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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 18 / 54 / 30 it is the complementary color CMYK 56 / 37 / 0 / 32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 18 / 54 / 30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 18 / 54 / 30 shade: CMYK 0 / 21 / 58 / 28, CMYK 0 / 18 / 52 / 21, CMYK 0 / 17 / 47 / 15, CMYK 0 / 15 / 43 / 8 and CMYK 0 / 13 / 39 / 1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 18 / 54 / 30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 18 / 54 / 30 shade: CMYK 0 / 18 / 54 / 30, CMYK 0 / 21 / 61 / 36, CMYK 0 / 24 / 70 / 43, CMYK 0 / 28 / 80 / 50 and CMYK 0 / 33 / 95 / 56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 18 / 54 / 30 shade: CMYK 0 / 19 / 54 / 30, CMYK 0 / 33 / 54 / 30, CMYK 0 / 48 / 54 / 30 and CMYK 0 / 54 / 54 / 30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 18 / 54 / 30 shade: CMYK 0 / 19 / 54 / 30, CMYK 0 / 4 / 54 / 30, CMYK 11 / 0 / 54 / 30, CMYK 25 / 0 / 54 / 30 and CMYK 40 / 0 / 54 / 30

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 18 / 54 / 30 shade matches the following richer shades: CMYK 0 / 19 / 54 / 30, CMYK 0 / 23 / 69 / 22, CMYK 0 / 28 / 82 / 14 and CMYK 0 / 31 / 92 / 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 18 / 54 / 30 shade: CMYK 0 / 19 / 54 / 30, CMYK 0 / 12 / 36 / 38, CMYK 0 / 4 / 12 / 46, CMYK 16 / 11 / 0 / 45 and CMYK 40 / 27 / 0 / 36

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 18 / 54 / 30 shade: CMYK 0 / 48 / 54 / 30, CMYK 0 / 34 / 54 / 30, CMYK 0 / 19 / 54 / 30, CMYK 0 / 4 / 54 / 30 and CMYK 10 / 0 / 54 / 30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 18 / 54 / 30 shade: CMYK 0 / 20 / 56 / 52, CMYK 0 / 19 / 57 / 40, CMYK 0 / 19 / 54 / 30, CMYK 0 / 15 / 43 / 25 and CMYK 0 / 11 / 32 / 20

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 18 / 54 / 30 shade: CMYK 0 / 18 / 54 / 30, CMYK 47 / 0 / 54 / 30 and CMYK 41 / 54 / 0 / 30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 18 / 54 / 30 shade: CMYK 0 / 18 / 54 / 30, CMYK 54 / 0 / 19 / 30 and CMYK 19 / 54 / 0 / 30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 18 / 54 / 30 shade: CMYK 0 / 18 / 54 / 30, CMYK 47 / 0 / 54 / 30, CMYK 54 / 35 / 0 / 30 and CMYK 8 / 54 / 0 / 30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 18 / 54 / 30 shade: CMYK 0 / 18 / 54 / 30, CMYK 54 / 0 / 47 / 30, CMYK 54 / 35 / 0 / 30 and CMYK 0 / 54 / 8 / 30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 54 / 30

HEX #B39252

RGB 179 146 82

HSL 39.59, 0.39%, 0.51%

LAB 62.3, 4.42, 38.27

 

Complementary color

CMYK 56 / 37 / 0 / 32

HEX #4C6DAD

RGB 76 109 173

HSL 219.59, 0.39%, 0.49%

LAB 46.3, 7.5, -37.81

 

CMYK 0 / 21 / 58 / 28

HEX #B8924D

RGB 184 146 77

HSL 38.69, 0.43%, 0.51%

LAB 62.75, 6.17, 41.49

 

CMYK 0 / 18 / 52 / 21

HEX #C9A460

RGB 201 164 96

HSL 38.86, 0.49%, 0.58%

LAB 69.34, 5.22, 40.14

 

CMYK 0 / 17 / 47 / 15

HEX #DAB673

RGB 218 182 115

HSL 39.03, 0.58%, 0.65%

LAB 75.82, 4.41, 38.82

 

CMYK 0 / 15 / 43 / 8

HEX #EBC886

RGB 235 200 134

HSL 39.21, 0.72%, 0.72%

LAB 82.21, 3.72, 37.55

 

CMYK 0 / 13 / 39 / 1

HEX #FCDA99

RGB 252 218 153

HSL 39.39, 0.94%, 0.79%

LAB 88.51, 3.11, 36.35

 

CMYK 0 / 18 / 54 / 30

HEX #B39252

RGB 179 146 82

HSL 39.59, 0.39%, 0.51%

LAB 62.3, 4.42, 38.27

 

CMYK 0 / 21 / 61 / 36

HEX #A2803F

RGB 162 128 63

HSL 39.39, 0.44%, 0.44%

LAB 55.56, 5.44, 39.63

 

CMYK 0 / 24 / 70 / 43

HEX #916E2C

RGB 145 110 44

HSL 39.21, 0.53%, 0.37%

LAB 48.7, 6.68, 40.91

 

CMYK 0 / 28 / 80 / 50

HEX #805C19

RGB 128 92 25

HSL 39.03, 0.67%, 0.3%

LAB 41.71, 8.23, 41.79

 

CMYK 0 / 33 / 95 / 56

HEX #6F4A06

RGB 111 74 6

HSL 38.86, 0.9%, 0.23%

LAB 34.58, 10.19, 41.54

 

CMYK 0 / 19 / 54 / 30

HEX #B29151

RGB 178 145 81

HSL 39.59, 0.39%, 0.51%

LAB 61.92, 4.46, 38.31

 

CMYK 0 / 33 / 54 / 30

HEX #B27751

RGB 178 119 81

HSL 23.51, 0.39%, 0.51%

LAB 55.33, 18.94, 30.18

 

CMYK 0 / 48 / 54 / 30

HEX #B25D51

RGB 178 93 81

HSL 7.42, 0.39%, 0.51%

LAB 49.36, 33.25, 22.5

 

CMYK 0 / 54 / 54 / 30

HEX #B25151

RGB 178 81 81

HSL 0, 0.39%, 0.51%

LAB 46.9, 39.49, 19.25

 

CMYK 0 / 19 / 54 / 30

HEX #B29151

RGB 178 145 81

HSL 39.59, 0.39%, 0.51%

LAB 61.92, 4.46, 38.31

 

CMYK 0 / 4 / 54 / 30

HEX #B2AB51

RGB 178 171 81

HSL 55.67, 0.39%, 0.51%

LAB 68.88, -9.53, 46.54

 

CMYK 11 / 0 / 54 / 30

HEX #9FB251

RGB 159 178 81

HSL 71.75, 0.39%, 0.51%

LAB 69.33, -21.05, 46.67

 

CMYK 25 / 0 / 54 / 30

HEX #85B251

RGB 133 178 81

HSL 87.84, 0.39%, 0.51%

LAB 67.59, -31.31, 44.2

 

CMYK 40 / 0 / 54 / 30

HEX #6AB251

RGB 106 178 81

HSL 104.54, 0.39%, 0.51%

LAB 66.14, -40.88, 42.12

 

CMYK 0 / 19 / 54 / 30

HEX #B29151

RGB 178 145 81

HSL 39.59, 0.39%, 0.51%

LAB 61.92, 4.46, 38.31

 

CMYK 0 / 23 / 69 / 22

HEX #C6983D

RGB 198 152 61

HSL 39.85, 0.55%, 0.51%

LAB 65.59, 7.91, 52.7

 

CMYK 0 / 28 / 82 / 14

HEX #DB9E28

RGB 219 158 40

HSL 39.55, 0.71%, 0.51%

LAB 69.23, 12.93, 65.11

 

CMYK 0 / 31 / 92 / 6

HEX #EFA514

RGB 239 165 20

HSL 39.73, 0.87%, 0.51%

LAB 73.1, 17.37, 74.2

 

CMYK 0 / 19 / 54 / 30

HEX #B29151

RGB 178 145 81

HSL 39.59, 0.39%, 0.51%

LAB 61.92, 4.46, 38.31

 

CMYK 0 / 12 / 36 / 38

HEX #9E8B65

RGB 158 139 101

HSL 40, 0.23%, 0.51%

LAB 58.67, 1.39, 22.97

 

CMYK 0 / 4 / 12 / 46

HEX #8A8479

RGB 138 132 121

HSL 38.82, 0.07%, 0.51%

LAB 55.37, 0.24, 6.74

 

CMYK 16 / 11 / 0 / 45

HEX #767E8D

RGB 118 126 141

HSL 219.13, 0.09%, 0.51%

LAB 52.62, 0.34, -9.11

 

CMYK 40 / 27 / 0 / 36

HEX #6177A2

RGB 97 119 162

HSL 219.69, 0.26%, 0.51%

LAB 49.91, 3.29, -25.64

 

CMYK 0 / 48 / 54 / 30

HEX #B25C51

RGB 178 92 81

HSL 6.8, 0.39%, 0.51%

LAB 49.15, 33.78, 22.22

 

CMYK 0 / 34 / 54 / 30

HEX #B27651

RGB 178 118 81

HSL 22.89, 0.39%, 0.51%

LAB 55.09, 19.5, 29.87

 

CMYK 0 / 19 / 54 / 30

HEX #B29051

RGB 178 144 81

HSL 38.97, 0.39%, 0.51%

LAB 61.66, 5.01, 37.99

 

CMYK 0 / 4 / 54 / 30

HEX #B2AA51

RGB 178 170 81

HSL 55.05, 0.39%, 0.51%

LAB 68.61, -9.01, 46.22

 

CMYK 10 / 0 / 54 / 30

HEX #A0B251

RGB 160 178 81

HSL 71.13, 0.39%, 0.51%

LAB 69.4, -20.64, 46.77

 

CMYK 0 / 20 / 56 / 52

HEX #7B6336

RGB 123 99 54

HSL 39.13, 0.39%, 0.35%

LAB 43.36, 3.69, 28.98

 

CMYK 0 / 19 / 57 / 40

HEX #987B42

RGB 152 123 66

HSL 39.77, 0.39%, 0.43%

LAB 53.21, 4.05, 35.05

 

CMYK 0 / 19 / 54 / 30

HEX #B29151

RGB 178 145 81

HSL 39.59, 0.39%, 0.51%

LAB 61.92, 4.46, 38.31

 

CMYK 0 / 15 / 43 / 25

HEX #BFA36D

RGB 191 163 109

HSL 39.51, 0.39%, 0.59%

LAB 68.3, 2.86, 31.83

 

CMYK 0 / 11 / 32 / 20

HEX #CBB58A

RGB 203 181 138

HSL 39.69, 0.38%, 0.67%

LAB 74.56, 1.48, 24.82

 

CMYK 0 / 18 / 54 / 30

HEX #B39252

RGB 179 146 82

HSL 39.59, 0.39%, 0.51%

LAB 62.3, 4.42, 38.27

 

CMYK 47 / 0 / 54 / 30

HEX #5FB251

RGB 95 178 81

HSL 111.34, 0.39%, 0.51%

LAB 65.65, -44.35, 41.41

 

CMYK 41 / 54 / 0 / 30

HEX #6951B2

RGB 105 81 178

HSL 254.85, 0.39%, 0.51%

LAB 41.38, 33.3, -48.45

 

CMYK 0 / 18 / 54 / 30

HEX #B39252

RGB 179 146 82

HSL 39.59, 0.39%, 0.51%

LAB 62.3, 4.42, 38.27

 

CMYK 54 / 0 / 19 / 30

HEX #51B290

RGB 81 178 144

HSL 158.97, 0.39%, 0.51%

LAB 66.22, -36.83, 8.82

 

CMYK 19 / 54 / 0 / 30

HEX #9051B2

RGB 144 81 178

HSL 278.97, 0.39%, 0.51%

LAB 45.67, 43.38, -41.35

 

CMYK 0 / 18 / 54 / 30

HEX #B39252

RGB 179 146 82

HSL 39.59, 0.39%, 0.51%

LAB 62.3, 4.42, 38.27

 

CMYK 47 / 0 / 54 / 30

HEX #5FB251

RGB 95 178 81

HSL 111.34, 0.39%, 0.51%

LAB 65.65, -44.35, 41.41

 

CMYK 54 / 35 / 0 / 30

HEX #5173B2

RGB 81 115 178

HSL 218.97, 0.39%, 0.51%

LAB 48.54, 6.57, -37.16

 

CMYK 8 / 54 / 0 / 30

HEX #A451B2

RGB 164 81 178

HSL 291.34, 0.39%, 0.51%

LAB 48.25, 48.83, -37.1

 

CMYK 0 / 18 / 54 / 30

HEX #B39252

RGB 179 146 82

HSL 39.59, 0.39%, 0.51%

LAB 62.3, 4.42, 38.27

 

CMYK 54 / 0 / 47 / 30

HEX #51B25F

RGB 81 178 95

HSL 128.66, 0.39%, 0.51%

LAB 65.29, -46.31, 33.87

 

CMYK 54 / 35 / 0 / 30

HEX #5173B2

RGB 81 115 178

HSL 218.97, 0.39%, 0.51%

LAB 48.54, 6.57, -37.16

 

CMYK 0 / 54 / 8 / 30

HEX #B251A4

RGB 178 81 164

HSL 308.66, 0.39%, 0.51%

LAB 49.53, 50.24, -26.74

 

Description

Color code: CMYK 0 / 18 / 54 / 30 | qconv.com Color code: CMYK 0 / 18 / 54 / 30 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 146 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 146 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 54 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 54% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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