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Color name
CMYK 0 / 1 / 26 / 63

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 1 / 26 / 63 it is the complementary color CMYK 13 / 12 / 0 / 27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 1 / 26 / 63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 1 / 26 / 63 shade: CMYK 0 / 6 / 34 / 61, CMYK 0 / 4 / 28 / 55, CMYK 0 / 3 / 23 / 48, CMYK 0 / 2 / 19 / 41 and CMYK 0 / 1 / 16 / 35

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 1 / 26 / 63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 1 / 26 / 63 shade: CMYK 0 / 1 / 26 / 63, CMYK 0 / 3 / 34 / 70, CMYK 0 / 5 / 47 / 76, CMYK 0 / 9 / 70 / 83 and CMYK 0 / 19 / 100 / 90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 1 / 26 / 63 shade: CMYK 0 / 1 / 26 / 64, CMYK 0 / 8 / 26 / 64, CMYK 0 / 15 / 26 / 64, CMYK 0 / 22 / 26 / 64 and CMYK 0 / 26 / 26 / 64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 1 / 26 / 63 shade: CMYK 0 / 1 / 26 / 64, CMYK 5 / 0 / 26 / 64, CMYK 13 / 0 / 26 / 64, CMYK 19 / 0 / 26 / 64 and CMYK 26 / 0 / 25 / 64

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 1 / 26 / 63 shade matches the following richer shades: CMYK 0 / 1 / 26 / 64, CMYK 0 / 3 / 48 / 58, CMYK 0 / 3 / 65 / 53, CMYK 0 / 3 / 78 / 48 and CMYK 0 / 3 / 89 / 43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 1 / 26 / 63 shade: CMYK 0 / 1 / 26 / 64, CMYK 2 / 2 / 0 / 68, CMYK 29 / 28 / 0 / 63, CMYK 50 / 48 / 0 / 58 and CMYK 66 / 64 / 0 / 52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 1 / 26 / 63 shade: CMYK 0 / 15 / 26 / 64, CMYK 0 / 8 / 26 / 64, CMYK 0 / 1 / 26 / 64, CMYK 5 / 0 / 26 / 64 and CMYK 12 / 0 / 26 / 64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 1 / 26 / 63 shade: CMYK 0 / 2 / 26 / 82, CMYK 0 / 1 / 27 / 73, CMYK 0 / 1 / 26 / 64, CMYK 0 / 1 / 26 / 54 and CMYK 0 / 1 / 26 / 45

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 1 / 26 / 63 shade: CMYK 0 / 1 / 26 / 63, CMYK 26 / 0 / 22 / 64 and CMYK 12 / 26 / 0 / 64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 1 / 26 / 63 shade: CMYK 0 / 1 / 26 / 63, CMYK 26 / 0 / 1 / 64 and CMYK 1 / 26 / 0 / 64

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 1 / 26 / 63 shade: CMYK 0 / 1 / 26 / 63, CMYK 26 / 0 / 22 / 64, CMYK 26 / 25 / 0 / 64 and CMYK 0 / 26 / 3 / 64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 1 / 26 / 63 shade: CMYK 0 / 1 / 26 / 63, CMYK 26 / 0 / 14 / 64, CMYK 26 / 25 / 0 / 64 and CMYK 0 / 26 / 12 / 64

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 26 / 63

HEX #5E5D46

RGB 94 93 70

HSL 57.5, 0.15%, 0.32%

LAB 38.99, -3.86, 13.4

 

Complementary color

CMYK 13 / 12 / 0 / 27

HEX #A1A2B9

RGB 161 162 185

HSL 237.5, 0.15%, 0.68%

LAB 67.22, 4.32, -11.95

 

CMYK 0 / 6 / 34 / 61

HEX #635D41

RGB 99 93 65

HSL 49.41, 0.21%, 0.32%

LAB 39.35, -2.42, 16.98

 

CMYK 0 / 4 / 28 / 55

HEX #746F54

RGB 116 111 84

HSL 50.63, 0.16%, 0.39%

LAB 46.61, -2.77, 15.77

 

CMYK 0 / 3 / 23 / 48

HEX #858167

RGB 133 129 103

HSL 52, 0.13%, 0.46%

LAB 53.67, -3.05, 14.67

 

CMYK 0 / 2 / 19 / 41

HEX #96937A

RGB 150 147 122

HSL 53.57, 0.12%, 0.53%

LAB 60.57, -3.28, 13.66

 

CMYK 0 / 1 / 16 / 35

HEX #A7A58D

RGB 167 165 141

HSL 55.38, 0.13%, 0.6%

LAB 67.31, -3.48, 12.71

 

CMYK 0 / 1 / 26 / 63

HEX #5E5D46

RGB 94 93 70

HSL 57.5, 0.15%, 0.32%

LAB 38.99, -3.86, 13.4

 

CMYK 0 / 3 / 34 / 70

HEX #4D4B33

RGB 77 75 51

HSL 55.38, 0.2%, 0.25%

LAB 31.46, -3.58, 14.64

 

CMYK 0 / 5 / 47 / 76

HEX #3C3920

RGB 60 57 32

HSL 53.57, 0.3%, 0.18%

LAB 23.64, -3.15, 16.04

 

CMYK 0 / 9 / 70 / 83

HEX #2B270D

RGB 43 39 13

HSL 52, 0.54%, 0.11%

LAB 15.45, -2.44, 17.05

 

CMYK 0 / 19 / 100 / 90

HEX #1A1500

RGB 26 21 0

HSL 48.46, 1%, 0.05%

LAB 6.83, -1, 10.21

 

CMYK 0 / 1 / 26 / 64

HEX #5D5C45

RGB 93 92 69

HSL 57.5, 0.15%, 0.32%

LAB 38.57, -3.87, 13.42

 

CMYK 0 / 8 / 26 / 64

HEX #5D5645

RGB 93 86 69

HSL 42.5, 0.15%, 0.32%

LAB 36.77, -0.25, 10.94

 

CMYK 0 / 15 / 26 / 64

HEX #5D4F45

RGB 93 79 69

HSL 25, 0.15%, 0.32%

LAB 34.7, 4.05, 8.06

 

CMYK 0 / 22 / 26 / 64

HEX #5D4945

RGB 93 73 69

HSL 10, 0.15%, 0.32%

LAB 32.97, 7.79, 5.62

 

CMYK 0 / 26 / 26 / 64

HEX #5D4545

RGB 93 69 69

HSL 0, 0.15%, 0.32%

LAB 31.84, 10.31, 4

 

CMYK 0 / 1 / 26 / 64

HEX #5D5C45

RGB 93 92 69

HSL 57.5, 0.15%, 0.32%

LAB 38.57, -3.87, 13.42

 

CMYK 5 / 0 / 26 / 64

HEX #585D45

RGB 88 93 69

HSL 72.5, 0.15%, 0.32%

LAB 38.43, -6.62, 13.16

 

CMYK 13 / 0 / 26 / 64

HEX #515D45

RGB 81 93 69

HSL 90, 0.15%, 0.32%

LAB 37.86, -9.58, 12.28

 

CMYK 19 / 0 / 26 / 64

HEX #4B5D45

RGB 75 93 69

HSL 105, 0.15%, 0.32%

LAB 37.4, -12.05, 11.58

 

CMYK 26 / 0 / 25 / 64

HEX #455D46

RGB 69 93 70

HSL 122.5, 0.15%, 0.32%

LAB 37, -14.22, 10.34

 

CMYK 0 / 1 / 26 / 64

HEX #5D5C45

RGB 93 92 69

HSL 57.5, 0.15%, 0.32%

LAB 38.57, -3.87, 13.42

 

CMYK 0 / 3 / 48 / 58

HEX #6B6838

RGB 107 104 56

HSL 56.47, 0.31%, 0.32%

LAB 43.23, -6.38, 27.33

 

CMYK 0 / 3 / 65 / 53

HEX #78752A

RGB 120 117 42

HSL 57.69, 0.48%, 0.32%

LAB 48.11, -9.03, 40.46

 

CMYK 0 / 3 / 78 / 48

HEX #85811D

RGB 133 129 29

HSL 57.69, 0.64%, 0.32%

LAB 52.7, -10.37, 50.68

 

CMYK 0 / 3 / 89 / 43

HEX #928D10

RGB 146 141 16

HSL 57.69, 0.8%, 0.32%

LAB 57.27, -11.29, 58.63

 

CMYK 0 / 1 / 26 / 64

HEX #5D5C45

RGB 93 92 69

HSL 57.5, 0.15%, 0.32%

LAB 38.57, -3.87, 13.42

 

CMYK 2 / 2 / 0 / 68

HEX #505052

RGB 80 80 82

HSL 240, 0.01%, 0.32%

LAB 34.09, 0.44, -1.18

 

CMYK 29 / 28 / 0 / 63

HEX #43445F

RGB 67 68 95

HSL 237.86, 0.17%, 0.32%

LAB 29.8, 6.52, -16.05

 

CMYK 50 / 48 / 0 / 58

HEX #36386C

RGB 54 56 108

HSL 237.78, 0.33%, 0.32%

LAB 25.85, 14.67, -30.67

 

CMYK 66 / 64 / 0 / 52

HEX #292C7A

RGB 41 44 122

HSL 237.78, 0.5%, 0.32%

LAB 22.58, 25.08, -44.94

 

CMYK 0 / 15 / 26 / 64

HEX #5D4F45

RGB 93 79 69

HSL 25, 0.15%, 0.32%

LAB 34.7, 4.05, 8.06

 

CMYK 0 / 8 / 26 / 64

HEX #5D5645

RGB 93 86 69

HSL 42.5, 0.15%, 0.32%

LAB 36.77, -0.25, 10.94

 

CMYK 0 / 1 / 26 / 64

HEX #5D5C45

RGB 93 92 69

HSL 57.5, 0.15%, 0.32%

LAB 38.57, -3.87, 13.42

 

CMYK 5 / 0 / 26 / 64

HEX #585D45

RGB 88 93 69

HSL 72.5, 0.15%, 0.32%

LAB 38.43, -6.62, 13.16

 

CMYK 12 / 0 / 26 / 64

HEX #525D45

RGB 82 93 69

HSL 87.5, 0.15%, 0.32%

LAB 37.94, -9.17, 12.4

 

CMYK 0 / 2 / 26 / 82

HEX #2E2D22

RGB 46 45 34

HSL 55, 0.15%, 0.16%

LAB 18.25, -1.87, 7.3

 

CMYK 0 / 1 / 27 / 73

HEX #464533

RGB 70 69 51

HSL 56.84, 0.16%, 0.24%

LAB 28.9, -3.08, 11.06

 

CMYK 0 / 1 / 26 / 64

HEX #5D5C45

RGB 93 92 69

HSL 57.5, 0.15%, 0.32%

LAB 38.57, -3.87, 13.42

 

CMYK 0 / 1 / 26 / 54

HEX #757456

RGB 117 116 86

HSL 58.06, 0.15%, 0.4%

LAB 48.19, -4.92, 16.77

 

CMYK 0 / 1 / 26 / 45

HEX #8D8B68

RGB 141 139 104

HSL 56.76, 0.15%, 0.48%

LAB 57.2, -5.23, 19.04

 

CMYK 0 / 1 / 26 / 63

HEX #5E5D46

RGB 94 93 70

HSL 57.5, 0.15%, 0.32%

LAB 38.99, -3.86, 13.4

 

CMYK 26 / 0 / 22 / 64

HEX #455D49

RGB 69 93 73

HSL 130, 0.15%, 0.32%

LAB 37.07, -13.61, 8.6

 

CMYK 12 / 26 / 0 / 64

HEX #52455D

RGB 82 69 93

HSL 272.5, 0.15%, 0.32%

LAB 31.44, 10.77, -12.13

 

CMYK 0 / 1 / 26 / 63

HEX #5E5D46

RGB 94 93 70

HSL 57.5, 0.15%, 0.32%

LAB 38.99, -3.86, 13.4

 

CMYK 26 / 0 / 1 / 64

HEX #455D5C

RGB 69 93 92

HSL 177.5, 0.15%, 0.32%

LAB 37.6, -9.21, -2.37

 

CMYK 1 / 26 / 0 / 64

HEX #5C455D

RGB 92 69 93

HSL 297.5, 0.15%, 0.32%

LAB 32.53, 14.57, -10.37

 

CMYK 0 / 1 / 26 / 63

HEX #5E5D46

RGB 94 93 70

HSL 57.5, 0.15%, 0.32%

LAB 38.99, -3.86, 13.4

 

CMYK 26 / 0 / 22 / 64

HEX #455D49

RGB 69 93 73

HSL 130, 0.15%, 0.32%

LAB 37.07, -13.61, 8.6

 

CMYK 26 / 25 / 0 / 64

HEX #45465D

RGB 69 70 93

HSL 237.5, 0.15%, 0.32%

LAB 30.49, 5.35, -13.7

 

CMYK 0 / 26 / 3 / 64

HEX #5D455A

RGB 93 69 90

HSL 307.5, 0.15%, 0.32%

LAB 32.53, 14.32, -8.45

 

CMYK 0 / 1 / 26 / 63

HEX #5E5D46

RGB 94 93 70

HSL 57.5, 0.15%, 0.32%

LAB 38.99, -3.86, 13.4

 

CMYK 26 / 0 / 14 / 64

HEX #455D50

RGB 69 93 80

HSL 147.5, 0.15%, 0.32%

LAB 37.25, -12.09, 4.54

 

CMYK 26 / 25 / 0 / 64

HEX #45465D

RGB 69 70 93

HSL 237.5, 0.15%, 0.32%

LAB 30.49, 5.35, -13.7

 

CMYK 0 / 26 / 12 / 64

HEX #5D4552

RGB 93 69 82

HSL 327.5, 0.15%, 0.32%

LAB 32.24, 12.68, -3.75

 

Description

Color code: CMYK 0 / 1 / 26 / 63 | qconv.com Color code: CMYK 0 / 1 / 26 / 63 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 93 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 93 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 26 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 26% 63% C M Y K

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Provide designers and agencies with accurate color values.

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