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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 25 / 62 / 26 it is the complementary color CMYK 64 / 38 / 0 / 28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 25 / 62 / 26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 25 / 62 / 26 shade: CMYK 0 / 27 / 65 / 24, CMYK 0 / 24 / 59 / 17, CMYK 0 / 22 / 54 / 11, CMYK 0 / 20 / 49 / 4 and CMYK 0 / 16 / 44 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 25 / 62 / 26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 25 / 62 / 26 shade: CMYK 0 / 25 / 62 / 26, CMYK 0 / 28 / 69 / 33, CMYK 0 / 32 / 78 / 39, CMYK 0 / 36 / 89 / 46 and CMYK 0 / 42 / 100 / 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 25 / 62 / 26 shade: CMYK 0 / 25 / 62 / 26, CMYK 0 / 42 / 62 / 26, CMYK 0 / 59 / 62 / 26 and CMYK 0 / 62 / 62 / 26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 25 / 62 / 26 shade: CMYK 0 / 25 / 62 / 26, CMYK 0 / 8 / 62 / 26, CMYK 9 / 0 / 62 / 26, CMYK 26 / 0 / 62 / 26 and CMYK 42 / 0 / 62 / 26

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 25 / 62 / 26 shade matches the following richer shades: CMYK 0 / 25 / 62 / 26, CMYK 0 / 30 / 75 / 18, CMYK 0 / 35 / 87 / 10 and CMYK 0 / 39 / 96 / 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 25 / 62 / 26 shade: CMYK 0 / 25 / 62 / 26, CMYK 0 / 18 / 46 / 34, CMYK 0 / 10 / 25 / 42, CMYK 2 / 2 / 0 / 49 and CMYK 30 / 18 / 0 / 40

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 25 / 62 / 26 shade: CMYK 0 / 59 / 62 / 26, CMYK 0 / 43 / 62 / 26, CMYK 0 / 26 / 62 / 26, CMYK 0 / 9 / 62 / 26 and CMYK 7 / 0 / 62 / 26

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 25 / 62 / 26 shade: CMYK 0 / 26 / 64 / 49, CMYK 0 / 26 / 64 / 37, CMYK 0 / 25 / 62 / 26, CMYK 0 / 20 / 49 / 22 and CMYK 0 / 15 / 38 / 18

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 25 / 62 / 26 shade: CMYK 0 / 25 / 62 / 26, CMYK 49 / 0 / 62 / 26 and CMYK 51 / 62 / 0 / 26

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 25 / 62 / 26 shade: CMYK 0 / 25 / 62 / 26, CMYK 62 / 0 / 26 / 26 and CMYK 26 / 62 / 0 / 26

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 25 / 62 / 26 shade: CMYK 0 / 25 / 62 / 26, CMYK 49 / 0 / 62 / 26, CMYK 62 / 36 / 0 / 26 and CMYK 13 / 62 / 0 / 26

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 25 / 62 / 26 shade: CMYK 0 / 25 / 62 / 26, CMYK 62 / 0 / 57 / 26, CMYK 62 / 36 / 0 / 26 and CMYK 0 / 62 / 5 / 26

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 62 / 26

HEX #BD8E48

RGB 189 142 72

HSL 35.9, 0.47%, 0.51%

LAB 62.2, 10.16, 43.5

 

Complementary color

CMYK 64 / 38 / 0 / 28

HEX #4271B7

RGB 66 113 183

HSL 215.9, 0.47%, 0.49%

LAB 47.48, 6.43, -41.79

 

CMYK 0 / 27 / 65 / 24

HEX #C28E43

RGB 194 142 67

HSL 35.43, 0.51%, 0.51%

LAB 62.69, 11.99, 46.66

 

CMYK 0 / 24 / 59 / 17

HEX #D3A056

RGB 211 160 86

HSL 35.52, 0.59%, 0.58%

LAB 69.23, 10.78, 45.3

 

CMYK 0 / 22 / 54 / 11

HEX #E4B269

RGB 228 178 105

HSL 35.61, 0.69%, 0.65%

LAB 75.67, 9.74, 43.93

 

CMYK 0 / 20 / 49 / 4

HEX #F5C47C

RGB 245 196 124

HSL 35.7, 0.86%, 0.72%

LAB 82.03, 8.84, 42.59

 

CMYK 0 / 16 / 44 / 0

HEX #FFD68F

RGB 255 214 143

HSL 38.04, 1%, 0.78%

LAB 87.65, 5.3, 40.34

 

CMYK 0 / 25 / 62 / 26

HEX #BD8E48

RGB 189 142 72

HSL 35.9, 0.47%, 0.51%

LAB 62.2, 10.16, 43.5

 

CMYK 0 / 28 / 69 / 33

HEX #AC7C35

RGB 172 124 53

HSL 35.8, 0.53%, 0.44%

LAB 55.53, 11.47, 44.82

 

CMYK 0 / 32 / 78 / 39

HEX #9B6A22

RGB 155 106 34

HSL 35.7, 0.64%, 0.37%

LAB 48.75, 13.05, 45.87

 

CMYK 0 / 36 / 89 / 46

HEX #8A580F

RGB 138 88 15

HSL 35.61, 0.8%, 0.3%

LAB 41.87, 14.97, 46.08

 

CMYK 0 / 42 / 100 / 53

HEX #794600

RGB 121 70 0

HSL 34.71, 1%, 0.24%

LAB 34.89, 17.27, 44.52

 

CMYK 0 / 25 / 62 / 26

HEX #BC8D47

RGB 188 141 71

HSL 35.9, 0.47%, 0.51%

LAB 61.82, 10.21, 43.54

 

CMYK 0 / 42 / 62 / 26

HEX #BC6D47

RGB 188 109 71

HSL 19.49, 0.47%, 0.51%

LAB 54.12, 27.86, 34.48

 

CMYK 0 / 59 / 62 / 26

HEX #BC4E47

RGB 188 78 71

HSL 3.59, 0.47%, 0.51%

LAB 47.75, 43.88, 26.6

 

CMYK 0 / 62 / 62 / 26

HEX #BC4747

RGB 188 71 71

HSL 0, 0.47%, 0.51%

LAB 46.52, 47.13, 25.04

 

CMYK 0 / 25 / 62 / 26

HEX #BC8D47

RGB 188 141 71

HSL 35.9, 0.47%, 0.51%

LAB 61.82, 10.21, 43.54

 

CMYK 0 / 8 / 62 / 26

HEX #BCAD47

RGB 188 173 71

HSL 52.31, 0.47%, 0.51%

LAB 70.2, -7.06, 52.89

 

CMYK 9 / 0 / 62 / 26

HEX #ACBC47

RGB 172 188 71

HSL 68.21, 0.47%, 0.51%

LAB 73.02, -21.49, 55.56

 

CMYK 26 / 0 / 62 / 26

HEX #8CBC47

RGB 140 188 71

HSL 84.62, 0.47%, 0.51%

LAB 70.87, -34.24, 52.6

 

CMYK 42 / 0 / 62 / 26

HEX #6DBC47

RGB 109 188 71

HSL 100.51, 0.47%, 0.51%

LAB 69.24, -45.22, 50.33

 

CMYK 0 / 25 / 62 / 26

HEX #BC8D47

RGB 188 141 71

HSL 35.9, 0.47%, 0.51%

LAB 61.82, 10.21, 43.54

 

CMYK 0 / 30 / 75 / 18

HEX #D09133

RGB 208 145 51

HSL 35.92, 0.63%, 0.51%

LAB 64.88, 15.58, 56.61

 

CMYK 0 / 35 / 87 / 10

HEX #E5951E

RGB 229 149 30

HSL 35.88, 0.79%, 0.51%

LAB 68.2, 21.77, 67.7

 

CMYK 0 / 39 / 96 / 2

HEX #F9990A

RGB 249 153 10

HSL 35.9, 0.95%, 0.51%

LAB 71.52, 27.77, 75.15

 

CMYK 0 / 25 / 62 / 26

HEX #BC8D47

RGB 188 141 71

HSL 35.9, 0.47%, 0.51%

LAB 61.82, 10.21, 43.54

 

CMYK 0 / 18 / 46 / 34

HEX #A8895B

RGB 168 137 91

HSL 35.84, 0.31%, 0.51%

LAB 58.95, 5.56, 29.05

 

CMYK 0 / 10 / 25 / 42

HEX #94856F

RGB 148 133 111

HSL 35.68, 0.15%, 0.51%

LAB 56.31, 2.02, 13.94

 

CMYK 2 / 2 / 0 / 49

HEX #808183

RGB 128 129 131

HSL 220, 0.01%, 0.51%

LAB 53.95, 0.03, -1.22

 

CMYK 30 / 18 / 0 / 40

HEX #6B7D98

RGB 107 125 152

HSL 216, 0.18%, 0.51%

LAB 51.91, -0.01, -16.68

 

CMYK 0 / 59 / 62 / 26

HEX #BC4D47

RGB 188 77 71

HSL 3.08, 0.47%, 0.51%

LAB 47.56, 44.35, 26.37

 

CMYK 0 / 43 / 62 / 26

HEX #BC6C47

RGB 188 108 71

HSL 18.97, 0.47%, 0.51%

LAB 53.89, 28.4, 34.2

 

CMYK 0 / 26 / 62 / 26

HEX #BC8B47

RGB 188 139 71

HSL 34.87, 0.47%, 0.51%

LAB 61.32, 11.31, 42.96

 

CMYK 0 / 9 / 62 / 26

HEX #BCAB47

RGB 188 171 71

HSL 51.28, 0.47%, 0.51%

LAB 69.66, -6.01, 52.3

 

CMYK 7 / 0 / 62 / 26

HEX #AFBC47

RGB 175 188 71

HSL 66.67, 0.47%, 0.51%

LAB 73.24, -20.25, 55.86

 

CMYK 0 / 26 / 64 / 49

HEX #82602F

RGB 130 96 47

HSL 35.42, 0.47%, 0.35%

LAB 43.24, 8.11, 32.85

 

CMYK 0 / 26 / 64 / 37

HEX #A07739

RGB 160 119 57

HSL 36.12, 0.47%, 0.43%

LAB 52.91, 9.19, 39.59

 

CMYK 0 / 25 / 62 / 26

HEX #BC8D47

RGB 188 141 71

HSL 35.9, 0.47%, 0.51%

LAB 61.82, 10.21, 43.54

 

CMYK 0 / 20 / 49 / 22

HEX #C7A065

RGB 199 160 101

HSL 36.12, 0.47%, 0.59%

LAB 68.18, 7, 36.07

 

CMYK 0 / 15 / 38 / 18

HEX #D2B383

RGB 210 179 131

HSL 36.46, 0.47%, 0.67%

LAB 74.56, 4.47, 28.67

 

CMYK 0 / 25 / 62 / 26

HEX #BD8E48

RGB 189 142 72

HSL 35.9, 0.47%, 0.51%

LAB 62.2, 10.16, 43.5

 

CMYK 49 / 0 / 62 / 26

HEX #60BC47

RGB 96 188 71

HSL 107.18, 0.47%, 0.51%

LAB 68.68, -49.23, 49.56

 

CMYK 51 / 62 / 0 / 26

HEX #5C47BC

RGB 92 71 188

HSL 250.77, 0.47%, 0.51%

LAB 38.57, 39.37, -58.92

 

CMYK 0 / 25 / 62 / 26

HEX #BD8E48

RGB 189 142 72

HSL 35.9, 0.47%, 0.51%

LAB 62.2, 10.16, 43.5

 

CMYK 62 / 0 / 26 / 26

HEX #47BC8B

RGB 71 188 139

HSL 154.87, 0.47%, 0.51%

LAB 68.87, -44.45, 15.25

 

CMYK 26 / 62 / 0 / 26

HEX #8B47BC

RGB 139 71 188

HSL 274.87, 0.47%, 0.51%

LAB 43.69, 49.6, -50.4

 

CMYK 0 / 25 / 62 / 26

HEX #BD8E48

RGB 189 142 72

HSL 35.9, 0.47%, 0.51%

LAB 62.2, 10.16, 43.5

 

CMYK 49 / 0 / 62 / 26

HEX #60BC47

RGB 96 188 71

HSL 107.18, 0.47%, 0.51%

LAB 68.68, -49.23, 49.56

 

CMYK 62 / 36 / 0 / 26

HEX #4778BC

RGB 71 120 188

HSL 214.87, 0.47%, 0.51%

LAB 49.98, 4.8, -40.7

 

CMYK 13 / 62 / 0 / 26

HEX #A347BC

RGB 163 71 188

HSL 287.18, 0.47%, 0.51%

LAB 46.87, 55.36, -45.13

 

CMYK 0 / 25 / 62 / 26

HEX #BD8E48

RGB 189 142 72

HSL 35.9, 0.47%, 0.51%

LAB 62.2, 10.16, 43.5

 

CMYK 62 / 0 / 57 / 26

HEX #47BC51

RGB 71 188 81

HSL 125.13, 0.47%, 0.51%

LAB 67.95, -54.53, 43.94

 

CMYK 62 / 36 / 0 / 26

HEX #4778BC

RGB 71 120 188

HSL 214.87, 0.47%, 0.51%

LAB 49.98, 4.8, -40.7

 

CMYK 0 / 62 / 5 / 26

HEX #BC47B2

RGB 188 71 178

HSL 305.13, 0.47%, 0.51%

LAB 49.99, 59.83, -34.13

 

Description

Color code: CMYK 0 / 25 / 62 / 26 | qconv.com Color code: CMYK 0 / 25 / 62 / 26 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 142 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 142 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 62 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 62% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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