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Color name
CMYK 0 / 16 / 24 / 36

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 16 / 24 / 36 it is the complementary color CMYK 30 / 10 / 0 / 49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 16 / 24 / 36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 16 / 24 / 36 shade: CMYK 0 / 18 / 29 / 34, CMYK 0 / 16 / 25 / 27, CMYK 0 / 14 / 22 / 21, CMYK 0 / 13 / 20 / 14 and CMYK 0 / 11 / 17 / 7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 16 / 24 / 36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 16 / 24 / 36 shade: CMYK 0 / 16 / 24 / 36, CMYK 0 / 18 / 28 / 43, CMYK 0 / 22 / 33 / 49, CMYK 0 / 26 / 40 / 56 and CMYK 0 / 32 / 49 / 63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 16 / 24 / 36 shade: CMYK 0 / 16 / 24 / 37, CMYK 0 / 22 / 24 / 37 and CMYK 0 / 24 / 24 / 37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 16 / 24 / 36 shade: CMYK 0 / 16 / 24 / 37, CMYK 0 / 9 / 24 / 37, CMYK 0 / 2 / 24 / 37, CMYK 3 / 0 / 24 / 37 and CMYK 9 / 0 / 24 / 37

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 16 / 24 / 36 shade matches the following richer shades: CMYK 0 / 16 / 24 / 37, CMYK 0 / 28 / 42 / 29, CMYK 0 / 37 / 56 / 22, CMYK 0 / 45 / 68 / 15 and CMYK 0 / 52 / 78 / 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 16 / 24 / 36 shade: CMYK 0 / 16 / 24 / 37, CMYK 0 / 1 / 1 / 44, CMYK 22 / 7 / 0 / 37, CMYK 40 / 13 / 0 / 30 and CMYK 55 / 18 / 0 / 23

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 16 / 24 / 36 shade: CMYK 0 / 24 / 19 / 37, CMYK 0 / 22 / 24 / 37, CMYK 0 / 16 / 24 / 37, CMYK 0 / 9 / 24 / 37 and CMYK 0 / 3 / 24 / 37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 16 / 24 / 36 shade: CMYK 0 / 19 / 29 / 54, CMYK 0 / 19 / 29 / 44, CMYK 0 / 16 / 24 / 37, CMYK 0 / 11 / 17 / 30 and CMYK 0 / 8 / 13 / 23

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 16 / 24 / 36 shade: CMYK 0 / 16 / 24 / 36, CMYK 12 / 0 / 24 / 37 and CMYK 24 / 22 / 0 / 37

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 16 / 24 / 36 shade: CMYK 0 / 16 / 24 / 36, CMYK 24 / 0 / 16 / 37 and CMYK 16 / 24 / 0 / 37

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 16 / 24 / 36 shade: CMYK 0 / 16 / 24 / 36, CMYK 12 / 0 / 24 / 37, CMYK 24 / 7 / 0 / 37 and CMYK 11 / 24 / 0 / 37

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 16 / 24 / 36 shade: CMYK 0 / 16 / 24 / 36, CMYK 19 / 0 / 24 / 37, CMYK 24 / 7 / 0 / 37 and CMYK 4 / 24 / 0 / 37

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 24 / 36

HEX #A3897C

RGB 163 137 124

HSL 20, 0.17%, 0.56%

LAB 59.1, 7.76, 10.63

 

Complementary color

CMYK 30 / 10 / 0 / 49

HEX #5C7683

RGB 92 118 131

HSL 200, 0.17%, 0.44%

LAB 48.1, -6.15, -10.2

 

CMYK 0 / 18 / 29 / 34

HEX #A88977

RGB 168 137 119

HSL 22.04, 0.22%, 0.56%

LAB 59.48, 9.03, 14.08

 

CMYK 0 / 16 / 25 / 27

HEX #B99B8A

RGB 185 155 138

HSL 21.7, 0.25%, 0.63%

LAB 66.21, 8.48, 13.06

 

CMYK 0 / 14 / 22 / 21

HEX #CAAD9D

RGB 202 173 157

HSL 21.33, 0.3%, 0.7%

LAB 72.81, 8, 12.1

 

CMYK 0 / 13 / 20 / 14

HEX #DBBFB0

RGB 219 191 176

HSL 20.93, 0.37%, 0.77%

LAB 79.3, 7.58, 11.21

 

CMYK 0 / 11 / 17 / 7

HEX #ECD1C3

RGB 236 209 195

HSL 20.49, 0.52%, 0.85%

LAB 85.69, 7.2, 10.38

 

CMYK 0 / 16 / 24 / 36

HEX #A3897C

RGB 163 137 124

HSL 20, 0.17%, 0.56%

LAB 59.1, 7.76, 10.63

 

CMYK 0 / 18 / 28 / 43

HEX #927769

RGB 146 119 105

HSL 20.49, 0.16%, 0.49%

LAB 52.2, 8.3, 11.65

 

CMYK 0 / 22 / 33 / 49

HEX #816556

RGB 129 101 86

HSL 20.93, 0.2%, 0.42%

LAB 45.15, 8.94, 12.79

 

CMYK 0 / 26 / 40 / 56

HEX #705343

RGB 112 83 67

HSL 21.33, 0.25%, 0.35%

LAB 37.91, 9.73, 14.07

 

CMYK 0 / 32 / 49 / 63

HEX #5F4130

RGB 95 65 48

HSL 21.7, 0.33%, 0.28%

LAB 30.46, 10.72, 15.56

 

CMYK 0 / 16 / 24 / 37

HEX #A1887B

RGB 161 136 123

HSL 20.53, 0.17%, 0.56%

LAB 58.62, 7.37, 10.5

 

CMYK 0 / 22 / 24 / 37

HEX #A17E7B

RGB 161 126 123

HSL 4.74, 0.17%, 0.56%

LAB 56.02, 13.05, 6.8

 

CMYK 0 / 24 / 24 / 37

HEX #A17B7B

RGB 161 123 123

HSL 0, 0.17%, 0.56%

LAB 55.25, 14.76, 5.71

 

CMYK 0 / 16 / 24 / 37

HEX #A1887B

RGB 161 136 123

HSL 20.53, 0.17%, 0.56%

LAB 58.62, 7.37, 10.5

 

CMYK 0 / 9 / 24 / 37

HEX #A1927B

RGB 161 146 123

HSL 36.32, 0.17%, 0.56%

LAB 61.28, 1.77, 14.23

 

CMYK 0 / 2 / 24 / 37

HEX #A19D7B

RGB 161 157 123

HSL 53.68, 0.17%, 0.56%

LAB 64.26, -4.27, 18.35

 

CMYK 3 / 0 / 24 / 37

HEX #9CA17B

RGB 156 161 123

HSL 67.89, 0.17%, 0.56%

LAB 64.95, -8.39, 19.24

 

CMYK 9 / 0 / 24 / 37

HEX #92A17B

RGB 146 161 123

HSL 83.68, 0.17%, 0.56%

LAB 64.19, -12.25, 18.06

 

CMYK 0 / 16 / 24 / 37

HEX #A1887B

RGB 161 136 123

HSL 20.53, 0.17%, 0.56%

LAB 58.62, 7.37, 10.5

 

CMYK 0 / 28 / 42 / 29

HEX #B48269

RGB 180 130 105

HSL 20, 0.33%, 0.56%

LAB 58.68, 16.06, 21.14

 

CMYK 0 / 37 / 56 / 22

HEX #C67C57

RGB 198 124 87

HSL 20, 0.49%, 0.56%

LAB 59.08, 25.02, 32.1

 

CMYK 0 / 45 / 68 / 15

HEX #D87645

RGB 216 118 69

HSL 20, 0.65%, 0.56%

LAB 59.88, 34.28, 43.25

 

CMYK 0 / 52 / 78 / 8

HEX #EA7033

RGB 234 112 51

HSL 20, 0.81%, 0.56%

LAB 61.06, 43.53, 54.04

 

CMYK 0 / 16 / 24 / 37

HEX #A1887B

RGB 161 136 123

HSL 20.53, 0.17%, 0.56%

LAB 58.62, 7.37, 10.5

 

CMYK 0 / 1 / 1 / 44

HEX #8F8E8D

RGB 143 142 141

HSL 30, 0.01%, 0.56%

LAB 59.07, 0.18, 0.65

 

CMYK 22 / 7 / 0 / 37

HEX #7D94A0

RGB 125 148 160

HSL 200.57, 0.16%, 0.56%

LAB 59.96, -5.38, -9.03

 

CMYK 40 / 13 / 0 / 30

HEX #6B9AB2

RGB 107 154 178

HSL 200.28, 0.32%, 0.56%

LAB 61.18, -9.53, -17.5

 

CMYK 55 / 18 / 0 / 23

HEX #59A0C4

RGB 89 160 196

HSL 200.19, 0.48%, 0.56%

LAB 62.72, -12.03, -25.33

 

CMYK 0 / 24 / 19 / 37

HEX #A17B83

RGB 161 123 131

HSL 347.37, 0.17%, 0.56%

LAB 55.46, 16.03, 1.36

 

CMYK 0 / 22 / 24 / 37

HEX #A17E7B

RGB 161 126 123

HSL 4.74, 0.17%, 0.56%

LAB 56.02, 13.05, 6.8

 

CMYK 0 / 16 / 24 / 37

HEX #A1887B

RGB 161 136 123

HSL 20.53, 0.17%, 0.56%

LAB 58.62, 7.37, 10.5

 

CMYK 0 / 9 / 24 / 37

HEX #A1927B

RGB 161 146 123

HSL 36.32, 0.17%, 0.56%

LAB 61.28, 1.77, 14.23

 

CMYK 0 / 3 / 24 / 37

HEX #A19C7B

RGB 161 156 123

HSL 52.11, 0.17%, 0.56%

LAB 63.99, -3.72, 17.98

 

CMYK 0 / 19 / 29 / 54

HEX #765F54

RGB 118 95 84

HSL 19.41, 0.17%, 0.4%

LAB 42.27, 7.52, 9.81

 

CMYK 0 / 19 / 29 / 44

HEX #8E7365

RGB 142 115 101

HSL 20.49, 0.17%, 0.48%

LAB 50.63, 8.37, 11.74

 

CMYK 0 / 16 / 24 / 37

HEX #A1887B

RGB 161 136 123

HSL 20.53, 0.17%, 0.56%

LAB 58.62, 7.37, 10.5

 

CMYK 0 / 11 / 17 / 30

HEX #B29E93

RGB 178 158 147

HSL 21.29, 0.17%, 0.64%

LAB 66.54, 5.5, 8.42

 

CMYK 0 / 8 / 13 / 23

HEX #C4B4AB

RGB 196 180 171

HSL 21.6, 0.17%, 0.72%

LAB 74.39, 4.18, 6.64

 

CMYK 0 / 16 / 24 / 36

HEX #A3897C

RGB 163 137 124

HSL 20, 0.17%, 0.56%

LAB 59.1, 7.76, 10.63

 

CMYK 12 / 0 / 24 / 37

HEX #8DA17B

RGB 141 161 123

HSL 91.58, 0.17%, 0.56%

LAB 63.82, -14.14, 17.5

 

CMYK 24 / 22 / 0 / 37

HEX #7B7EA1

RGB 123 126 161

HSL 235.26, 0.17%, 0.56%

LAB 53.71, 6.8, -19.05

 

CMYK 0 / 16 / 24 / 36

HEX #A3897C

RGB 163 137 124

HSL 20, 0.17%, 0.56%

LAB 59.1, 7.76, 10.63

 

CMYK 24 / 0 / 16 / 37

HEX #7BA188

RGB 123 161 136

HSL 140.53, 0.17%, 0.56%

LAB 62.91, -18.25, 8.82

 

CMYK 16 / 24 / 0 / 37

HEX #887BA1

RGB 136 123 161

HSL 260.53, 0.17%, 0.56%

LAB 54, 12.85, -18.51

 

CMYK 0 / 16 / 24 / 36

HEX #A3897C

RGB 163 137 124

HSL 20, 0.17%, 0.56%

LAB 59.1, 7.76, 10.63

 

CMYK 12 / 0 / 24 / 37

HEX #8DA17B

RGB 141 161 123

HSL 91.58, 0.17%, 0.56%

LAB 63.82, -14.14, 17.5

 

CMYK 24 / 7 / 0 / 37

HEX #7B95A1

RGB 123 149 161

HSL 198.95, 0.17%, 0.56%

LAB 60.14, -6.35, -9.34

 

CMYK 11 / 24 / 0 / 37

HEX #907BA1

RGB 144 123 161

HSL 273.16, 0.17%, 0.56%

LAB 54.73, 15.57, -17.34

 

CMYK 0 / 16 / 24 / 36

HEX #A3897C

RGB 163 137 124

HSL 20, 0.17%, 0.56%

LAB 59.1, 7.76, 10.63

 

CMYK 19 / 0 / 24 / 37

HEX #82A17B

RGB 130 161 123

HSL 108.95, 0.17%, 0.56%

LAB 63.07, -18.21, 16.34

 

CMYK 24 / 7 / 0 / 37

HEX #7B95A1

RGB 123 149 161

HSL 198.95, 0.17%, 0.56%

LAB 60.14, -6.35, -9.34

 

CMYK 4 / 24 / 0 / 37

HEX #9B7BA1

RGB 155 123 161

HSL 290.53, 0.17%, 0.56%

LAB 55.79, 19.36, -15.62

 

Description

Color code: CMYK 0 / 16 / 24 / 36 | qconv.com Color code: CMYK 0 / 16 / 24 / 36 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 137 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 137 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 24 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 24% 36% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

26% - B Lynn Woods Design ...
Link: http://blynnwoods.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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