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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 23 / 75 / 14 it is the complementary color CMYK 82 / 57 / 0 / 22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 23 / 75 / 14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 23 / 75 / 14 shade: CMYK 0 / 25 / 78 / 12, CMYK 0 / 22 / 71 / 5, CMYK 0 / 20 / 65 / 0, CMYK 0 / 13 / 58 / 0 and CMYK 0 / 5 / 51 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 23 / 75 / 14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 23 / 75 / 14 shade: CMYK 0 / 23 / 75 / 14, CMYK 0 / 25 / 82 / 21, CMYK 0 / 28 / 91 / 27, CMYK 0 / 32 / 100 / 34 and CMYK 0 / 36 / 100 / 41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 23 / 75 / 14 shade: CMYK 0 / 22 / 74 / 15, CMYK 0 / 43 / 74 / 15, CMYK 0 / 63 / 74 / 15 and CMYK 0 / 74 / 74 / 15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 23 / 75 / 14 shade: CMYK 0 / 22 / 74 / 15, CMYK 0 / 3 / 74 / 15, CMYK 17 / 0 / 74 / 15, CMYK 37 / 0 / 74 / 15 and CMYK 57 / 0 / 74 / 15

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 23 / 75 / 14 shade matches the following richer shades: CMYK 0 / 22 / 74 / 15 and CMYK 0 / 26 / 84 / 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 23 / 75 / 14 shade: CMYK 0 / 22 / 74 / 15, CMYK 0 / 19 / 62 / 22, CMYK 0 / 14 / 48 / 29, CMYK 0 / 9 / 30 / 37 and CMYK 0 / 2 / 7 / 44

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 23 / 75 / 14 shade: CMYK 0 / 63 / 74 / 15, CMYK 0 / 43 / 74 / 15, CMYK 0 / 23 / 74 / 15, CMYK 0 / 4 / 74 / 15 and CMYK 16 / 0 / 74 / 15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 23 / 75 / 14 shade: CMYK 0 / 25 / 82 / 36, CMYK 0 / 25 / 82 / 23, CMYK 0 / 22 / 74 / 15, CMYK 0 / 18 / 60 / 12 and CMYK 0 / 14 / 45 / 9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 23 / 75 / 14 shade: CMYK 0 / 23 / 75 / 14, CMYK 66 / 0 / 74 / 15 and CMYK 53 / 74 / 0 / 15

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 23 / 75 / 14 shade: CMYK 0 / 23 / 75 / 14, CMYK 74 / 0 / 23 / 15 and CMYK 23 / 74 / 0 / 15

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 23 / 75 / 14 shade: CMYK 0 / 23 / 75 / 14, CMYK 66 / 0 / 74 / 15, CMYK 74 / 50 / 0 / 15 and CMYK 9 / 74 / 0 / 15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 23 / 75 / 14 shade: CMYK 0 / 23 / 75 / 14, CMYK 74 / 0 / 61 / 15, CMYK 74 / 50 / 0 / 15 and CMYK 0 / 74 / 14 / 15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 75 / 14

HEX #DBA937

RGB 219 169 55

HSL 41.71, 0.69%, 0.54%

LAB 72.04, 7.59, 62.38

 

Complementary color

CMYK 82 / 57 / 0 / 22

HEX #2456C8

RGB 36 86 200

HSL 221.71, 0.69%, 0.46%

LAB 39.92, 26.03, -63.87

 

CMYK 0 / 25 / 78 / 12

HEX #E0A932

RGB 224 169 50

HSL 41.03, 0.74%, 0.54%

LAB 72.53, 9.55, 64.88

 

CMYK 0 / 22 / 71 / 5

HEX #F1BB45

RGB 241 187 69

HSL 41.16, 0.86%, 0.61%

LAB 78.85, 8.12, 64.36

 

CMYK 0 / 20 / 65 / 0

HEX #FFCD58

RGB 255 205 88

HSL 42.04, 1%, 0.67%

LAB 84.81, 5.63, 63.06

 

CMYK 0 / 13 / 58 / 0

HEX #FFDF6B

RGB 255 223 107

HSL 47.03, 1%, 0.71%

LAB 89.44, -2.34, 59.81

 

CMYK 0 / 5 / 51 / 0

HEX #FFF17E

RGB 255 241 126

HSL 53.49, 1%, 0.75%

LAB 94.17, -9.87, 56.64

 

CMYK 0 / 23 / 75 / 14

HEX #DBA937

RGB 219 169 55

HSL 41.71, 0.69%, 0.54%

LAB 72.04, 7.59, 62.38

 

CMYK 0 / 25 / 82 / 21

HEX #CA9724

RGB 202 151 36

HSL 41.57, 0.7%, 0.47%

LAB 65.61, 9.15, 62.51

 

CMYK 0 / 28 / 91 / 27

HEX #B98511

RGB 185 133 17

HSL 41.43, 0.83%, 0.4%

LAB 59.09, 10.96, 61.55

 

CMYK 0 / 32 / 100 / 34

HEX #A87300

RGB 168 115 0

HSL 41.07, 1%, 0.33%

LAB 52.49, 13.06, 59.06

 

CMYK 0 / 36 / 100 / 41

HEX #976100

RGB 151 97 0

HSL 38.54, 1%, 0.3%

LAB 45.81, 15.5, 53.6

 

CMYK 0 / 22 / 74 / 15

HEX #DAA938

RGB 218 169 56

HSL 41.85, 0.69%, 0.54%

LAB 71.94, 7.2, 61.86

 

CMYK 0 / 43 / 74 / 15

HEX #DA7D38

RGB 218 125 56

HSL 25.56, 0.69%, 0.54%

LAB 61.53, 30.77, 51.49

 

CMYK 0 / 63 / 74 / 15

HEX #DA5138

RGB 218 81 56

HSL 9.26, 0.69%, 0.54%

LAB 53.03, 52.33, 42.52

 

CMYK 0 / 74 / 74 / 15

HEX #DA3838

RGB 218 56 56

HSL 0, 0.69%, 0.54%

LAB 49.52, 61.92, 38.66

 

CMYK 0 / 22 / 74 / 15

HEX #DAA938

RGB 218 169 56

HSL 41.85, 0.69%, 0.54%

LAB 71.94, 7.2, 61.86

 

CMYK 0 / 3 / 74 / 15

HEX #DAD438

RGB 218 212 56

HSL 57.78, 0.69%, 0.54%

LAB 83.06, -15, 72.41

 

CMYK 17 / 0 / 74 / 15

HEX #B4DA38

RGB 180 218 56

HSL 74.07, 0.69%, 0.54%

LAB 81.91, -33.46, 70.34

 

CMYK 37 / 0 / 74 / 15

HEX #89DA38

RGB 137 218 56

HSL 90, 0.69%, 0.54%

LAB 79.47, -49.4, 67.14

 

CMYK 57 / 0 / 74 / 15

HEX #5DDA38

RGB 93 218 56

HSL 106.3, 0.69%, 0.54%

LAB 77.73, -62.45, 64.85

 

CMYK 0 / 22 / 74 / 15

HEX #DAA938

RGB 218 169 56

HSL 41.85, 0.69%, 0.54%

LAB 71.94, 7.2, 61.86

 

CMYK 0 / 26 / 84 / 7

HEX #EDB025

RGB 237 176 37

HSL 41.7, 0.85%, 0.54%

LAB 75.57, 11.03, 72.17

 

CMYK 0 / 22 / 74 / 15

HEX #DAA938

RGB 218 169 56

HSL 41.85, 0.69%, 0.54%

LAB 71.94, 7.2, 61.86

 

CMYK 0 / 19 / 62 / 22

HEX #C7A14B

RGB 199 161 75

HSL 41.61, 0.53%, 0.54%

LAB 68.12, 4.34, 49.05

 

CMYK 0 / 14 / 48 / 29

HEX #B49A5E

RGB 180 154 94

HSL 41.86, 0.36%, 0.54%

LAB 64.66, 1.59, 34.93

 

CMYK 0 / 9 / 30 / 37

HEX #A19371

RGB 161 147 113

HSL 42.5, 0.2%, 0.54%

LAB 61.34, -0.22, 19.92

 

CMYK 0 / 2 / 7 / 44

HEX #8E8B84

RGB 142 139 132

HSL 42, 0.04%, 0.54%

LAB 57.92, -0.2, 4.13

 

CMYK 0 / 63 / 74 / 15

HEX #DA5138

RGB 218 81 56

HSL 9.26, 0.69%, 0.54%

LAB 53.03, 52.33, 42.52

 

CMYK 0 / 43 / 74 / 15

HEX #DA7C38

RGB 218 124 56

HSL 25.19, 0.69%, 0.54%

LAB 61.31, 31.29, 51.26

 

CMYK 0 / 23 / 74 / 15

HEX #DAA738

RGB 218 167 56

HSL 41.11, 0.69%, 0.54%

LAB 71.44, 8.27, 61.38

 

CMYK 0 / 4 / 74 / 15

HEX #DAD238

RGB 218 210 56

HSL 57.04, 0.69%, 0.54%

LAB 82.53, -14.01, 71.92

 

CMYK 16 / 0 / 74 / 15

HEX #B7DA38

RGB 183 218 56

HSL 72.96, 0.69%, 0.54%

LAB 82.11, -32.27, 70.59

 

CMYK 0 / 25 / 82 / 36

HEX #A27A1D

RGB 162 122 29

HSL 41.95, 0.7%, 0.37%

LAB 53.7, 6.96, 52.67

 

CMYK 0 / 25 / 82 / 23

HEX #C59424

RGB 197 148 36

HSL 41.74, 0.69%, 0.46%

LAB 64.3, 8.57, 61.16

 

CMYK 0 / 22 / 74 / 15

HEX #DAA938

RGB 218 169 56

HSL 41.85, 0.69%, 0.54%

LAB 71.94, 7.2, 61.86

 

CMYK 0 / 18 / 60 / 12

HEX #E1B85B

RGB 225 184 91

HSL 41.64, 0.69%, 0.62%

LAB 76.71, 4.25, 51.91

 

CMYK 0 / 14 / 45 / 9

HEX #E7C77E

RGB 231 199 126

HSL 41.71, 0.69%, 0.7%

LAB 81.48, 1.83, 40.61

 

CMYK 0 / 23 / 75 / 14

HEX #DBA937

RGB 219 169 55

HSL 41.71, 0.69%, 0.54%

LAB 72.04, 7.59, 62.38

 

CMYK 66 / 0 / 74 / 15

HEX #4BDA38

RGB 75 218 56

HSL 112.96, 0.69%, 0.54%

LAB 77.24, -66.49, 64.2

 

CMYK 53 / 74 / 0 / 15

HEX #6638DA

RGB 102 56 218

HSL 257.04, 0.69%, 0.54%

LAB 39.1, 57.66, -75.43

 

CMYK 0 / 23 / 75 / 14

HEX #DBA937

RGB 219 169 55

HSL 41.71, 0.69%, 0.54%

LAB 72.04, 7.59, 62.38

 

CMYK 74 / 0 / 23 / 15

HEX #38DAA7

RGB 56 218 167

HSL 161.11, 0.69%, 0.54%

LAB 78.33, -52.78, 13.48

 

CMYK 23 / 74 / 0 / 15

HEX #A738DA

RGB 167 56 218

HSL 281.11, 0.69%, 0.54%

LAB 47.11, 68.41, -62.02

 

CMYK 0 / 23 / 75 / 14

HEX #DBA937

RGB 219 169 55

HSL 41.71, 0.69%, 0.54%

LAB 72.04, 7.59, 62.38

 

CMYK 66 / 0 / 74 / 15

HEX #4BDA38

RGB 75 218 56

HSL 112.96, 0.69%, 0.54%

LAB 77.24, -66.49, 64.2

 

CMYK 74 / 50 / 0 / 15

HEX #386CDA

RGB 56 108 218

HSL 220.74, 0.69%, 0.54%

LAB 47.79, 20.7, -61.4

 

CMYK 9 / 74 / 0 / 15

HEX #C738DA

RGB 199 56 218

HSL 292.96, 0.69%, 0.54%

LAB 51.87, 74.56, -54.11

 

CMYK 0 / 23 / 75 / 14

HEX #DBA937

RGB 219 169 55

HSL 41.71, 0.69%, 0.54%

LAB 72.04, 7.59, 62.38

 

CMYK 74 / 0 / 61 / 15

HEX #38DA56

RGB 56 218 86

HSL 131.11, 0.69%, 0.54%

LAB 77.07, -66.98, 52.19

 

CMYK 74 / 50 / 0 / 15

HEX #386CDA

RGB 56 108 218

HSL 220.74, 0.69%, 0.54%

LAB 47.79, 20.7, -61.4

 

CMYK 0 / 74 / 14 / 15

HEX #DA38BC

RGB 218 56 188

HSL 311.11, 0.69%, 0.54%

LAB 53.35, 73.92, -34.35

 

Description

Color code: CMYK 0 / 23 / 75 / 14 | qconv.com Color code: CMYK 0 / 23 / 75 / 14 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 169 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 169 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 75 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 75% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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