8.29

 

CMYK 0 / 12 / 14 / 59

HEX #695C5A

RGB 105 92 90

HSL 8, 0.08%, 0.38%

LAB 40.24, 4.88, 3.07

 

CMYK 5 / 0 / 14 / 59

HEX #636859

RGB 99 104 89

HSL 80, 0.08%, 0.38%

LAB 43.17, -4.93, 7.8

 

CMYK 14 / 2 / 0 / 59

HEX #596668

RGB 89 102 104

HSL 188, 0.08%, 0.38%

LAB 42.19, -4.47, -2.81

 

CMYK 10 / 14 / 0 / 59

HEX #5E5968

RGB 94 89 104

HSL 260, 0.08%, 0.38%

LAB 38.77, 5.27, -7.86

 

CMYK 0 / 12 / 14 / 59

HEX #695C5A

RGB 105 92 90

HSL 8, 0.08%, 0.38%

LAB 40.24, 4.88, 3.07

 

CMYK 10 / 0 / 14 / 59

HEX #5E6859

RGB 94 104 89

HSL 100, 0.08%, 0.38%

LAB 42.77, -6.94, 7.16

 

CMYK 14 / 2 / 0 / 59

HEX #596668

RGB 89 102 104

HSL 188, 0.08%, 0.38%

LAB 42.19, -4.47, -2.81

 

CMYK 6 / 14 / 0 / 59

HEX #625968

RGB 98 89 104

HSL 276, 0.08%, 0.38%

LAB 39.14, 6.78, -7.26

 

Description

Color code: CMYK 0 / 12 / 14 / 59 | qconv.com Color code: CMYK 0 / 12 / 14 / 59 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 92 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 92 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 14 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 14% 59% C M Y K

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Provide designers and agencies with accurate color values.

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