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Color name
CMYK 0 / 1 / 37 / 12

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 1 / 37 / 12 it is the complementary color CMYK 73 / 71 / 0 / 55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 1 / 37 / 12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 1 / 37 / 12 shade: CMYK 0 / 3 / 41 / 10, CMYK 0 / 2 / 37 / 4, CMYK 0 / 0 / 32 / 0, CMYK 0 / 0 / 24 / 0 and CMYK 0 / 0 / 17 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 1 / 37 / 12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 1 / 37 / 12 shade: CMYK 0 / 1 / 37 / 12, CMYK 0 / 1 / 41 / 19, CMYK 0 / 2 / 46 / 25, CMYK 0 / 3 / 51 / 32 and CMYK 0 / 4 / 58 / 39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 1 / 37 / 12 shade: CMYK 0 / 1 / 37 / 12, CMYK 0 / 11 / 37 / 12, CMYK 0 / 21 / 37 / 12, CMYK 0 / 30 / 37 / 12 and CMYK 0 / 37 / 37 / 12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 1 / 37 / 12 shade: CMYK 0 / 1 / 37 / 12, CMYK 9 / 0 / 37 / 12, CMYK 19 / 0 / 37 / 12, CMYK 29 / 0 / 37 / 12 and CMYK 37 / 0 / 34 / 12

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 1 / 37 / 12 shade matches the following richer shades: CMYK 0 / 1 / 37 / 12, CMYK 0 / 1 / 44 / 8 and CMYK 0 / 1 / 52 / 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 1 / 37 / 12 shade: CMYK 0 / 1 / 37 / 12, CMYK 0 / 0 / 27 / 17, CMYK 0 / 0 / 17 / 21, CMYK 0 / 0 / 6 / 26 and CMYK 6 / 6 / 0 / 26

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 1 / 37 / 12 shade: CMYK 0 / 21 / 37 / 12, CMYK 0 / 11 / 37 / 12, CMYK 0 / 1 / 37 / 12, CMYK 8 / 0 / 37 / 12 and CMYK 18 / 0 / 37 / 12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 1 / 37 / 12 shade: CMYK 0 / 1 / 62 / 19, CMYK 0 / 1 / 49 / 16, CMYK 0 / 1 / 37 / 12, CMYK 0 / 1 / 25 / 9 and CMYK 0 / 0 / 14 / 5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 1 / 37 / 12 shade: CMYK 0 / 1 / 37 / 12, CMYK 37 / 0 / 30 / 12 and CMYK 16 / 37 / 0 / 12

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 1 / 37 / 12 shade: CMYK 0 / 1 / 37 / 12, CMYK 37 / 0 / 1 / 12 and CMYK 1 / 37 / 0 / 12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 1 / 37 / 12 shade: CMYK 0 / 1 / 37 / 12, CMYK 37 / 0 / 30 / 12, CMYK 37 / 35 / 0 / 12 and CMYK 0 / 37 / 6 / 12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 1 / 37 / 12 shade: CMYK 0 / 1 / 37 / 12, CMYK 37 / 0 / 20 / 12, CMYK 37 / 35 / 0 / 12 and CMYK 0 / 37 / 17 / 12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 37 / 12

HEX #E0DE8D

RGB 224 222 141

HSL 58.55, 0.57%, 0.72%

LAB 87, -11.12, 39.99

 

Complementary color

CMYK 73 / 71 / 0 / 55

HEX #1F2172

RGB 31 33 114

HSL 238.55, 0.57%, 0.28%

LAB 18.34, 28, -46.78

 

CMYK 0 / 3 / 41 / 10

HEX #E5DE88

RGB 229 222 136

HSL 55.48, 0.64%, 0.72%

LAB 87.33, -9.71, 42.97

 

CMYK 0 / 2 / 37 / 4

HEX #F6F09B

RGB 246 240 155

HSL 56.04, 0.83%, 0.79%

LAB 93.57, -10.08, 41.82

 

CMYK 0 / 0 / 32 / 0

HEX #FFFFAE

RGB 255 255 174

HSL 60, 1%, 0.84%

LAB 98.37, -11.92, 38.8

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC1

RGB 255 255 193

HSL 60, 1%, 0.88%

LAB 98.68, -9.55, 29.73

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD4

RGB 255 255 212

HSL 60, 1%, 0.92%

LAB 99.04, -6.9, 20.6

 

CMYK 0 / 1 / 37 / 12

HEX #E0DE8D

RGB 224 222 141

HSL 58.55, 0.57%, 0.72%

LAB 87, -11.12, 39.99

 

CMYK 0 / 1 / 41 / 19

HEX #CFCC7A

RGB 207 204 122

HSL 57.88, 0.47%, 0.65%

LAB 80.66, -10.76, 41.16

 

CMYK 0 / 2 / 46 / 25

HEX #BEBA67

RGB 190 186 103

HSL 57.24, 0.4%, 0.57%

LAB 74.22, -10.34, 42.36

 

CMYK 0 / 3 / 51 / 32

HEX #ADA854

RGB 173 168 84

HSL 56.63, 0.35%, 0.5%

LAB 67.67, -9.82, 43.56

 

CMYK 0 / 4 / 58 / 39

HEX #9C9641

RGB 156 150 65

HSL 56.04, 0.41%, 0.43%

LAB 61.01, -9.17, 44.7

 

CMYK 0 / 1 / 37 / 12

HEX #E0DE8E

RGB 224 222 142

HSL 58.54, 0.57%, 0.72%

LAB 87.02, -11.01, 39.5

 

CMYK 0 / 11 / 37 / 12

HEX #E0C88E

RGB 224 200 142

HSL 42.44, 0.57%, 0.72%

LAB 81.35, 0.24, 32.12

 

CMYK 0 / 21 / 37 / 12

HEX #E0B28E

RGB 224 178 142

HSL 26.34, 0.57%, 0.72%

LAB 75.85, 11.84, 24.76

 

CMYK 0 / 30 / 37 / 12

HEX #E09C8E

RGB 224 156 142

HSL 10.24, 0.57%, 0.72%

LAB 70.58, 23.63, 17.54

 

CMYK 0 / 37 / 37 / 12

HEX #E08E8E

RGB 224 142 142

HSL 0, 0.57%, 0.72%

LAB 67.39, 31.13, 13.09

 

CMYK 0 / 1 / 37 / 12

HEX #E0DE8E

RGB 224 222 142

HSL 58.54, 0.57%, 0.72%

LAB 87.02, -11.01, 39.5

 

CMYK 9 / 0 / 37 / 12

HEX #CCE08E

RGB 204 224 142

HSL 74.63, 0.57%, 0.72%

LAB 86.06, -19.64, 37.97

 

CMYK 19 / 0 / 37 / 12

HEX #B6E08E

RGB 182 224 142

HSL 90.73, 0.57%, 0.72%

LAB 84.59, -27.74, 35.78

 

CMYK 29 / 0 / 37 / 12

HEX #A0E08E

RGB 160 224 142

HSL 106.83, 0.57%, 0.72%

LAB 83.3, -35.37, 33.85

 

CMYK 37 / 0 / 34 / 12

HEX #8EE093

RGB 142 224 147

HSL 123.66, 0.57%, 0.72%

LAB 82.47, -40.37, 30.03

 

CMYK 0 / 1 / 37 / 12

HEX #E0DE8E

RGB 224 222 142

HSL 58.54, 0.57%, 0.72%

LAB 87.02, -11.01, 39.5

 

CMYK 0 / 1 / 44 / 8

HEX #EBE983

RGB 235 233 131

HSL 58.85, 0.72%, 0.72%

LAB 90.59, -13.34, 49.58

 

CMYK 0 / 1 / 52 / 3

HEX #F7F477

RGB 247 244 119

HSL 58.59, 0.89%, 0.72%

LAB 94.23, -15.07, 59.75

 

CMYK 0 / 1 / 37 / 12

HEX #E0DE8E

RGB 224 222 142

HSL 58.54, 0.57%, 0.72%

LAB 87.02, -11.01, 39.5

 

CMYK 0 / 0 / 27 / 17

HEX #D4D39A

RGB 212 211 154

HSL 58.97, 0.4%, 0.72%

LAB 83.4, -8.59, 28.44

 

CMYK 0 / 0 / 17 / 21

HEX #C9C8A6

RGB 201 200 166

HSL 58.29, 0.24%, 0.72%

LAB 79.89, -5.35, 17.17

 

CMYK 0 / 0 / 6 / 26

HEX #BDBDB1

RGB 189 189 177

HSL 60, 0.08%, 0.72%

LAB 76.31, -2.15, 6.06

 

CMYK 6 / 6 / 0 / 26

HEX #B2B2BD

RGB 178 178 189

HSL 240, 0.08%, 0.72%

LAB 72.88, 2.12, -5.59

 

CMYK 0 / 21 / 37 / 12

HEX #E0B28E

RGB 224 178 142

HSL 26.34, 0.57%, 0.72%

LAB 75.85, 11.84, 24.76

 

CMYK 0 / 11 / 37 / 12

HEX #E0C78E

RGB 224 199 142

HSL 41.71, 0.57%, 0.72%

LAB 81.1, 0.76, 31.78

 

CMYK 0 / 1 / 37 / 12

HEX #E0DD8E

RGB 224 221 142

HSL 57.8, 0.57%, 0.72%

LAB 86.76, -10.51, 39.17

 

CMYK 8 / 0 / 37 / 12

HEX #CDE08E

RGB 205 224 142

HSL 73.9, 0.57%, 0.72%

LAB 86.13, -19.26, 38.08

 

CMYK 18 / 0 / 37 / 12

HEX #B7E08E

RGB 183 224 142

HSL 90, 0.57%, 0.72%

LAB 84.65, -27.38, 35.88

 

CMYK 0 / 1 / 62 / 19

HEX #CECB4E

RGB 206 203 78

HSL 58.59, 0.57%, 0.56%

LAB 79.83, -14.39, 60.68

 

CMYK 0 / 1 / 49 / 16

HEX #D7D46E

RGB 215 212 110

HSL 58.29, 0.57%, 0.64%

LAB 83.26, -12.77, 50.36

 

CMYK 0 / 1 / 37 / 12

HEX #E0DE8E

RGB 224 222 142

HSL 58.54, 0.57%, 0.72%

LAB 87.02, -11.01, 39.5

 

CMYK 0 / 1 / 25 / 9

HEX #E9E7AF

RGB 233 231 175

HSL 57.93, 0.57%, 0.8%

LAB 90.58, -8.05, 27.59

 

CMYK 0 / 0 / 14 / 5

HEX #F2F1CF

RGB 242 241 207

HSL 58.29, 0.57%, 0.88%

LAB 94.44, -5.25, 16.57

 

CMYK 0 / 1 / 37 / 12

HEX #E0DE8D

RGB 224 222 141

HSL 58.55, 0.57%, 0.72%

LAB 87, -11.12, 39.99

 

CMYK 37 / 0 / 30 / 12

HEX #8EE09C

RGB 142 224 156

HSL 130.24, 0.57%, 0.72%

LAB 82.63, -38.88, 25.61

 

CMYK 16 / 37 / 0 / 12

HEX #BD8EE0

RGB 189 142 224

HSL 274.39, 0.57%, 0.72%

LAB 66.17, 32.93, -35

 

CMYK 0 / 1 / 37 / 12

HEX #E0DE8D

RGB 224 222 141

HSL 58.55, 0.57%, 0.72%

LAB 87, -11.12, 39.99

 

CMYK 37 / 0 / 1 / 12

HEX #8EE0DD

RGB 142 224 221

HSL 177.8, 0.57%, 0.72%

LAB 84.11, -25.59, -6.45

 

CMYK 1 / 37 / 0 / 12

HEX #DD8EE0

RGB 221 142 224

HSL 297.8, 0.57%, 0.72%

LAB 69.54, 42.69, -29.51

 

CMYK 0 / 1 / 37 / 12

HEX #E0DE8D

RGB 224 222 141

HSL 58.55, 0.57%, 0.72%

LAB 87, -11.12, 39.99

 

CMYK 37 / 0 / 30 / 12

HEX #8EE09C

RGB 142 224 156

HSL 130.24, 0.57%, 0.72%

LAB 82.63, -38.88, 25.61

 

CMYK 37 / 35 / 0 / 12

HEX #8E91E0

RGB 142 145 224

HSL 237.8, 0.57%, 0.72%

LAB 62.83, 17.69, -40.52

 

CMYK 0 / 37 / 6 / 12

HEX #E08ED2

RGB 224 142 210

HSL 310.24, 0.57%, 0.72%

LAB 69.36, 41.13, -22.02

 

CMYK 0 / 1 / 37 / 12

HEX #E0DE8D

RGB 224 222 141

HSL 58.55, 0.57%, 0.72%

LAB 87, -11.12, 39.99

 

CMYK 37 / 0 / 20 / 12

HEX #8EE0B4

RGB 142 224 180

HSL 147.8, 0.57%, 0.72%

LAB 83.1, -34.47, 13.75

 

CMYK 37 / 35 / 0 / 12

HEX #8E91E0

RGB 142 145 224

HSL 237.8, 0.57%, 0.72%

LAB 62.83, 17.69, -40.52

 

CMYK 0 / 37 / 17 / 12

HEX #E08EBA

RGB 224 142 186

HSL 327.8, 0.57%, 0.72%

LAB 68.56, 37.18, -9.87

 

Description

Color code: CMYK 0 / 1 / 37 / 12 | qconv.com Color code: CMYK 0 / 1 / 37 / 12 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 222 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 222 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 37 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 37% 12% C M Y K

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Provide designers and agencies with accurate color values.

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